[00:00:00] Oh, hi podcast listeners. There's many ways you can listen to the Reel Nerds Podcast.
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[00:01:04] All you crazy kids, welcome to another edition of Reel Nerds Podcast, Retro Filmsplosion.
[00:01:36] This year, we're going all the way back 20 years from this date to 2004, which was a good year of movies.
[00:01:44] I actually kind of struggled with this one. In 1994, I was like, I don't give a fuck.
[00:01:50] This one, I struggled with some of the pics. With me, live in the beautiful Bug Theater in the historic downtown Denver area.
[00:02:01] What is this area actually called, Brad?
[00:02:03] Sunnyside?
[00:02:04] It is very sunny.
[00:02:06] Sunnyside Highlands.
[00:02:07] Yeah, it's very nice. It's a beautiful theater. If you're in Denver, come and see the Bug Theater.
[00:02:12] They do programming throughout the year. What have they got going on this week, Brad? Anything?
[00:02:17] This week, we have a show about trauma, so people go up and air their trauma.
[00:02:23] Horrible stories of abuse.
[00:02:26] I will say that is good if you need to talk to people, because it's always good to talk about what you've experienced, and people can relate to it.
[00:02:35] Yeah, it's cathartic to a bunch of people who attend it.
[00:02:39] And then a little lighter fare at the end of the week. We have our Nerd Night in Grawlix.
[00:02:45] Very nice.
[00:02:46] Nerd TED Talks and local comedy stuff.
[00:02:50] Very cool. So yeah, if you're in Denver, come see the Bug Theater. They've graciously allowed us to record here again.
[00:02:56] And also, I don't know if this episode's ever going to get up on time this month, but there's a Tim Burton Trivia Night the last Tuesday of October.
[00:03:06] Nice.
[00:03:06] It should be. We've caught up.
[00:03:08] Yeah.
[00:03:09] We've actually caught up.
[00:03:10] You spent a lot of time.
[00:03:11] Our website's been redesigned, and it looks great.
[00:03:14] I've had people comment that it's done really well.
[00:03:17] In fact, what's really cool.
[00:03:19] So yesterday, I went to Dismember the Alamo, and I always wear my real nerd shirts to stuff like that, just in case.
[00:03:27] You know, you never know.
[00:03:28] And two random guys came up to me and said hi.
[00:03:30] And one guy's named Brad from Wyoming, and he says he listens to us every week.
[00:03:35] Wow.
[00:03:36] So thank you, Brad. I appreciate it. And thanks for coming to say hi to me, because it happens to me more than I like to admit, where I'm just out somewhere, and someone says, I recognize you.
[00:03:46] You're the only one anyone recognizes from this show.
[00:03:49] I think it's because I'm so out there.
[00:03:51] Yeah.
[00:03:51] You're definitely the personality.
[00:03:53] Yeah.
[00:03:53] And you are the most attractive of everyone in the group.
[00:03:56] Yeah. I mean, true.
[00:03:57] Yeah.
[00:03:59] Every day, people come up to me and go like, how can I get with Brian Frost? How can I get with him?
[00:04:04] And I have to be like, he's already married, ladies.
[00:04:06] I need a piece of that celebrity.
[00:04:07] But you give me some Spider-Man comics, so I'm listening.
[00:04:12] But no, it was really cool, and I always thank people for doing that, because it's also very odd that someone recognizes me.
[00:04:19] And I forget that we've been doing this for 13 years, and we do have a loyal listening fan base, and people listen to us.
[00:04:25] I just imagine it takes you so far back that you turn into Donald Sutherland at the end of Body Snatchers, where you're just like, ah!
[00:04:31] Yes.
[00:04:32] And I do this.
[00:04:36] But we're talking about 2004.
[00:04:39] Mm-hmm.
[00:04:39] So yeah, 2004.
[00:04:41] You know, one of my films on here, which, Brad, you've wonderfully done, Shaun of the Dead motif.
[00:04:46] I remember seeing this at not a big movie theater.
[00:04:49] I think I saw it at the Tivoli, to tell you the truth.
[00:04:52] I think it's at the Mills or the Denver West?
[00:04:55] I saw it very early in its run.
[00:04:57] You should be upset, because originally this motif was supposed to be Spider-Man 2.
[00:05:00] I was really fucking pissed about it, but then I was like, oh, you know, it's all right.
[00:05:04] Yeah.
[00:05:04] Like, we already did for 2002 Spider-Man.
[00:05:08] Yeah.
[00:05:08] So I was like, I guess I could do Shaun of the Dead.
[00:05:11] This one's fun, though.
[00:05:12] Like, I like the zombie arm for the cursor.
[00:05:14] Mm-hmm.
[00:05:16] Mm-hmm.
[00:05:17] So yeah.
[00:05:18] Zach, welcome as well.
[00:05:20] Hello.
[00:05:20] Thanks for joining us.
[00:05:21] Oh, God.
[00:05:22] There's a guy to my right.
[00:05:23] Blech.
[00:05:25] It's Halloween.
[00:05:25] I'll just play a vampire now.
[00:05:27] It is Halloween.
[00:05:29] Yeah.
[00:05:29] I was worried that this is a really late time to be doing 2004, but as my memories have
[00:05:34] popped up on Facebook, I've seen that it was about at this time when we do this.
[00:05:38] Mm-hmm.
[00:05:39] Because of summer, we usually get jam-packed with film anyways.
[00:05:42] And there's always kind of a slight down period with September or October.
[00:05:47] Except this week, I was looking at, man, there's a lot of movies I want to see this week.
[00:05:50] Mm-hmm.
[00:05:51] But it's okay.
[00:05:52] Sometimes it's fun to go back to my youths when I was 23 years old.
[00:05:57] So it's almost Halloween.
[00:05:58] What are you guys dressing up as?
[00:06:02] I'll be going out as a police officer.
[00:06:04] Feel free to say hi to me.
[00:06:06] Where are you going to get a costume like that?
[00:06:08] I don't know, man.
[00:06:08] You got to be careful.
[00:06:09] Yeah.
[00:06:11] What's the spirit version of police officer?
[00:06:14] Because they always have alternate names.
[00:06:16] It's your sexy police officer.
[00:06:18] It's your uniform top and then you just get some short shorts.
[00:06:24] Yeah, exactly.
[00:06:24] Those are our biking shorts that we have.
[00:06:26] Officer hot pants.
[00:06:29] If this is your first time listening to a film splosion, do know that these are our favorite films.
[00:06:34] We don't care what critics think.
[00:06:35] We care what we think.
[00:06:37] I guess technically we are critics, but we're more fun than critics.
[00:06:40] I feel like critics are going to hate me for some of the things that are high up on my list.
[00:06:44] So I'm prepared to accept the fact that I'm not a traditional critic at all.
[00:06:47] It is okay because it is your list and you can make it any list you want it to be.
[00:06:52] Yep.
[00:06:54] People will know.
[00:06:56] So what are you going as, Zach?
[00:06:57] What am I going as?
[00:06:58] Well, I was going to go as a British doctor who keeps talking about evil, but I don't feel like shaving.
[00:07:05] So I'm just going to go as myself.
[00:07:06] That's scary enough.
[00:07:08] It's your...
[00:07:09] Yeah.
[00:07:09] It's the same costume you do every year.
[00:07:12] I wear my costume every day.
[00:07:13] I made a Esquire ghost costume.
[00:07:18] So my head is the miniaturized version of the Esquire that is now dead and has a little white gown underneath.
[00:07:27] Oh.
[00:07:28] Nice.
[00:07:28] There you guys.
[00:07:29] So I threw that together.
[00:07:30] Very cool.
[00:07:31] I could do a cheap costume.
[00:07:32] I'll just cut a bunch of holes into a sheet and go as Charlie Brown.
[00:07:36] You could.
[00:07:37] Pretty affordable.
[00:07:38] Very.
[00:07:40] I got a rock.
[00:07:42] Rock.
[00:07:43] We also count down from 10 to 1.
[00:07:46] We'll introduce the film, play the trailer, and then talk about it.
[00:07:50] We won't play the trailer twice because that would just be redundant.
[00:07:54] And then it's just some random order that Brad has selected because he builds a Blu-ray for each film's explosion.
[00:08:01] Hey, look, you can't complain this time because you're first up finally.
[00:08:03] I'm actually fucking first, but that also means I'm probably getting swept a lot, but that's okay.
[00:08:07] And I'm last place, which is incredibly appropriate.
[00:08:09] I'm excited.
[00:08:10] Also, I know that the listeners don't get to hear this, but I am so excited to know what your sweepers are going to be this time because this year has been very on point.
[00:08:18] I really admire it.
[00:08:19] Yeah, maybe we need to kill the queen.
[00:08:22] That's a Shaun of the Dead reference, guys.
[00:08:24] Yeah.
[00:08:25] He's not my boyfriend.
[00:08:27] Fucking love that movie.
[00:08:29] Anywho, without further ado.
[00:08:32] We're going to get you, Barbara.
[00:08:34] Let me talk about my first film.
[00:08:35] Now, my first film, the actor in it won't surprise you,
[00:08:38] but that it's on my list might.
[00:08:41] This is one of Adam Sandler's most subdued roles in a family drama, and it is wonderful.
[00:08:49] This is my number 10 film.
[00:08:55] Interview.
[00:08:56] Come on in.
[00:08:57] We're out back.
[00:08:58] Academy Award winner James L. Brooks invites you on a journey across the cultural divide.
[00:09:05] Whoa.
[00:09:06] See, we've been having, are you okay?
[00:09:07] Don't worry, I'm not mad.
[00:09:10] From the director of As Good As It Gets.
[00:09:12] What's your name?
[00:09:13] Flor.
[00:09:14] Flor.
[00:09:15] No.
[00:09:15] Flor.
[00:09:16] Flor.
[00:09:17] Yeah.
[00:09:18] Perfecto.
[00:09:20] I didn't know Deb found somebody.
[00:09:22] You're going to help out with the house and the kids?
[00:09:24] Solo Español.
[00:09:25] You work here and you don't speak any English at all.
[00:09:28] Save me.
[00:09:29] Whoa!
[00:09:30] No taking the ball from the dog.
[00:09:32] Just don't.
[00:09:32] No fetch.
[00:09:34] Can you make us some coffee?
[00:09:35] She doesn't speak the language.
[00:09:39] But in a family where no one understands each other.
[00:09:42] Mom, it's not even noon.
[00:09:44] Bullet.
[00:09:47] She'll fit right in.
[00:09:49] Several.
[00:09:50] Several.
[00:09:51] Again.
[00:09:51] Several.
[00:09:52] Too many.
[00:09:53] Too many.
[00:09:54] You as bad at me as mom because of what happened?
[00:09:56] No.
[00:09:57] Speak.
[00:09:58] Adam Sandler, Tay Leone, and introducing Paz Vega.
[00:10:03] What about you?
[00:10:04] May I talk to you?
[00:10:05] You mean your mother?
[00:10:05] Oh, no, no, no.
[00:10:06] Disculpe.
[00:10:07] Oh, no, no, no.
[00:10:08] Si.
[00:10:08] Puede que los niños se confiden.
[00:10:10] Sammy, se da dos seis.
[00:10:11] Engreido.
[00:10:12] Oh, boy.
[00:10:13] Engreido's going to be rough.
[00:10:15] Sometimes every family needs a little translation.
[00:10:20] Listen to your mother.
[00:10:21] She knows it all.
[00:10:23] Que?
[00:10:25] Nada.
[00:10:28] Who's always there for you at 2.30 in the morning?
[00:10:31] Yeah.
[00:10:34] My number 10 film is Spanglish by Academy Award winning director James L. Brooks.
[00:10:41] He's also the director of As Good As It Gets.
[00:10:43] I don't know if you saw that in the trailer.
[00:10:45] But it's just a really cute film.
[00:10:48] Adam Sandler and Tia Leone play a married couple that hire a woman named Floor to basically be their nanny.
[00:10:57] And they learn to – two different cultures clashing, but they learn to live together.
[00:11:07] And I don't know.
[00:11:08] It's just a really pleasant film.
[00:11:10] There's nothing really crazy about it.
[00:11:12] There's no – people are fucking each other and stuff.
[00:11:15] It's just about an immigrant's journey to America and trying to fit in and a family learning to accept people are different.
[00:11:26] And, you know, kind of a romantic comedy drama sort of way.
[00:11:31] And it's really fun.
[00:11:33] Adam Sandler's great.
[00:11:34] And like I said, he's really subdued.
[00:11:36] Part of his usual kind of characters he does.
[00:11:40] Jabadoo?
[00:11:42] And it's – yeah, it's just a sweet film.
[00:11:44] And if you haven't seen it, I really recommend you see Spanglish because it's fun.
[00:11:50] See, Spanglish is a combined words of English and Spanish.
[00:11:55] Oh, yeah.
[00:11:56] Okay, you got it now?
[00:11:57] That's very clever.
[00:11:58] Oh, wow.
[00:11:58] You know that James L. Brooks?
[00:11:59] They should give him a lot of money.
[00:12:01] It's like when you say, hey, man, that's very bueno.
[00:12:03] And then you know it means very good.
[00:12:05] That's an example of Spanglish.
[00:12:08] Thank you, Professor Frost.
[00:12:10] That's what I do.
[00:12:12] But see this movie.
[00:12:13] Brad, you're number 10.
[00:12:14] My number 10 is incredible.
[00:12:28] This is something.
[00:12:29] That's fine.
[00:12:30] I mean, I can break through walls.
[00:12:32] I just can't –
[00:12:33] That's fine.
[00:12:33] I can't get this.
[00:12:35] How many times you saved the world and always manages to get back in jeopardy again?
[00:12:48] I feel like the maid.
[00:12:49] I just cleaned up this mess.
[00:12:51] Can we keep it clean for 10 minutes?
[00:12:54] I'm at the top of my game.
[00:12:55] I'm right up there with the big dogs.
[00:12:57] Girls, come on.
[00:12:58] Leave the saving of the world to the men?
[00:13:00] I don't think so.
[00:13:01] Super ladies, they're always trying to tell you their secret identity.
[00:13:05] Think it will strengthen the relationship or something like that.
[00:13:12] Edna Mowler.
[00:13:14] Your suit can stretch as far as you can and still retain its shape.
[00:13:19] Virtually indestructible and machine washable, darling, that's a new feature.
[00:13:50] So, yeah, my number 10 is The Incredibles.
[00:13:53] Still the best Fantastic Four movie after all these years.
[00:13:59] You made Kevin Feige cry.
[00:14:03] But, yeah, it's not like one of my favorite Pixar films, but in the scope of 2004, it's worthy of my list.
[00:14:12] I'm always fascinated when I go back and see the movie is great, but how far they've come in 20 years.
[00:14:19] Because the backgrounds, while they still look good in the character animations, how much more they're rendered and how much more colors and stuff are happening.
[00:14:27] Watching this trailer now, you can see the polygon issues.
[00:14:30] And, yeah, like the city and everything is very bare bones design-wise.
[00:14:36] I know it has this very simplified Saul Bass style artwork.
[00:14:44] But, yeah, compared to Incredibles 2, which is already, you know, we've seen.
[00:14:50] This is the film that got them over the hurdle of doing human characters more reliably and not just doing anthropomorphic or creature designs.
[00:14:59] Like, isn't this the first one where it's basically all humans?
[00:15:03] I guess so, yeah.
[00:15:05] So, we got Toy Story, Toy Story 2, Bugs Life.
[00:15:08] Monsters, Inc.
[00:15:09] Monsters, Inc. And then this, right?
[00:15:10] Finding Nemo.
[00:15:12] And Finding Nemo.
[00:15:12] Yeah, Finding Nemo, which they keep, like, adding human characters, but they're always trying to keep them a little bit in the background
[00:15:18] so we can, you know, perfect and tweak.
[00:15:20] And then they're able to make it fully blossom with the Incredibles.
[00:15:24] I think that was, like, the big talking point, which is, like, they finally figured it out.
[00:15:27] Yeah.
[00:15:28] And the story's fun.
[00:15:29] And Brad Bird is a hell of a director.
[00:15:30] Oh, yeah.
[00:15:31] So, yeah, that whole, yeah, like, watching it, that whole twist, like, the villain is the spurn fanboy from the past.
[00:15:39] Like, it was a really cool touch.
[00:15:41] Yeah.
[00:15:42] So.
[00:15:42] A great Jason Lee performance, too.
[00:15:44] Yeah.
[00:15:45] Yeah.
[00:15:45] So, yeah, my number 10, the Incredibles.
[00:15:48] Zach?
[00:15:49] Alrighty.
[00:15:50] My number 10 could have been a lot of things.
[00:15:53] Could have been a Clint Eastwood movie.
[00:15:55] Could have been a certain superhero movie.
[00:15:57] But, no, I chose this one because, damn it, I'll be damned if I don't think that this movie's still a lot of fucking fun.
[00:16:10] Bless me, Father, for I have sinned.
[00:16:14] And Helsing!
[00:16:15] You murderer!
[00:16:17] Why can't you tell the world I work for you?
[00:16:20] Because we do not exist.
[00:16:25] My life.
[00:16:27] My job.
[00:16:29] My curse.
[00:16:30] Is to vanquish evil.
[00:16:34] We need you to go to the east.
[00:16:36] To the far side of Romania.
[00:16:39] A land that is home to legendary creatures.
[00:16:41] I see the wolf man hasn't killed you yet.
[00:16:44] Don't worry, he's getting to it.
[00:16:46] Lorded over by Count Dracula.
[00:16:52] It is a place where nightmares come to life.
[00:16:56] Van Helsing.
[00:16:58] First one to kill a vampire in over a hundred years.
[00:17:07] I'd say that's earned him a drink.
[00:17:09] Now, a man without a past.
[00:17:11] Do you have any family, Mr. Van Helsing?
[00:17:13] I hope to find out someday.
[00:17:14] It's what keeps me going.
[00:17:15] We'll face an enemy that never dies.
[00:17:19] In 1462, Dracula was banished to an icy fortress.
[00:17:23] And then the devil gave him wings.
[00:17:25] And uncover a secret he never imagined.
[00:17:29] Castle Dracula.
[00:17:31] Hello, Gabriel.
[00:17:33] We have such history.
[00:17:36] You and I.
[00:17:38] How do you know me?
[00:17:40] From the director of The Mummy.
[00:17:41] And The Mummy Returns.
[00:17:43] Oh my God.
[00:17:48] Hugh Jackman.
[00:17:50] Kate Beckinsale.
[00:17:52] How do I kill him?
[00:17:54] No one knows how to kill Dracula.
[00:17:58] If you're late, run like hell.
[00:18:03] Don't be late.
[00:18:18] Van Helsing.
[00:18:19] A film by Stephen Summers.
[00:18:21] Yeah, my number 10 is Van Helsing.
[00:18:24] Stephen Summers' follow-up to The Mummy Returns.
[00:18:27] And sadly, it seems like after this point,
[00:18:30] he does G.I. Joe and then kind of disappears.
[00:18:34] One of the weirdest parts of the Van Wilder trilogy.
[00:18:37] Yes, I know.
[00:18:38] Took a very interesting left turn from the rise of Taj.
[00:18:42] Yeah, no.
[00:18:43] Yeah, I think when I got to see this in a theater,
[00:18:47] most of my films I did manage to see in a theater.
[00:18:49] So we're at that age in my life right now.
[00:18:51] This one, I actively sought out.
[00:18:54] I wasn't disappointed.
[00:18:56] Years go by, you go to film school,
[00:18:57] you get a little cynical.
[00:18:58] But I never really threw this movie away.
[00:19:01] As I've gotten older,
[00:19:02] and I've expanded more of my golden age love outwardly,
[00:19:05] this film is a fun thing to do in tandem
[00:19:08] with the key monster movies that it's homaging.
[00:19:14] I think the reason it's so far down on the list,
[00:19:17] there's two big things.
[00:19:18] Number one.
[00:19:19] The CGI Dracula?
[00:19:20] It's the CGI period.
[00:19:22] I really wish there was a better blending
[00:19:23] of practical and CG effects in this
[00:19:28] because I just feel like that
[00:19:29] that would have been a better decision
[00:19:31] on the long haul.
[00:19:32] But I get it.
[00:19:33] You're enamored with CGI at this point.
[00:19:36] You're trying to make everything look a little bit more.
[00:19:38] I mean, it was cool when the werewolf
[00:19:39] ripped off his skin to become a werewolf.
[00:19:41] I thought that was a cool transformation.
[00:19:42] Yeah, it's a lot of fun.
[00:19:44] And I don't think that there's some parts of that,
[00:19:46] the Brides of Dracula fight in the village
[00:19:49] that don't hold up,
[00:19:49] but there's a lot of stuff there
[00:19:50] that's totally fun choreography.
[00:19:52] No, I think it's a fun movie.
[00:19:53] I don't think it's a disaster that people think it is.
[00:19:56] No, no, it's not.
[00:19:57] I think the story's fine.
[00:19:58] I think I like the intrigue of what could follow.
[00:20:02] The other reason, though,
[00:20:03] that it is far down on this list is I,
[00:20:05] as much as I love this movie,
[00:20:06] I'll never forgive that final shot
[00:20:09] of Kate Beckinsale's face in the sun,
[00:20:12] like as if though she's the Teletubby overlord,
[00:20:15] because it is just very goofy looking.
[00:20:17] My God, I just remembered that.
[00:20:19] Yeah.
[00:20:20] It is a little bit like,
[00:20:22] come on, you couldn't do anything else.
[00:20:25] But Hugh Jackman's fun in it.
[00:20:28] David Wenham's great.
[00:20:29] Kate Beckinsale, always fun to watch.
[00:20:32] Yeah, I really would encourage people
[00:20:35] to give it another try
[00:20:36] because it is trying to have as much fun
[00:20:39] as some of the latter Universal monster movies
[00:20:42] from the mid-40s on
[00:20:44] where it's just a big old monster alley.
[00:20:46] In a weird way,
[00:20:47] it should be called House of Van Helsing
[00:20:49] in the vein of House of Dracula
[00:20:51] or House of Frankenstein.
[00:20:52] But yeah, and I enjoy Hugh Jackman.
[00:20:55] I'll watch him in virtually anything,
[00:20:57] except for Australia.
[00:20:57] I don't feel like I want to watch that movie again.
[00:21:00] I'm sure it's fine.
[00:21:02] I just, I remember not liking it.
[00:21:06] My number nine is,
[00:21:07] I have several comedies on my list
[00:21:10] and it was tough, I think,
[00:21:14] but this comedy really left me
[00:21:16] in a glass case of emotion.
[00:21:19] Hmm.
[00:21:20] Hot.
[00:21:24] How much time?
[00:21:25] You're hot.
[00:21:26] Hmm.
[00:21:27] I love scotch.
[00:21:28] I love scotch.
[00:21:29] Scotchy scotch scotch.
[00:21:30] Here it goes down,
[00:21:32] down into my belly.
[00:21:33] Mm-mm-mm-mm.
[00:21:34] Mm.
[00:21:35] That is good.
[00:21:36] You're on the air.
[00:21:38] How are you?
[00:21:39] You look awfully nice tonight.
[00:21:41] Maybe don't wear a bra next time.
[00:21:43] How much time?
[00:21:45] Till we're on.
[00:21:46] Come on.
[00:21:48] What?
[00:21:48] We're on the air right now.
[00:21:50] Oh.
[00:21:50] Oh.
[00:21:53] I'm ready.
[00:21:54] Good evening.
[00:21:55] I'm Ron Burgundy.
[00:21:56] Here's what's going on
[00:21:57] in your world tonight.
[00:22:00] It was the 1970s.
[00:22:03] Looking good, San Diego.
[00:22:05] In a simpler time.
[00:22:06] Hey, Garth, that was a divorce.
[00:22:08] Oh, not so good.
[00:22:08] I'll probably never see my kids.
[00:22:10] Fantastic.
[00:22:11] It took a simpler man.
[00:22:12] Follow leads.
[00:22:13] Confirm sources.
[00:22:14] Real journalism, my friend.
[00:22:16] Great.
[00:22:17] Right on.
[00:22:18] Now what's a lead?
[00:22:21] To deliver the news.
[00:22:23] I have some very urgent
[00:22:24] and important breaking news.
[00:22:26] Cannon!
[00:22:31] Will Ferrell is Ron Burgundy.
[00:22:33] Who's that handsome devil?
[00:22:34] A Californian so popular.
[00:22:36] You stay classy, San Diego.
[00:22:38] Yeah!
[00:22:39] He could have been governor.
[00:22:42] Hey, I like that fanny.
[00:22:44] Oh, Mr. Burgundy.
[00:22:47] Anchorman.
[00:22:48] The legend of Ron Burgundy.
[00:22:50] Burgundy did it.
[00:22:51] Hi, I'm.
[00:22:59] Number nine for me and Brad.
[00:23:01] Yep.
[00:23:01] Is Anchorman.
[00:23:03] The legend of Ron Burgundy.
[00:23:05] Yes.
[00:23:05] This movie really harnesses
[00:23:08] the Will Ferrell sense of humor
[00:23:10] with a lot of comedic actors
[00:23:14] in the last 20 years
[00:23:16] that have just blown up.
[00:23:18] Whether it's Paul Rudd or Steve Carell,
[00:23:20] even David Koechner.
[00:23:22] You know, he's the guy
[00:23:23] who always just shows up
[00:23:25] and he's funny.
[00:23:26] I love him as
[00:23:29] Rock
[00:23:31] Packard.
[00:23:32] My brain's not working.
[00:23:34] Todd Packer
[00:23:34] in The Office.
[00:23:36] The part where
[00:23:38] Michael Scott says
[00:23:39] he's retiring from comedy
[00:23:41] and Jim says,
[00:23:42] is that even,
[00:23:43] that's what she said
[00:23:44] and you know,
[00:23:44] Jim's egging him on
[00:23:45] and there's this like cut
[00:23:46] to Todd Packer
[00:23:48] and he looks at Ron
[00:23:50] and like goes,
[00:23:52] like nods his head yes
[00:23:53] and then he goes,
[00:23:54] that's what she said.
[00:23:55] Just fun
[00:23:56] and the movie
[00:23:58] is pretty freaking stupid
[00:24:01] but in a way
[00:24:03] that is really funny
[00:24:04] and that hits
[00:24:06] all the right notes.
[00:24:07] I watched it recently
[00:24:08] with my son
[00:24:10] and he didn't really laugh at it
[00:24:11] because I don't think
[00:24:12] he got some of the jokes
[00:24:15] because there is a setup
[00:24:17] I think to each joke
[00:24:18] and being in that world
[00:24:20] is really important
[00:24:21] and if you're not
[00:24:22] in that world
[00:24:24] then it'll just fall flat.
[00:24:25] Yeah.
[00:24:26] There's a certain subsect
[00:24:28] that I've learned
[00:24:28] over the years
[00:24:29] who just don't like
[00:24:30] Will Ferrell movies
[00:24:31] and don't vibe with them
[00:24:32] and if you can't get on board
[00:24:33] with this movie
[00:24:34] there's a whole chunk
[00:24:35] of this filmography
[00:24:36] you're not going to get on board with.
[00:24:39] Yeah,
[00:24:39] when I first watched it
[00:24:41] I saw it by myself
[00:24:42] like late at the Arvada Theater
[00:24:44] and like I think it was
[00:24:45] something in the audience
[00:24:46] like I left being like
[00:24:48] that was okay
[00:24:49] but like over the years
[00:24:50] it's like grown back on to me.
[00:24:53] Yeah,
[00:24:54] it's incredibly quotable
[00:24:55] and it's like a great commentary
[00:24:57] on you know
[00:24:59] the male-female profession
[00:25:02] professional dynamic
[00:25:04] especially in news at the time.
[00:25:07] I heard they bent straight
[00:25:08] and they attract bears.
[00:25:10] You hear that?
[00:25:11] Bears.
[00:25:12] Now you're putting
[00:25:12] the whole station in jeopardy.
[00:25:15] What is it like
[00:25:16] 50% of the time
[00:25:17] it works 0% of the time.
[00:25:19] That doesn't make sense.
[00:25:19] I think that makes sense.
[00:25:21] I use it
[00:25:22] that smells
[00:25:22] it smells like Bigfoot's dick
[00:25:24] all the time.
[00:25:25] It's just funny.
[00:25:26] This is worse than
[00:25:27] over time a raccoon
[00:25:27] got caught in the copier.
[00:25:29] Milk was a bad choice.
[00:25:31] And even like
[00:25:32] the silly stuff
[00:25:33] when Jack Black
[00:25:34] has a little cameo.
[00:25:35] Yeah.
[00:25:36] Now this is happening.
[00:25:37] Yeah.
[00:25:38] This
[00:25:38] Ron has that burrito
[00:25:40] and says
[00:25:40] this burrito is delicious
[00:25:41] but it is too big.
[00:25:42] And he throws it
[00:25:43] It is filling.
[00:25:51] Baxter!
[00:25:54] It's just silly.
[00:25:55] Love it.
[00:25:56] And I love that
[00:25:57] Christina Applegate
[00:25:58] is totally game
[00:25:59] and she's wonderful
[00:26:01] in the film too.
[00:26:02] Yeah.
[00:26:03] You're a dirty pirate hooker.
[00:26:06] You have bad hair.
[00:26:08] Rick are you trying
[00:26:08] to tell me
[00:26:09] that there is a party
[00:26:10] in your pants
[00:26:10] and that I'm invited?
[00:26:12] Yes.
[00:26:13] Okay.
[00:26:13] No I do not want
[00:26:14] to go to the pants party.
[00:26:16] It's like the news anchor
[00:26:18] fight at the end.
[00:26:19] Dave would you like
[00:26:19] to go to the party
[00:26:20] in my pants?
[00:26:21] Yeah.
[00:26:23] Yeah.
[00:26:23] The news fighting
[00:26:25] is just great
[00:26:25] because it has another
[00:26:26] bunch of cameos
[00:26:27] and yeah
[00:26:30] it's just a fun movie.
[00:26:32] Yep.
[00:26:32] You get to it later
[00:26:33] but I'm just thinking
[00:26:33] of now Brick Tamlin
[00:26:34] like putting a bunch
[00:26:35] of mayonnaise
[00:26:36] in the toast.
[00:26:38] I'm a doctor
[00:26:39] who will be calling
[00:26:40] mentally retarded.
[00:26:43] Brick are you just
[00:26:44] saying you love lamp
[00:26:44] because you see that lamp?
[00:26:45] I love lamp.
[00:26:47] For the longest time
[00:26:48] that was my tag
[00:26:49] on my PlayStation network
[00:26:50] so you have like
[00:26:52] your
[00:26:52] you have your gamer tag
[00:26:54] and then you can have
[00:26:55] a saying
[00:26:55] and for 15 years
[00:26:57] it just said
[00:26:58] I love lamp.
[00:26:59] I literally just changed it
[00:27:01] maybe five years ago
[00:27:02] to great power
[00:27:03] great responsibility
[00:27:03] but
[00:27:05] yeah
[00:27:05] that's for the longest time
[00:27:06] that's what it was.
[00:27:07] You should change it back.
[00:27:09] Zach
[00:27:09] number nine.
[00:27:10] All right
[00:27:11] my number nine
[00:27:12] is a horror film
[00:27:14] that upended the decade.
[00:27:33] The newspapers
[00:27:34] started calling him
[00:27:34] the Jigsaw Killer.
[00:27:37] Looks like our friend
[00:27:38] Jigsaw likes to book
[00:27:39] himself front row seats
[00:27:40] to his own sick little games.
[00:27:43] We're gonna have to work
[00:27:47] together
[00:27:48] if we want to get out of here.
[00:27:56] There's a man in my room.
[00:28:07] Oh I'm great.
[00:28:19] To overcome something
[00:28:20] you have to understand
[00:28:21] what a perfect engine it is.
[00:28:25] He doesn't want us
[00:28:26] to cut through our chains.
[00:28:28] He wants us to cut
[00:28:29] through our feet.
[00:28:33] Bastard.
[00:28:36] Yes I'm sick officer.
[00:29:06] My number nine
[00:29:06] is Saw.
[00:29:08] Did not see this
[00:29:09] in the theater
[00:29:09] would not have been able to
[00:29:10] by any stretch
[00:29:12] but I got to the Saw movies
[00:29:13] not too long after
[00:29:15] this and the second one
[00:29:16] were released
[00:29:18] and I think
[00:29:19] one of the reasons
[00:29:19] that this franchise
[00:29:20] has stuck with me
[00:29:22] has been
[00:29:23] that it does
[00:29:23] try to weave
[00:29:24] a pretty
[00:29:25] decent continuity
[00:29:28] while also being
[00:29:29] the craziest soap opera
[00:29:30] in horror history
[00:29:31] from chapter one
[00:29:33] to even now.
[00:29:34] I still haven't seen
[00:29:34] Saw X yet but
[00:29:35] You should it's great.
[00:29:36] I know I've heard
[00:29:37] it's wonderful
[00:29:39] but like
[00:29:40] and I know
[00:29:40] I'll get to it eventually
[00:29:41] because this franchise
[00:29:42] hasn't failed
[00:29:43] to intrigue me
[00:29:44] and it does start
[00:29:45] with this first film
[00:29:46] and that concept.
[00:29:47] I think that
[00:29:49] I love
[00:29:50] that James Wan
[00:29:51] from the gate right out
[00:29:53] shows you
[00:29:54] how dedicated he is
[00:29:55] to the horror craft
[00:29:56] because this is
[00:29:56] an unsettling
[00:29:57] crime thriller
[00:29:58] that plays
[00:29:59] like a horror movie
[00:30:00] and it definitely
[00:30:01] changes the game
[00:30:02] for this decade
[00:30:03] for what would be
[00:30:05] called the torture
[00:30:06] gore hound
[00:30:06] era of horror
[00:30:08] and I think
[00:30:10] that this one
[00:30:10] is relatively
[00:30:11] restrained
[00:30:12] compared to
[00:30:12] what the franchise
[00:30:13] becomes.
[00:30:14] In a lot of ways
[00:30:15] it's a very
[00:30:15] intelligent horror film
[00:30:17] and how much
[00:30:18] it does end up
[00:30:18] pulling back
[00:30:19] at least up until
[00:30:20] like the latter half
[00:30:21] where you start
[00:30:22] seeing him
[00:30:23] saw into that
[00:30:23] fucking leg
[00:30:26] and I think
[00:30:27] that every
[00:30:27] performance
[00:30:28] is great
[00:30:29] right off the bat.
[00:30:29] I know people
[00:30:30] give Lee Wannell's
[00:30:31] character flack
[00:30:32] but I think
[00:30:33] he's fine
[00:30:34] in the movie.
[00:30:35] I have no real
[00:30:35] complaints about him.
[00:30:37] Even if he
[00:30:37] is overacting
[00:30:38] there's fun quotes
[00:30:39] from that
[00:30:40] as a result
[00:30:41] and I think
[00:30:43] that this twist
[00:30:44] still holds up
[00:30:45] as very well
[00:30:46] laid out.
[00:30:47] I don't know
[00:30:49] how it works
[00:30:49] for people
[00:30:50] who haven't
[00:30:51] seen this movie
[00:30:52] but understand
[00:30:54] what the franchise
[00:30:55] is.
[00:30:55] I don't know
[00:30:56] if the twist
[00:30:56] would work
[00:30:56] but I think
[00:30:58] it still could
[00:30:59] play a trick
[00:30:59] on people
[00:31:00] if you give it
[00:31:00] a shot
[00:31:01] if they were
[00:31:02] completely unaware
[00:31:02] of the franchise.
[00:31:03] I know surprisingly
[00:31:04] for Brad
[00:31:05] it's actually
[00:31:06] not on my list
[00:31:07] and that's only
[00:31:07] because I really
[00:31:09] struggled with this year
[00:31:10] and not that
[00:31:12] this isn't a really
[00:31:13] cool and a great
[00:31:13] horror film
[00:31:15] it is really
[00:31:17] cool too
[00:31:18] how it's launched
[00:31:18] the careers
[00:31:19] of Lee Weinel
[00:31:20] or James Wan
[00:31:21] I mean James Wan
[00:31:22] is directing
[00:31:22] billion dollar movies
[00:31:23] now.
[00:31:24] I know yeah.
[00:31:25] And you can see
[00:31:26] the framework
[00:31:27] in this film
[00:31:28] when you're not
[00:31:29] given a big budget
[00:31:30] but you're giving
[00:31:31] a creative script
[00:31:34] and you get
[00:31:35] the performance
[00:31:35] from Tobin Bell
[00:31:37] that he's not
[00:31:38] in it for very
[00:31:39] long
[00:31:39] but his voice
[00:31:40] alone
[00:31:40] and then the
[00:31:41] twist ending
[00:31:43] carries the film
[00:31:44] and
[00:31:45] carries
[00:31:46] because
[00:31:46] Carrie Elwes
[00:31:47] is in the movie
[00:31:48] and it like
[00:31:48] it loses its way
[00:31:50] a little bit
[00:31:50] when
[00:31:52] why can I remember
[00:31:53] what's the detective's
[00:31:54] name?
[00:31:55] Detective Tap
[00:31:55] no the guy
[00:31:56] who becomes
[00:31:57] the bad guy
[00:31:58] in the later ones
[00:31:58] oh Hoffman
[00:31:59] Hoffman
[00:32:00] it loses its way
[00:32:01] a little bit
[00:32:02] when he becomes
[00:32:02] the focus
[00:32:03] yeah
[00:32:03] yeah
[00:32:04] but it also
[00:32:05] became
[00:32:06] midnight
[00:32:07] Halloween
[00:32:07] tradition
[00:32:08] showing for me
[00:32:09] yeah
[00:32:09] I would see
[00:32:10] them with my
[00:32:10] wife all the
[00:32:11] time at midnight
[00:32:12] yeah
[00:32:13] it was
[00:32:14] it was
[00:32:15] the solid
[00:32:16] Halloween
[00:32:17] stabilizer
[00:32:18] like that
[00:32:19] Lionsgate
[00:32:20] for a good
[00:32:21] three or four
[00:32:22] years had the
[00:32:23] number one spot
[00:32:23] locked in October
[00:32:25] yeah
[00:32:25] yeah
[00:32:26] the Hoffman
[00:32:27] thing
[00:32:28] deviates it
[00:32:29] off the cliff
[00:32:29] a little bit
[00:32:29] but I still
[00:32:30] loved it
[00:32:31] for the reason
[00:32:31] of like
[00:32:32] just as
[00:32:33] this twist
[00:32:33] is
[00:32:35] so wonderfully
[00:32:36] executed
[00:32:36] each film
[00:32:37] gives me
[00:32:38] the same
[00:32:39] statement
[00:32:39] coming out
[00:32:40] of my mouth
[00:32:40] which is
[00:32:41] how are they
[00:32:41] going to
[00:32:41] dig themselves
[00:32:42] out of
[00:32:42] this one
[00:32:43] in the next
[00:32:43] movie
[00:32:45] I'm sorry
[00:32:45] Brad
[00:32:45] what were you
[00:32:46] no I was
[00:32:47] remembering
[00:32:47] like
[00:32:48] you know
[00:32:49] the first
[00:32:49] one came out
[00:32:50] and it was
[00:32:50] like a
[00:32:51] mild success
[00:32:52] and then we
[00:32:52] went to
[00:32:52] like the
[00:32:53] midnight
[00:32:53] for two
[00:32:54] and it was
[00:32:54] like
[00:32:54] an event
[00:32:55] like a
[00:32:55] like a
[00:32:56] Marvel
[00:32:56] event
[00:32:56] yeah
[00:32:57] you're
[00:32:57] right
[00:32:57] because
[00:32:58] yeah
[00:32:59] and you
[00:32:59] know
[00:32:59] two and
[00:33:00] three
[00:33:00] yeah
[00:33:01] because
[00:33:01] you know
[00:33:01] I went with
[00:33:02] them to
[00:33:02] Brad
[00:33:02] because I
[00:33:03] didn't meet
[00:33:03] my wife
[00:33:03] for a couple
[00:33:04] years
[00:33:04] so I think
[00:33:05] I met
[00:33:05] my wife
[00:33:05] in the
[00:33:06] later half
[00:33:06] of them
[00:33:06] but Brad
[00:33:07] and I used
[00:33:08] to see
[00:33:08] him and it
[00:33:08] was an
[00:33:09] event
[00:33:09] and you
[00:33:11] know
[00:33:11] we talked
[00:33:12] about in
[00:33:12] our panel
[00:33:13] at Comic
[00:33:14] Con this
[00:33:14] year or
[00:33:15] Fan
[00:33:15] Expo
[00:33:15] that that's
[00:33:16] what I
[00:33:17] really miss
[00:33:17] about the
[00:33:18] midnight
[00:33:18] showings
[00:33:19] not really
[00:33:20] happening
[00:33:20] they're more
[00:33:21] spread out
[00:33:21] you know
[00:33:22] now it's
[00:33:22] you have
[00:33:22] the 3pm
[00:33:23] and then
[00:33:24] the 6pm
[00:33:24] and the
[00:33:24] 9pm
[00:33:26] on Thursdays
[00:33:27] where
[00:33:28] when you
[00:33:29] used to
[00:33:29] go to
[00:33:29] like a
[00:33:30] Saw movie
[00:33:30] at midnight
[00:33:31] I mean
[00:33:32] the theater
[00:33:32] would be
[00:33:32] packed
[00:33:33] there'd be
[00:33:34] tons of
[00:33:34] people in
[00:33:35] the lobby
[00:33:37] and
[00:33:39] I understand
[00:33:40] why the
[00:33:40] studios
[00:33:40] went away
[00:33:41] and I
[00:33:41] mean now
[00:33:41] it's just
[00:33:42] about generating
[00:33:42] more screens
[00:33:43] and showings
[00:33:44] but you
[00:33:45] lose that
[00:33:45] event
[00:33:46] for these
[00:33:47] films
[00:33:47] and that
[00:33:48] was always
[00:33:48] a really
[00:33:49] fun thing
[00:33:49] that we
[00:33:50] did
[00:33:50] it's no
[00:33:51] longer
[00:33:51] exciting
[00:33:51] and it's
[00:33:52] always
[00:33:52] exciting
[00:33:53] to go
[00:33:53] to a
[00:33:53] movie
[00:33:53] at
[00:33:54] midnight
[00:33:54] like
[00:33:54] those
[00:33:55] premiere
[00:33:55] I didn't
[00:33:57] get to
[00:33:57] do
[00:33:57] any
[00:33:57] Saw
[00:33:58] midnights
[00:33:58] but that
[00:33:59] exact
[00:33:59] concept
[00:34:00] I feel
[00:34:01] that
[00:34:02] we're
[00:34:03] going
[00:34:03] to
[00:34:03] know
[00:34:03] about
[00:34:04] it
[00:34:04] before
[00:34:04] everyone
[00:34:04] else
[00:34:06] this
[00:34:08] was a
[00:34:08] great
[00:34:09] example
[00:34:09] of how
[00:34:10] wonderful
[00:34:11] that era
[00:34:12] was
[00:34:12] of still
[00:34:12] being able
[00:34:13] to go
[00:34:13] to a
[00:34:13] midnight
[00:34:13] showing
[00:34:14] and that
[00:34:14] was the
[00:34:14] way to
[00:34:15] get in
[00:34:16] on the
[00:34:16] action
[00:34:16] and then
[00:34:17] tease
[00:34:17] your
[00:34:17] friends
[00:34:17] going
[00:34:18] like
[00:34:18] I
[00:34:18] know
[00:34:18] the
[00:34:18] twist
[00:34:19] at the
[00:34:19] end
[00:34:19] of
[00:34:19] this
[00:34:19] one
[00:34:19] movie
[00:34:20] now
[00:34:21] and also
[00:34:22] the
[00:34:22] slow
[00:34:22] built
[00:34:23] success
[00:34:23] on the
[00:34:23] first
[00:34:24] Saw
[00:34:24] is
[00:34:24] admirable
[00:34:25] watch
[00:34:25] it's
[00:34:26] like
[00:34:26] any
[00:34:26] great
[00:34:26] independent
[00:34:27] horror
[00:34:27] film
[00:34:27] that
[00:34:28] breaks
[00:34:28] through
[00:34:28] like
[00:34:28] Halloween
[00:34:29] or
[00:34:29] Friday
[00:34:29] the
[00:34:29] 13th
[00:34:30] where
[00:34:31] this
[00:34:32] managed
[00:34:32] to gain
[00:34:33] traction
[00:34:34] and legs
[00:34:34] to the
[00:34:34] point
[00:34:34] when you
[00:34:35] put out
[00:34:35] a sequel
[00:34:35] it's
[00:34:36] going to
[00:34:36] double
[00:34:36] its
[00:34:36] business
[00:34:37] yeah
[00:34:37] I mean
[00:34:37] we did
[00:34:38] our film
[00:34:39] last week
[00:34:39] was
[00:34:39] Terrifier
[00:34:40] 3
[00:34:40] and if
[00:34:41] you would
[00:34:41] have told
[00:34:41] me
[00:34:41] I live
[00:34:42] in a
[00:34:42] world
[00:34:42] where
[00:34:42] Terrifier
[00:34:43] 3
[00:34:43] is
[00:34:43] the
[00:34:43] number
[00:34:44] one
[00:34:44] film
[00:34:44] and
[00:34:45] made
[00:34:45] 19
[00:34:46] million
[00:34:46] dollars
[00:34:47] over
[00:34:47] Joker 2
[00:34:48] I
[00:34:49] would
[00:34:50] say
[00:34:50] you're
[00:34:50] full
[00:34:50] of
[00:34:51] shit
[00:34:51] but
[00:34:51] here
[00:34:51] we
[00:34:51] are
[00:34:52] if
[00:34:53] you
[00:34:54] deliver
[00:34:54] a
[00:34:54] horror
[00:34:55] film
[00:34:55] not
[00:34:56] necessarily
[00:34:56] it
[00:34:56] has
[00:34:56] to
[00:34:57] be
[00:34:57] a
[00:34:57] great
[00:34:57] horror
[00:34:57] film
[00:34:57] but
[00:34:57] you
[00:34:58] deliver
[00:34:58] one
[00:34:58] that
[00:34:59] has
[00:34:59] people
[00:34:59] talking
[00:34:59] about
[00:35:00] because
[00:35:00] this
[00:35:00] one
[00:35:01] yeah
[00:35:01] the
[00:35:01] twist
[00:35:01] ending
[00:35:02] is
[00:35:02] what
[00:35:02] sold
[00:35:03] people
[00:35:03] but
[00:35:04] the
[00:35:04] buildup
[00:35:04] to
[00:35:20] in
[00:35:20] this
[00:35:20] film
[00:35:21] some
[00:35:22] people
[00:35:22] can
[00:35:22] deride
[00:35:23] it
[00:35:23] and
[00:35:23] they
[00:35:23] can
[00:35:23] you
[00:35:24] know
[00:35:24] talk
[00:35:24] about
[00:35:24] the
[00:35:24] sped
[00:35:25] up
[00:35:25] stuff
[00:35:25] and
[00:35:25] the
[00:35:26] shakiness
[00:35:26] of
[00:35:26] it
[00:35:26] but
[00:35:27] that's
[00:35:27] one
[00:35:27] of
[00:35:27] its
[00:35:27] charms
[00:35:28] and
[00:35:28] benefits
[00:35:29] it's
[00:35:29] like
[00:35:29] this
[00:35:29] is
[00:35:29] a
[00:35:29] kinetic
[00:35:30] off
[00:35:30] the
[00:35:30] rails
[00:35:31] movie
[00:35:31] with
[00:35:32] zero
[00:35:32] resources
[00:35:33] other than
[00:35:34] ingenuity
[00:35:34] like
[00:35:34] when
[00:35:35] they're
[00:35:35] driving
[00:35:36] when
[00:35:36] Zepp
[00:35:37] and
[00:35:37] Tapp
[00:35:37] are
[00:35:37] driving
[00:35:38] to
[00:35:38] the
[00:35:38] scene
[00:35:38] like
[00:35:39] those
[00:35:39] scenes
[00:35:40] of
[00:35:40] them
[00:35:40] driving
[00:35:40] in
[00:35:40] a
[00:35:41] dark
[00:35:41] background
[00:35:41] but
[00:35:42] everything
[00:35:42] is
[00:35:42] frantic
[00:35:42] it
[00:35:43] makes
[00:35:43] you
[00:35:44] forget
[00:35:44] that
[00:35:44] there's
[00:35:44] clearly
[00:35:45] they're
[00:35:45] on a
[00:35:45] sound
[00:35:45] stage
[00:35:46] there's
[00:35:47] no
[00:35:47] background
[00:35:48] there's
[00:35:48] no
[00:35:48] city
[00:35:48] the
[00:35:49] cars
[00:35:49] aren't
[00:35:49] moving
[00:35:49] they're
[00:35:50] not even
[00:35:50] trying to
[00:35:51] do
[00:35:51] a
[00:35:52] rear
[00:35:52] projection
[00:35:52] or
[00:35:53] anything
[00:35:53] Hitchcock
[00:35:53] style
[00:35:54] so
[00:35:55] I think
[00:35:56] that
[00:35:56] the
[00:35:56] cinematography
[00:35:57] and the
[00:35:57] editing
[00:35:58] combined
[00:35:58] created
[00:35:59] something
[00:36:00] unique
[00:36:00] that
[00:36:01] not
[00:36:01] every
[00:36:02] movie
[00:36:02] can
[00:36:02] pull
[00:36:02] off
[00:36:03] when
[00:36:03] other
[00:36:04] movies
[00:36:04] do
[00:36:04] the
[00:36:04] tricks
[00:36:05] that
[00:36:05] Saw
[00:36:05] does
[00:36:05] I
[00:36:06] don't
[00:36:06] always
[00:36:06] believe
[00:36:06] it
[00:36:06] the
[00:36:07] crank
[00:36:07] movies
[00:36:08] might
[00:36:08] be
[00:36:08] the
[00:36:08] exception
[00:36:08] those
[00:36:09] are
[00:36:09] the
[00:36:09] ones
[00:36:09] where
[00:36:09] I'm
[00:36:09] like
[00:36:09] okay
[00:36:10] they
[00:36:10] found
[00:36:11] a way
[00:36:11] to do
[00:36:11] it
[00:36:11] correctly
[00:36:11] yeah
[00:36:12] and I'm
[00:36:13] guessing
[00:36:13] we'll talk
[00:36:13] about this
[00:36:13] a little
[00:36:13] later
[00:36:14] yeah
[00:36:15] my
[00:36:16] number
[00:36:16] eight
[00:36:16] is yet
[00:36:17] another
[00:36:17] comedy
[00:36:18] and
[00:36:19] it's
[00:36:19] also
[00:36:20] a
[00:36:20] concept
[00:36:21] that
[00:36:21] sounds
[00:36:21] really
[00:36:22] stupid
[00:36:22] on
[00:36:22] paper
[00:36:23] but
[00:36:24] because
[00:36:24] people
[00:36:24] embrace
[00:36:25] the
[00:36:26] stupidity
[00:36:26] it
[00:36:27] works
[00:36:28] and
[00:36:28] I
[00:36:28] also
[00:36:28] think
[00:36:29] it's
[00:36:29] a
[00:36:29] continuation
[00:36:30] of a
[00:36:30] character
[00:36:30] Ben
[00:36:31] Stiller
[00:36:31] did
[00:36:32] about
[00:36:33] ten
[00:36:33] years
[00:36:37] 1954
[00:36:38] a
[00:36:39] simpler
[00:36:39] time
[00:36:40] dodgeball
[00:36:41] is a
[00:36:41] sport
[00:36:41] of
[00:36:41] violence
[00:36:42] exclusion
[00:36:43] and
[00:36:44] degradation
[00:36:44] a
[00:36:45] more
[00:36:45] innocent
[00:36:46] time
[00:36:46] make
[00:36:47] sure
[00:36:47] you
[00:36:47] pick
[00:36:47] the
[00:36:48] bigger
[00:36:48] stronger
[00:36:49] kids
[00:36:49] for your
[00:36:50] team
[00:36:50] that
[00:36:50] way
[00:36:51] you
[00:36:51] can
[00:36:51] all
[00:36:52] gang
[00:36:52] up
[00:36:53] on
[00:36:53] the
[00:36:53] weaker
[00:36:53] ones
[00:36:55] there
[00:36:59] are
[00:37:00] those
[00:37:00] who
[00:37:01] are
[00:37:01] born
[00:37:01] to
[00:37:02] be
[00:37:02] champions
[00:37:02] here at Globo Gym
[00:37:03] more
[00:37:04] better than
[00:37:04] you
[00:37:04] and we
[00:37:05] know it
[00:37:06] and then
[00:37:08] there are
[00:37:08] these guys
[00:37:11] do you
[00:37:12] know why
[00:37:12] I'm here
[00:37:13] now do you
[00:37:13] mean cosmically
[00:37:14] you have 30
[00:37:15] days to pay off
[00:37:15] your mortgage
[00:37:16] or you lose
[00:37:16] your gym
[00:37:17] who'd want to
[00:37:17] buy this
[00:37:18] place anyway
[00:37:20] okay
[00:37:21] we can't just
[00:37:22] let Globo Gym
[00:37:22] take us over
[00:37:23] if there was
[00:37:23] any way in the
[00:37:24] world we could
[00:37:24] raise $50,000
[00:37:26] we could play
[00:37:26] dodgeball
[00:37:27] line up
[00:37:28] ladies
[00:37:28] the name's
[00:37:29] Patches
[00:37:30] or Hoolihan
[00:37:31] and I'm
[00:37:32] your new
[00:37:32] coach
[00:37:33] you gotta get
[00:37:34] angry
[00:37:34] guess I'm
[00:37:35] not really
[00:37:35] an angry
[00:37:36] person
[00:37:37] are you
[00:37:38] angry now
[00:37:38] 20th century
[00:37:40] fox invites
[00:37:41] you
[00:37:41] welcome to
[00:37:42] this year's
[00:37:42] Las Vegas
[00:37:43] dodgeball
[00:37:44] open
[00:37:44] to experience
[00:37:45] the world
[00:37:46] of dodgeball
[00:37:47] there's a
[00:37:48] souvenir for
[00:37:49] a lucky man
[00:37:50] with the
[00:37:50] ultimate
[00:37:51] underdogs
[00:37:52] the real
[00:37:52] team needs
[00:37:53] real uniforms
[00:37:54] I hope
[00:37:54] they fit
[00:37:56] nice
[00:37:57] thank you
[00:38:01] nice to be
[00:38:02] in Vegas
[00:38:02] you should
[00:38:02] quit now
[00:38:03] I don't think
[00:38:03] I'll take
[00:38:03] my chances
[00:38:04] in the tournament
[00:38:04] yeah you will
[00:38:05] take your chances
[00:38:06] that's what I just
[00:38:07] said
[00:38:07] that's what I'm
[00:38:07] saying to you
[00:38:08] alright
[00:38:10] touche
[00:38:10] Vince Vaughn
[00:38:11] you dig me
[00:38:12] you do have
[00:38:13] brief moments
[00:38:14] where you're not
[00:38:14] completely
[00:38:15] when I'm not
[00:38:15] completely what
[00:38:16] pathetic
[00:38:17] Ben Stiller
[00:38:18] we should meet
[00:38:19] what
[00:38:19] I said we should
[00:38:20] date
[00:38:21] I just threw up
[00:38:23] in my mouth
[00:38:23] a little bit
[00:38:24] Christine Taylor
[00:38:25] you like the rough
[00:38:26] stuff huh
[00:38:27] real
[00:38:27] freaking naughty
[00:38:30] this summer
[00:38:31] I love you
[00:38:32] I love you
[00:38:32] Joanie loves
[00:38:34] chachi
[00:38:34] grab life
[00:38:38] by the ball
[00:38:40] ready for the
[00:38:42] hurricane
[00:38:43] he needs new
[00:38:46] shorts
[00:38:48] well at least
[00:38:49] that wasn't
[00:38:49] weird
[00:38:49] dodgeball
[00:38:50] a true
[00:38:51] underdog story
[00:38:52] you can dodge
[00:38:53] a wrench
[00:38:54] you can dodge
[00:38:54] a ball
[00:39:00] so when great
[00:39:01] minds think alike
[00:39:01] I think it's the
[00:39:02] first time ever
[00:39:03] there's been two
[00:39:03] tag team reviews
[00:39:04] in a row
[00:39:04] with the same
[00:39:05] two people
[00:39:05] yeah I don't
[00:39:06] know I'll keep
[00:39:07] track probably
[00:39:09] but yeah
[00:39:10] number eight for
[00:39:10] myself and Brad
[00:39:12] is dodgeball
[00:39:14] again
[00:39:15] I tease it
[00:39:16] Ben Stiller
[00:39:17] plays his character
[00:39:17] in heavyweights
[00:39:18] that I'm pretty
[00:39:19] sure is
[00:39:19] white good
[00:39:20] in dodgeball
[00:39:21] just as total
[00:39:22] douche
[00:39:24] fitness guy
[00:39:25] and
[00:39:26] he has
[00:39:27] tons of
[00:39:28] quotable things
[00:39:29] in this film
[00:39:30] another
[00:39:30] world
[00:39:31] a lot like
[00:39:32] Anchorman
[00:39:33] where
[00:39:34] everybody in
[00:39:35] it's really
[00:39:35] stupid
[00:39:36] but you
[00:39:37] accept it
[00:39:39] like
[00:39:41] the guy who
[00:39:41] plays the
[00:39:42] pirate
[00:39:42] Alan Tudyk
[00:39:44] he's literally
[00:39:45] a pirate
[00:39:45] in the film
[00:39:46] Hank Azaria
[00:39:47] is the
[00:39:48] coach
[00:39:49] in the
[00:39:49] how to
[00:39:50] video
[00:39:50] yeah and
[00:39:51] instead of
[00:39:52] making it
[00:39:53] weird
[00:39:53] they just
[00:39:54] accept it
[00:39:54] I think
[00:39:56] that has
[00:39:57] a lot to
[00:39:57] say about
[00:39:57] everybody
[00:39:58] just accept
[00:39:58] people for
[00:39:59] who they
[00:39:59] are
[00:39:59] and if
[00:40:00] you want
[00:40:00] to be
[00:40:00] a pirate
[00:40:01] by golly
[00:40:02] be a
[00:40:02] pirate
[00:40:04] it's just
[00:40:05] a fun
[00:40:05] movie
[00:40:05] even the
[00:40:07] silly lines
[00:40:09] where Vince
[00:40:10] Vaughn's
[00:40:11] character is
[00:40:11] thinking about
[00:40:12] quitting and
[00:40:12] he's sitting
[00:40:13] at an
[00:40:13] airport lounge
[00:40:14] and Lance
[00:40:15] Armstrong
[00:40:15] comes up
[00:40:16] to me
[00:40:17] says you
[00:40:17] know I
[00:40:18] thought about
[00:40:18] quitting
[00:40:19] after my
[00:40:19] third round
[00:40:20] of chemotherapy
[00:40:20] for cancer
[00:40:21] and I
[00:40:22] kept going
[00:40:23] it's
[00:40:23] funny
[00:40:26] Brad why
[00:40:27] is it
[00:40:27] eight on
[00:40:27] your list
[00:40:27] yeah a lot
[00:40:28] of things
[00:40:29] you said
[00:40:29] it's just
[00:40:29] a lot
[00:40:30] of fun
[00:40:30] again like
[00:40:31] how do
[00:40:32] you place
[00:40:32] it next
[00:40:34] to
[00:40:34] Anchorman
[00:40:34] like which
[00:40:35] one's
[00:40:36] eight which
[00:40:36] one's nine
[00:40:36] so that was
[00:40:37] a tough
[00:40:37] one for
[00:40:38] me
[00:40:39] but yeah
[00:40:40] it's just
[00:40:40] a lot
[00:40:42] of silly
[00:40:42] fun and
[00:40:43] yeah I
[00:40:44] think it
[00:40:44] put Anchorman
[00:40:45] lower because
[00:40:45] of that first
[00:40:46] screening
[00:40:46] but yeah
[00:40:49] it's just
[00:40:50] outrageous and
[00:40:51] silly and
[00:40:53] I always
[00:40:53] think about
[00:40:54] like taking
[00:40:55] you know
[00:40:56] niche sports
[00:40:59] concepts and
[00:40:59] trying to
[00:41:00] like you
[00:41:01] know I've
[00:41:01] always wanted
[00:41:01] to make a
[00:41:01] foosball movie
[00:41:02] but I can't
[00:41:03] quite crack
[00:41:04] the code on
[00:41:04] that so it's
[00:41:06] cool when they
[00:41:06] can like something
[00:41:07] that's not
[00:41:07] baseball or
[00:41:08] football or
[00:41:09] hockey or
[00:41:10] whatever
[00:41:10] yeah I think
[00:41:12] you have to
[00:41:12] kind of make
[00:41:12] it this hyper
[00:41:13] aware reality
[00:41:15] because even
[00:41:16] Jason Bateman
[00:41:16] and Gary Cooper
[00:41:18] as the sports
[00:41:19] casters on the
[00:41:20] Ocho I mean
[00:41:21] it is such
[00:41:21] ingrained in
[00:41:22] pop culture
[00:41:23] now that
[00:41:24] every year when
[00:41:25] dodgeball came
[00:41:26] out on its
[00:41:26] anniversary ESPN
[00:41:27] has the Ocho
[00:41:28] channel and
[00:41:29] it shows really
[00:41:30] silly sports
[00:41:31] on it and
[00:41:33] so it's
[00:41:34] definitely
[00:41:35] transcended
[00:41:36] in its 20
[00:41:38] years of its
[00:41:38] debut yeah
[00:41:39] and it has a
[00:41:40] lot of similarities
[00:41:41] to basketball
[00:41:41] which we love
[00:41:42] yes yeah
[00:41:43] this is a
[00:41:44] decade where
[00:41:45] irreverence
[00:41:45] was still
[00:41:46] like pretty
[00:41:47] stable way to
[00:41:48] sell a comedy
[00:41:49] yeah and as
[00:41:51] and as I
[00:41:51] you're right
[00:41:52] and as I was
[00:41:52] putting this
[00:41:53] list together
[00:41:53] and I have a
[00:41:54] lot of comedies
[00:41:55] on it I go
[00:41:55] man I miss
[00:41:57] these kind of
[00:41:58] comedies where
[00:42:00] studios won't
[00:42:00] take chances
[00:42:01] anymore and
[00:42:02] or they'll put
[00:42:03] them on Hulu
[00:42:04] and like yeah
[00:42:04] streaming and
[00:42:05] I want to I
[00:42:06] want to see
[00:42:07] because I'm
[00:42:07] telling you they
[00:42:08] will break out
[00:42:09] if you give
[00:42:10] films that are
[00:42:12] good enough a
[00:42:12] chance to break
[00:42:13] out but guys
[00:42:14] don't you know
[00:42:15] that like nothing's
[00:42:16] funny anymore you
[00:42:16] can't be funny
[00:42:17] yeah I can't
[00:42:24] say anything
[00:42:24] yeah it just
[00:42:25] it's okay to
[00:42:26] have fun is I
[00:42:27] guess my point
[00:42:28] this whole is
[00:42:29] part of this
[00:42:29] whole stretch from
[00:42:30] like 2003 to I
[00:42:32] don't know 2008
[00:42:33] of just you know
[00:42:34] these types of
[00:42:35] movies were just
[00:42:36] like hitting so
[00:42:37] hard yeah
[00:42:39] that I guess they
[00:42:40] just kind of
[00:42:41] oversaturated
[00:42:41] themselves and
[00:42:42] anyway Zach
[00:42:44] you're number
[00:42:45] eight all right
[00:42:46] my number eight
[00:42:47] is the only
[00:42:47] superhero movie
[00:42:49] on my list
[00:42:50] in the absence
[00:42:51] of light
[00:42:52] darkness prevails
[00:42:56] an ancient evil
[00:42:58] has returned
[00:42:58] the world has
[00:43:01] never known
[00:43:02] 60 years ago
[00:43:04] they tried to
[00:43:05] destroy the world
[00:43:06] they're back
[00:43:08] now
[00:43:10] one secret
[00:43:11] government agency
[00:43:12] welcome to the
[00:43:13] bureau for paranormal
[00:43:14] research and defense
[00:43:15] has been called
[00:43:17] upon
[00:43:17] hellboy
[00:43:18] to stand against
[00:43:20] them
[00:43:20] there are things
[00:43:21] that go bump
[00:43:22] in the night
[00:43:23] and we
[00:43:24] are the ones
[00:43:25] who bump
[00:43:26] back
[00:43:29] are you gonna be
[00:43:30] okay
[00:43:30] how big can it be
[00:43:35] didn't I kill you
[00:43:36] already
[00:43:37] we're heading
[00:43:38] towards civilians
[00:43:39] we should be
[00:43:47] running
[00:43:48] it's coming for us
[00:43:56] so yeah
[00:44:01] my number eight
[00:44:02] is Guillermo
[00:44:03] del Toro's
[00:44:03] Hellboy
[00:44:05] didn't get to see
[00:44:06] this in a theater
[00:44:06] but
[00:44:07] got to see it
[00:44:08] on DVD
[00:44:09] pretty quickly
[00:44:10] after it came out
[00:44:11] and it blew
[00:44:12] my hair back
[00:44:13] I really loved
[00:44:14] how Ron
[00:44:16] how Ron
[00:44:17] Perlman
[00:44:17] portrays
[00:44:18] not Ron Howard
[00:44:19] that'd be
[00:44:19] hilarious though
[00:44:20] if Ron Howard
[00:44:21] were Hellboy
[00:44:22] Ron Perlman's
[00:44:23] performance in this
[00:44:24] is just so
[00:44:25] captivating
[00:44:26] and it was
[00:44:27] the first
[00:44:27] Guillermo
[00:44:28] del Toro
[00:44:28] thing I ever
[00:44:29] saw
[00:44:29] so it opened
[00:44:30] up that
[00:44:31] world
[00:44:31] world
[00:44:31] of
[00:44:32] his
[00:44:33] fantastical
[00:44:34] monster
[00:44:35] laid in mind
[00:44:36] and like
[00:44:37] this whole idea
[00:44:37] of them
[00:44:38] fighting Nazis
[00:44:38] that have
[00:44:39] been
[00:44:39] frozen for
[00:44:41] decades
[00:44:41] or whatever
[00:44:41] the fuck
[00:44:42] John Hurt
[00:44:43] playing his
[00:44:44] father slash
[00:44:45] mentor
[00:44:47] Doug Jones
[00:44:49] everything
[00:44:50] everything
[00:44:50] about it
[00:44:51] is something
[00:44:51] that I
[00:44:52] kind of
[00:44:52] enjoy
[00:44:52] from a
[00:44:52] monster
[00:44:53] fandom
[00:44:53] thing
[00:44:54] to a
[00:44:54] superhero
[00:44:54] thing
[00:44:55] it just
[00:44:56] hits all
[00:44:56] the lovely
[00:44:57] beats for
[00:44:57] it
[00:44:58] to this
[00:44:59] day
[00:44:59] this
[00:45:00] and Hellboy
[00:45:00] 2
[00:45:00] the Golden
[00:45:01] Army
[00:45:01] like it's
[00:45:02] very hard
[00:45:02] for me
[00:45:03] to get
[00:45:03] on board
[00:45:03] with
[00:45:04] anything
[00:45:04] Hellboy
[00:45:16] that
[00:45:19] Neville
[00:45:19] Dean
[00:45:19] Taylor
[00:45:20] one of
[00:45:20] those
[00:45:20] guys
[00:45:20] did
[00:45:20] it
[00:45:21] but I
[00:45:22] still
[00:45:22] haven't
[00:45:22] seen
[00:45:23] David
[00:45:23] Harbour's
[00:45:24] one
[00:45:24] because
[00:45:24] for
[00:45:24] me
[00:45:24] it's
[00:45:25] not
[00:45:25] that
[00:45:26] I
[00:45:26] refuse
[00:45:26] to
[00:45:26] watch
[00:45:27] it
[00:45:27] it's
[00:45:27] more
[00:45:27] just
[00:45:27] like
[00:45:27] man
[00:45:28] I
[00:45:48] I
[00:45:49] don't
[00:45:49] think
[00:45:49] I
[00:45:49] would
[00:45:49] have
[00:45:50] gotten
[00:45:50] into
[00:45:50] Blade
[00:45:50] initially
[00:45:51] had it
[00:45:51] not
[00:45:51] been
[00:45:51] for
[00:45:51] watching
[00:45:52] Blade
[00:45:52] 2
[00:45:52] than
[00:45:52] watching
[00:45:52] the
[00:45:53] first
[00:45:53] one
[00:45:53] so
[00:45:54] it's
[00:45:54] like
[00:45:54] it's
[00:45:55] just
[00:45:55] fantastic
[00:45:57] and
[00:45:58] again
[00:45:58] I
[00:45:58] think
[00:45:59] that
[00:45:59] the way
[00:46:00] Pearlman
[00:46:01] works
[00:46:02] in that
[00:46:03] prosthetic
[00:46:03] makeup
[00:46:04] combined
[00:46:05] with
[00:46:05] his
[00:46:06] energy
[00:46:06] it's
[00:46:07] one
[00:46:07] of
[00:46:07] the
[00:46:07] other
[00:46:07] reasons
[00:46:08] that
[00:46:08] I'm
[00:46:08] sad
[00:46:08] there's
[00:46:08] not
[00:46:08] a
[00:46:09] third
[00:46:09] one
[00:46:09] because
[00:46:09] they
[00:46:09] were
[00:46:09] clearly
[00:46:10] leading
[00:46:10] to
[00:46:10] something
[00:46:11] at
[00:46:11] the
[00:46:11] end
[00:46:11] of
[00:46:11] the
[00:46:11] second
[00:46:12] one
[00:46:12] where
[00:46:13] I'm
[00:46:13] like
[00:46:13] I
[00:46:13] really
[00:46:13] care
[00:46:13] about
[00:46:13] this
[00:46:14] character
[00:46:14] I
[00:46:14] want
[00:46:14] to
[00:46:14] see
[00:46:14] a
[00:46:42] this
[00:46:42] is
[00:46:42] one
[00:46:42] that
[00:46:43] I
[00:46:43] remember
[00:46:43] seeing
[00:46:43] with
[00:46:43] Brad
[00:46:44] and
[00:46:44] our
[00:46:44] friend
[00:46:44] Adam
[00:46:45] in
[00:46:45] Denver
[00:46:46] West
[00:46:47] and
[00:46:47] we
[00:46:48] were
[00:46:48] laughing
[00:46:48] so
[00:46:49] hard
[00:46:49] and
[00:46:51] it
[00:47:31] and
[00:47:32] and
[00:47:32] just
[00:47:32] what
[00:47:32] does
[00:47:32] this
[00:47:32] have
[00:47:32] to
[00:47:33] do
[00:47:33] with
[00:47:33] me
[00:47:33] last
[00:47:34] week
[00:47:34] in
[00:47:34] Paris
[00:47:35] we
[00:47:35] caught
[00:47:35] four
[00:47:35] terrorists
[00:47:36] with
[00:47:36] a
[00:47:36] weapon
[00:47:36] of
[00:47:37] mass
[00:47:37] destruction
[00:47:38] we
[00:47:39] have
[00:47:39] to
[00:47:39] find
[00:47:39] out
[00:47:39] who
[00:47:40] sold
[00:47:40] it
[00:47:40] to
[00:47:40] them
[00:47:41] our
[00:47:41] only
[00:47:41] hope
[00:47:42] is
[00:47:42] to
[00:47:42] have
[00:47:42] somebody
[00:47:42] act
[00:47:43] like
[00:47:43] a
[00:47:43] terrorist
[00:47:44] we
[00:47:45] need
[00:47:45] an
[00:47:45] actor
[00:47:46] and
[00:47:46] they
[00:47:46] say
[00:47:47] you're
[00:47:47] the
[00:47:47] best
[00:47:47] five
[00:47:51] terrorists
[00:47:52] going
[00:47:52] southeast
[00:47:52] on
[00:47:53] Bakalaka
[00:47:53] Daka
[00:47:53] street
[00:47:55] soon
[00:47:55] every
[00:47:56] country
[00:47:56] will
[00:47:56] be
[00:47:56] in
[00:47:57] complete
[00:47:57] chaos
[00:47:59] to
[00:47:59] save
[00:48:00] the
[00:48:00] world
[00:48:00] from
[00:48:01] falling
[00:48:01] apart
[00:48:02] and
[00:48:02] so
[00:48:02] you
[00:48:02] see
[00:48:03] the
[00:48:03] new
[00:48:03] world
[00:48:04] is
[00:48:04] inevitable
[00:48:05] it's
[00:48:06] what
[00:48:06] inevitable
[00:48:09] one
[00:48:10] more
[00:48:10] time
[00:48:10] inevitable
[00:48:11] things are
[00:48:12] inevitably
[00:48:12] going to
[00:48:13] change
[00:48:14] one
[00:48:14] team
[00:48:15] must
[00:48:16] pull
[00:48:16] together
[00:48:16] all
[00:48:17] right
[00:48:17] let's
[00:48:17] move
[00:48:19] it's
[00:48:19] too
[00:48:20] soon
[00:48:20] to
[00:48:20] be
[00:48:20] having
[00:48:20] feelings
[00:48:21] for
[00:48:21] you
[00:48:21] maybe
[00:48:22] feelings
[00:48:23] are
[00:48:23] feelings
[00:48:23] because
[00:48:24] we
[00:48:24] can't
[00:48:24] control
[00:48:25] them
[00:48:27] and
[00:48:28] the
[00:48:28] earth's
[00:48:28] darkest
[00:48:29] moment
[00:48:30] three
[00:48:31] more
[00:48:31] cities
[00:48:31] have
[00:48:32] fallen
[00:48:33] into
[00:48:37] mankind's
[00:48:37] finest
[00:48:38] hour
[00:48:38] there's too
[00:48:39] many of
[00:48:40] them
[00:48:40] this isn't
[00:48:41] about
[00:48:41] sex
[00:48:41] Gary
[00:48:42] it's
[00:48:42] about
[00:48:42] trust
[00:48:51] all
[00:48:51] right
[00:48:52] let's
[00:48:52] make
[00:48:52] this
[00:48:52] interesting
[00:49:03] number
[00:49:04] seven for
[00:49:04] me is
[00:49:04] team
[00:49:05] america
[00:49:05] world
[00:49:05] police
[00:49:06] i literally
[00:49:07] just spent
[00:49:08] the last
[00:49:08] two
[00:49:08] films
[00:49:09] or
[00:49:09] entries
[00:49:10] talking
[00:49:10] about
[00:49:10] films
[00:49:11] that are
[00:49:11] in
[00:49:12] their
[00:49:12] own
[00:49:12] world
[00:49:12] and
[00:49:12] this
[00:49:12] is
[00:49:13] another
[00:49:13] one
[00:49:15] and
[00:49:15] it
[00:49:16] comes
[00:49:16] from
[00:49:16] obviously
[00:49:17] trey
[00:49:17] parker
[00:49:17] and
[00:49:17] matt
[00:49:18] stone
[00:49:18] the
[00:49:19] geniuses
[00:49:19] behind
[00:49:19] south
[00:49:20] park
[00:49:20] cannibal
[00:49:21] the
[00:49:21] musical
[00:49:21] basketball
[00:49:24] orgasmo
[00:49:24] just
[00:49:25] really
[00:49:25] funny
[00:49:26] guys
[00:49:27] and
[00:49:27] what
[00:49:28] i love
[00:49:28] about
[00:49:28] them
[00:49:29] too
[00:49:29] is
[00:49:30] they
[00:49:30] don't
[00:49:30] really
[00:49:31] although
[00:49:32] it
[00:49:32] seems
[00:49:32] like
[00:49:32] this
[00:49:32] is
[00:49:32] an
[00:49:32] overly
[00:49:33] political
[00:49:33] film
[00:49:34] they
[00:49:35] actually
[00:49:35] give
[00:49:35] everybody
[00:49:36] a
[00:49:36] hard
[00:49:36] time
[00:49:36] for
[00:49:37] it
[00:49:38] and
[00:49:38] they
[00:49:39] have
[00:49:39] a
[00:49:39] lot
[00:49:39] of
[00:49:39] fun
[00:49:40] doing
[00:49:40] it
[00:49:40] in
[00:49:40] fact
[00:49:40] when
[00:49:41] it
[00:49:41] came
[00:49:41] out
[00:49:41] on
[00:49:41] special
[00:49:42] edition
[00:49:42] blu-ray
[00:49:43] last
[00:49:44] year
[00:49:45] my
[00:49:46] son
[00:49:47] saw
[00:49:47] the
[00:49:47] cover
[00:49:48] art
[00:49:48] and
[00:49:48] he
[00:49:48] wanted
[00:49:49] to
[00:49:49] watch
[00:49:49] it
[00:49:49] and
[00:49:50] i
[00:49:50] said
[00:49:50] you
[00:49:50] know
[00:49:50] i
[00:49:50] haven't
[00:49:51] seen
[00:49:51] it
[00:49:51] in
[00:49:51] a
[00:49:51] while
[00:49:51] maybe
[00:49:51] i'll
[00:49:52] watch
[00:49:52] it
[00:49:52] before
[00:49:52] i
[00:49:53] started
[00:49:53] watching
[00:49:53] oh
[00:49:54] yes
[00:49:54] maybe
[00:49:54] not
[00:49:54] be
[00:49:55] appropriate
[00:49:55] for
[00:49:55] him
[00:49:56] definitely
[00:49:56] not
[00:49:56] but
[00:49:58] you
[00:49:58] you
[00:49:58] do
[00:49:59] things
[00:49:59] and
[00:49:59] what
[00:49:59] i
[00:49:59] love
[00:49:59] about
[00:50:00] the
[00:50:00] south
[00:50:00] park
[00:50:00] guys
[00:50:02] is
[00:50:02] they
[00:50:03] have
[00:50:03] created
[00:50:04] a
[00:50:06] expectation
[00:50:07] of
[00:50:08] offending
[00:50:09] people
[00:50:09] so
[00:50:10] they
[00:50:10] do
[00:50:11] things
[00:50:11] that
[00:50:11] no
[00:50:12] one
[00:50:12] will
[00:50:12] have
[00:50:12] the
[00:50:12] guts
[00:50:13] to
[00:50:13] do
[00:50:14] and
[00:50:15] in
[00:50:15] this
[00:50:16] film
[00:50:16] it's
[00:50:16] Trey
[00:50:17] Parker
[00:50:18] voicing
[00:50:18] Kim
[00:50:19] Jong
[00:50:19] Il
[00:50:20] and
[00:50:21] if
[00:50:21] anybody
[00:50:22] else
[00:50:22] would
[00:50:22] do
[00:50:26] and
[00:50:27] but
[00:50:27] for
[00:50:27] some
[00:50:28] reason
[00:50:28] he
[00:50:28] pulls
[00:50:28] it
[00:50:28] off
[00:50:29] because
[00:50:29] he
[00:50:29] also
[00:50:30] does
[00:50:30] you
[00:50:31] know
[00:50:31] i
[00:50:31] always
[00:50:31] think
[00:50:31] it
[00:50:31] back
[00:50:32] 2004
[00:50:34] like
[00:50:34] like
[00:50:35] myspace
[00:50:35] was
[00:50:36] just
[00:50:36] starting
[00:50:37] yeah
[00:50:37] so
[00:50:37] it's
[00:50:37] like
[00:50:38] i'm
[00:50:38] sure
[00:50:38] people
[00:50:39] were
[00:50:39] like
[00:50:40] maybe
[00:50:40] like
[00:50:41] that's
[00:50:41] racist
[00:50:41] and
[00:50:42] couldn't
[00:50:42] say
[00:50:42] it
[00:50:43] you
[00:50:43] know
[00:50:43] as
[00:50:43] openly
[00:50:43] as
[00:50:44] now
[00:50:44] but
[00:50:44] even
[00:50:44] now
[00:50:45] i
[00:50:45] mean
[00:50:45] he
[00:50:46] what
[00:50:46] was
[00:50:46] the
[00:50:48] episode
[00:50:48] of
[00:50:48] south
[00:50:49] park
[00:50:49] where
[00:50:49] city
[00:50:50] walk
[00:50:50] is
[00:50:50] also
[00:50:51] city
[00:50:51] airlines
[00:50:52] oh
[00:50:53] Canada
[00:50:53] yeah
[00:50:53] it's
[00:50:53] very
[00:50:53] far
[00:50:54] lots
[00:50:54] of
[00:50:55] money
[00:50:55] it's
[00:50:56] funny
[00:50:57] because
[00:50:57] they
[00:50:58] do
[00:50:58] but
[00:50:58] they
[00:50:58] also
[00:50:58] in
[00:50:59] this
[00:50:59] film
[00:50:59] is
[00:50:59] why
[00:50:59] they're
[00:50:59] so
[00:51:00] much
[00:51:00] smarter
[00:51:00] than
[00:51:00] everybody
[00:51:00] else
[00:51:01] and
[00:51:01] they
[00:51:01] don't
[00:51:01] even
[00:51:01] touch
[00:51:02] on it
[00:51:02] in
[00:51:02] the
[00:51:02] trailer
[00:51:03] is
[00:51:03] it's
[00:51:03] a
[00:51:23] little
[00:51:23] croissants
[00:51:25] just
[00:51:25] built
[00:51:26] into
[00:51:26] it
[00:51:27] and
[00:51:27] the
[00:51:29] detail
[00:51:29] and
[00:51:30] when
[00:51:30] you
[00:51:30] watch
[00:51:30] him
[00:51:31] even
[00:51:31] in
[00:51:31] his
[00:51:31] Casa
[00:51:32] Bonita
[00:51:33] documentary
[00:51:34] that's
[00:51:34] never
[00:51:35] left
[00:51:35] him
[00:51:35] and
[00:51:36] he
[00:51:37] it's
[00:51:38] just
[00:51:38] a
[00:51:38] funny
[00:51:38] movie
[00:51:38] and
[00:51:39] it's
[00:51:39] brilliant
[00:51:39] and
[00:51:40] everybody
[00:51:41] should
[00:51:41] see
[00:51:41] it
[00:51:41] and
[00:51:41] obviously
[00:51:42] I
[00:51:42] swept
[00:51:42] somebody's
[00:51:42] legs
[00:51:44] but
[00:51:45] I
[00:51:45] love
[00:51:46] this
[00:51:46] movie
[00:51:46] it
[00:51:47] always
[00:51:48] made
[00:51:48] it
[00:51:48] as
[00:51:48] much
[00:51:48] as
[00:51:49] someone
[00:51:49] else
[00:51:50] it
[00:51:51] didn't
[00:51:51] make
[00:51:51] my
[00:51:51] list
[00:51:52] but
[00:51:52] you
[00:51:52] know
[00:51:52] what
[00:51:52] I
[00:51:53] love
[00:51:53] about
[00:51:53] the
[00:51:53] brilliance
[00:51:54] of
[00:51:54] that
[00:51:54] is
[00:51:54] that
[00:51:54] they'll
[00:51:54] put
[00:51:54] a
[00:51:55] song
[00:51:55] out
[00:51:55] and
[00:51:56] you
[00:51:56] think
[00:51:56] you
[00:51:57] know
[00:51:57] where
[00:51:57] the
[00:51:57] song
[00:51:57] is
[00:51:57] going
[00:51:58] and
[00:51:58] then
[00:51:58] it
[00:51:58] diverts
[00:51:59] pretty
[00:51:59] quickly
[00:52:00] like
[00:52:01] Pearl Harbor
[00:52:01] sucked
[00:52:02] and I
[00:52:02] missed
[00:52:02] you
[00:52:03] when I
[00:52:04] first
[00:52:04] watched
[00:52:04] the
[00:52:04] movie
[00:52:05] I
[00:52:05] wasn't
[00:52:05] expecting
[00:52:06] the
[00:52:06] song
[00:52:06] to
[00:52:07] do
[00:52:07] what
[00:52:08] it
[00:52:08] does
[00:52:08] which
[00:52:08] is
[00:52:09] just
[00:52:09] make
[00:52:09] fun
[00:52:09] of
[00:52:09] Michael
[00:52:10] Bay's
[00:52:10] Pearl
[00:52:10] Harbor
[00:52:11] yeah
[00:52:11] because
[00:52:11] they
[00:52:11] make
[00:52:12] fun
[00:52:51] the
[00:53:01] I
[00:53:02] think
[00:53:02] they're
[00:53:02] working
[00:53:03] on
[00:53:03] with
[00:53:22] Kendrick
[00:53:23] they're so
[00:53:23] smart
[00:53:23] you know
[00:53:24] they
[00:53:24] talk
[00:53:24] about
[00:53:25] I was
[00:53:26] reading an
[00:53:26] article
[00:53:26] about
[00:53:27] them
[00:53:27] on
[00:53:27] the
[00:53:28] Hollywood
[00:53:28] reporter
[00:53:28] they're
[00:53:29] the
[00:53:29] first
[00:53:30] show
[00:53:30] that
[00:53:31] you
[00:53:31] could
[00:53:31] stream
[00:53:32] on
[00:53:32] the
[00:53:32] internet
[00:53:32] that
[00:53:33] they
[00:53:33] sold
[00:53:34] the
[00:53:34] rights
[00:53:35] that
[00:53:35] well
[00:53:36] they
[00:53:36] bought
[00:53:36] the
[00:53:36] Paramount
[00:53:37] they're
[00:53:38] screening
[00:53:38] on
[00:53:38] South Park
[00:53:39] studio's
[00:53:39] original
[00:53:39] website
[00:53:40] and now
[00:53:41] every
[00:53:41] five
[00:53:41] years
[00:53:41] instead
[00:53:42] of
[00:53:42] being
[00:53:42] locked
[00:53:42] into
[00:53:43] a
[00:53:43] certain
[00:53:43] streaming
[00:53:44] platform
[00:53:44] they
[00:53:45] renegotiate
[00:53:46] their deal
[00:53:46] yeah
[00:53:47] and they
[00:53:47] keep
[00:53:47] on
[00:53:48] making
[00:53:48] I
[00:53:48] mean
[00:53:49] I
[00:53:49] think
[00:53:49] this
[00:53:49] last
[00:53:49] time
[00:53:49] they
[00:53:49] sold
[00:53:49] it
[00:53:50] for
[00:53:50] a
[00:53:50] billion
[00:53:50] dollars
[00:53:51] yeah
[00:53:52] it's
[00:53:52] pretty
[00:53:53] close
[00:53:53] they
[00:53:54] keep
[00:53:54] upping
[00:53:54] that
[00:53:55] licensing
[00:53:55] fee
[00:53:56] then
[00:53:56] they
[00:53:56] parlay
[00:53:57] it
[00:53:57] from
[00:53:57] something
[00:53:57] like
[00:53:57] Orgasmo
[00:53:58] and then
[00:53:59] they
[00:53:59] have
[00:54:19] funny
[00:54:19] funny
[00:54:19] guys
[00:54:19] and I
[00:54:20] always
[00:54:20] down
[00:54:20] to
[00:54:20] see
[00:54:21] what
[00:54:21] they
[00:54:21] do
[00:54:21] next
[00:54:21] Brad
[00:54:22] number
[00:54:22] seven
[00:54:23] my
[00:54:24] number
[00:54:24] seven
[00:54:24] is
[00:54:24] all
[00:54:24] about
[00:54:25] whimsy
[00:54:26] on
[00:54:26] the
[00:54:26] high
[00:54:26] seas
[00:54:29] supposedly
[00:54:30] custodianous
[00:54:30] cronies
[00:54:30] invented
[00:54:31] the idea
[00:54:31] of putting
[00:54:32] walkie-talkies
[00:54:33] into the
[00:54:33] helmet
[00:54:33] we made
[00:54:34] ours
[00:54:34] with a
[00:54:35] special
[00:54:35] rabbit
[00:54:35] here
[00:54:36] on
[00:54:36] the
[00:54:36] top
[00:54:36] so
[00:54:36] we
[00:54:36] could
[00:54:50] home
[00:54:50] to
[00:54:50] team
[00:54:51] Zissou
[00:54:51] skilled
[00:54:52] crew
[00:54:53] of
[00:54:53] deep
[00:54:53] sea
[00:54:53] divers
[00:54:55] adventurers
[00:54:56] documentary
[00:54:57] filmmakers
[00:54:58] action
[00:54:58] led
[00:54:59] by
[00:55:00] internationally
[00:55:00] renowned
[00:55:01] oceanographer
[00:55:02] captain
[00:55:02] Steve
[00:55:03] Zissou
[00:55:03] expert
[00:55:04] on
[00:55:05] every
[00:55:05] aspect
[00:55:05] of
[00:55:06] marine
[00:55:06] life
[00:55:06] swamp leeches
[00:55:08] everybody
[00:55:08] check for
[00:55:09] swamp leeches
[00:55:10] nobody else
[00:55:11] got hit
[00:55:12] I'm the only
[00:55:12] one
[00:55:12] but
[00:55:13] there
[00:55:14] remains
[00:55:14] one
[00:55:14] form
[00:55:15] of life
[00:55:15] about
[00:55:16] which
[00:55:16] captain
[00:55:16] Zissou
[00:55:17] knows
[00:55:18] very
[00:55:18] little
[00:55:18] you're
[00:55:19] supposed
[00:55:19] to be
[00:55:19] my
[00:55:19] son
[00:55:19] right
[00:55:22] I
[00:55:22] want
[00:55:23] you
[00:55:23] on
[00:55:24] team
[00:55:24] Zissou
[00:55:24] answers
[00:55:25] yes
[00:55:26] well
[00:55:26] it's
[00:55:26] got
[00:55:26] to
[00:55:27] be
[00:55:27] I'll
[00:55:27] order
[00:55:28] your
[00:55:28] red
[00:55:28] cap
[00:55:28] and a
[00:55:29] speed
[00:55:29] on
[00:55:30] this
[00:55:31] will
[00:55:32] be
[00:55:32] team
[00:55:32] Zissou's
[00:55:33] most
[00:55:33] ambitious
[00:55:34] adventure
[00:55:34] to date
[00:55:35] I'm
[00:55:35] gonna
[00:55:35] go on
[00:55:35] an
[00:55:35] overnight
[00:55:36] drunk
[00:55:36] and in
[00:55:37] ten
[00:55:37] days
[00:55:37] I'm
[00:55:37] gonna
[00:55:37] set
[00:55:38] out
[00:55:38] to
[00:55:38] find
[00:55:38] the
[00:55:38] shark
[00:55:38] that
[00:55:39] ate
[00:55:39] my
[00:55:39] friend
[00:55:39] and
[00:55:39] destroyed
[00:55:40] it
[00:55:40] what
[00:55:40] would
[00:55:41] be
[00:55:41] the
[00:55:41] scientific
[00:55:41] purpose
[00:55:42] of
[00:55:42] killing
[00:55:42] it
[00:55:44] revenge
[00:55:47] you
[00:55:51] I'll
[00:55:51] take
[00:55:52] Ned
[00:55:52] Ogata
[00:55:53] and
[00:55:53] Wolodarski
[00:55:53] thanks
[00:55:55] thanks a lot
[00:55:56] for not
[00:55:56] picking me
[00:55:57] we're being led
[00:55:58] on an illegal
[00:55:58] suicide mission
[00:56:00] I'm gonna
[00:56:01] fight you
[00:56:02] Steve
[00:56:04] you never say
[00:56:05] I'm gonna
[00:56:06] fight you
[00:56:06] Steve
[00:56:06] you just
[00:56:07] smile
[00:56:07] and act
[00:56:08] natural
[00:56:08] and then you
[00:56:09] sucker punch
[00:56:22] are you
[00:56:23] finding what
[00:56:24] you were
[00:56:24] looking for
[00:56:25] out here
[00:56:26] with me
[00:56:29] I hope
[00:56:30] so
[00:56:35] can you
[00:56:36] hear the
[00:56:36] jack whales
[00:56:37] singing
[00:56:39] beautiful
[00:56:41] I wonder
[00:56:41] what they're
[00:56:42] saying
[00:56:42] well that
[00:56:43] was the
[00:56:43] sludge
[00:56:43] tanker
[00:56:44] over there
[00:56:44] but
[00:56:45] there you
[00:56:46] go
[00:56:55] yeah my
[00:56:56] number seven
[00:56:56] is the
[00:56:57] life aquatic
[00:56:57] with Steve
[00:56:58] Zissou
[00:56:58] uh
[00:56:59] Wes Anderson's
[00:57:00] follow up
[00:57:00] to the
[00:57:01] Royal Tenenbaums
[00:57:01] and it's
[00:57:02] actually
[00:57:03] the Wes
[00:57:04] Sanderson film
[00:57:04] I revisit
[00:57:05] the lease
[00:57:06] um
[00:57:07] and actually
[00:57:08] got sitting
[00:57:09] there I was
[00:57:09] like maybe
[00:57:09] that should
[00:57:10] have been
[00:57:10] my ninth
[00:57:10] um
[00:57:11] but yeah
[00:57:13] it's still
[00:57:13] a good
[00:57:13] movie
[00:57:13] um
[00:57:14] and it's
[00:57:15] like
[00:57:16] the first
[00:57:17] time he
[00:57:17] really gets
[00:57:18] into
[00:57:19] his
[00:57:21] like
[00:57:21] miniatures
[00:57:22] filmmaking
[00:57:23] you know
[00:57:23] yeah
[00:57:24] uh
[00:57:24] with the
[00:57:25] stop motion
[00:57:25] everything
[00:57:25] because
[00:57:26] yeah
[00:57:26] I think
[00:57:26] uh
[00:57:26] after this
[00:57:28] he goes
[00:57:28] back to
[00:57:29] uh
[00:57:29] what is it
[00:57:30] the Darjeeling
[00:57:31] limited
[00:57:32] is that the
[00:57:33] next one
[00:57:33] yeah
[00:57:34] Darjeeling
[00:57:34] and then
[00:57:34] after that
[00:57:35] it's
[00:57:35] fantastic
[00:57:35] yeah
[00:57:36] where
[00:57:36] the
[00:57:37] Darjeeling
[00:57:38] limited
[00:57:38] is still
[00:57:38] more like
[00:57:39] you know
[00:57:39] uh
[00:57:41] I don't know
[00:57:41] it's
[00:57:42] similar vibe
[00:57:43] to
[00:57:43] Bottle Rocket
[00:57:44] and Royal Tenenbaums
[00:57:45] and then
[00:57:45] like
[00:57:45] everything
[00:57:46] after that
[00:57:46] is very
[00:57:46] much like
[00:57:47] he's very
[00:57:48] meticulous
[00:57:49] and like
[00:57:49] is playing
[00:57:50] with like
[00:57:50] very specific
[00:57:51] art design
[00:57:53] and direction
[00:57:53] and stuff
[00:57:54] and this
[00:57:54] feels
[00:57:54] like a
[00:57:55] blend
[00:57:55] between
[00:57:56] the two
[00:57:57] um
[00:57:57] so uh
[00:57:58] yeah
[00:57:59] it's just
[00:57:59] the story
[00:58:00] of uh
[00:58:01] Steve Yassou
[00:58:02] who uh
[00:58:03] discovers
[00:58:03] his estranged
[00:58:04] son and
[00:58:05] brings him
[00:58:05] on his
[00:58:05] little
[00:58:05] missions
[00:58:06] and um
[00:58:07] they kind
[00:58:08] of fight
[00:58:08] over a
[00:58:08] woman
[00:58:09] and um
[00:58:10] yeah
[00:58:12] yeah
[00:58:12] Cate Blanchett
[00:58:13] is beautiful
[00:58:13] in this
[00:58:14] movie
[00:58:14] and wonderful
[00:58:15] and I didn't
[00:58:16] know
[00:58:16] Noah Baumbach
[00:58:17] uh
[00:58:18] co-wrote it
[00:58:20] yeah
[00:58:21] something new
[00:58:21] every day
[00:58:23] so yeah
[00:58:24] that's my
[00:58:25] number seven
[00:58:25] The Life Aquatic
[00:58:27] with Steve Zissou
[00:58:29] Zach
[00:58:31] all right
[00:58:31] my number seven
[00:58:32] is a comedy
[00:58:33] I and the whole
[00:58:34] family enjoy
[00:58:35] my fellow
[00:58:36] flax
[00:58:36] and spin doctors
[00:58:37] salute
[00:58:39] oliver trinke
[00:58:40] was on his way
[00:58:41] to the top
[00:58:42] till everything
[00:58:43] changed
[00:58:45] daddy really
[00:58:46] misses your
[00:58:47] mommy kid
[00:58:48] I miss her too
[00:58:49] especially right
[00:58:50] now
[00:58:50] oh shit
[00:58:54] you're on your
[00:58:55] own with the
[00:58:55] kid today
[00:58:56] what am I
[00:58:56] supposed to do
[00:58:57] with him
[00:58:57] try acting like
[00:58:58] her father
[00:58:58] hey you're doing
[00:59:00] that wrong
[00:59:03] will someone
[00:59:04] please shut
[00:59:05] that girl up
[00:59:06] you better
[00:59:07] shut up
[00:59:08] that guy's toast
[00:59:09] now his old
[00:59:11] life is over
[00:59:12] and his new
[00:59:13] life is one
[00:59:14] he never
[00:59:15] expected
[00:59:15] can we run
[00:59:16] dirty dancing
[00:59:17] I'll pick out
[00:59:17] something from
[00:59:17] the children's
[00:59:18] section
[00:59:18] those movies
[00:59:19] suck
[00:59:19] watch your
[00:59:20] language
[00:59:20] get dirty
[00:59:21] dancing
[00:59:22] Miramax Films
[00:59:23] presents
[00:59:24] what does
[00:59:24] yours look like
[00:59:25] a film written
[00:59:26] and directed
[00:59:26] by Kevin Smith
[00:59:28] what are your
[00:59:28] intentions
[00:59:28] with my daughter
[00:59:29] do you plan
[00:59:30] on marrying her
[00:59:31] I don't know
[00:59:32] a story about
[00:59:33] the challenges
[00:59:34] that face us
[00:59:35] daddy loved
[00:59:35] his old life
[00:59:36] and he's missed
[00:59:37] it every day
[00:59:38] since he's been
[00:59:38] gone
[00:59:39] and discovering
[00:59:40] the things
[00:59:40] that matter
[00:59:41] most
[00:59:41] I'm gonna be
[00:59:42] the best daddy
[00:59:43] in the world
[00:59:54] Jersey Girl
[00:59:55] what are your
[00:59:56] intentions
[00:59:56] do you plan
[00:59:58] marrying her
[01:00:01] so yeah
[01:00:01] my number 7
[01:00:02] is Jersey Girl
[01:00:04] a film that
[01:00:06] my sister and
[01:00:06] I begged
[01:00:08] our folks to
[01:00:09] see because
[01:00:10] there used to
[01:00:11] be this channel
[01:00:12] I don't know
[01:00:13] what it was
[01:00:14] I can't remember
[01:00:14] the name of it
[01:00:15] but it would
[01:00:15] just show movie
[01:00:16] trailers for what
[01:00:17] was coming out
[01:00:18] and we would
[01:00:18] put it on
[01:00:19] occasionally
[01:00:20] and the trailer
[01:00:21] for this popped
[01:00:21] up
[01:00:22] we thought it
[01:00:22] was funny
[01:00:23] so we went
[01:00:24] to it
[01:00:25] opening logo
[01:00:26] is for view
[01:00:27] askew
[01:00:27] did not know
[01:00:27] who the fuck
[01:00:28] Jay and Silent Bob
[01:00:29] were at this
[01:00:29] point because I'm
[01:00:30] 13
[01:00:31] so did not know
[01:00:32] yet
[01:00:33] and we all went
[01:00:35] as a family
[01:00:35] to it
[01:00:35] and the PG-13
[01:00:37] rating
[01:00:38] is great
[01:00:39] but it's a little
[01:00:39] misleading
[01:00:40] because this movie
[01:00:41] pushes the
[01:00:42] boundary on what
[01:00:42] PG-13 is
[01:00:43] because it's
[01:00:44] Kevin
[01:00:46] and I've
[01:00:47] never heard
[01:00:48] our whole
[01:00:48] family laugh
[01:00:49] as hard
[01:00:49] as we did
[01:00:50] watching that
[01:00:51] movie together
[01:00:51] except for
[01:00:52] maybe
[01:00:52] Oh Brother
[01:00:52] O Art Thou
[01:00:54] and so
[01:00:55] this was
[01:00:56] eventually a
[01:00:57] bridge to
[01:00:58] getting into
[01:00:59] Kevin Smith
[01:01:00] and this is a
[01:01:02] film that I
[01:01:02] would consistently
[01:01:03] defend
[01:01:04] for a long
[01:01:06] time because
[01:01:06] of the
[01:01:07] memories that
[01:01:08] I had watching
[01:01:09] it with my
[01:01:09] family
[01:01:09] but it's
[01:01:10] also because
[01:01:11] it's a very
[01:01:11] well written
[01:01:12] sweet
[01:01:13] comedy
[01:01:14] it's not
[01:01:15] super cynical
[01:01:16] there's a lot
[01:01:17] of humanity
[01:01:18] and heart
[01:01:18] in it
[01:01:18] that I
[01:01:19] think
[01:01:21] is not
[01:01:21] expected
[01:01:22] out of
[01:01:23] Smith
[01:01:23] given what
[01:01:24] he produces
[01:01:25] on the whole
[01:01:26] but it's a
[01:01:27] reminder of
[01:01:28] how open
[01:01:29] and big
[01:01:29] his heart
[01:01:29] is
[01:01:30] like he's
[01:01:30] the only
[01:01:31] filmmaker
[01:01:31] living today
[01:01:32] to my
[01:01:32] mind
[01:01:32] that wears
[01:01:33] his heart
[01:01:33] on his
[01:01:33] sleeve
[01:01:34] and this
[01:01:34] is one
[01:01:34] of the
[01:01:34] purest
[01:01:35] examples
[01:01:35] of that
[01:01:37] and I'm
[01:01:38] a huge
[01:01:38] George Carlin
[01:01:38] fan
[01:01:39] I've grown
[01:01:39] up with
[01:01:39] George Carlin
[01:01:40] in several
[01:01:41] different facets
[01:01:41] of life
[01:01:42] whether it's
[01:01:43] Thomas the Tank
[01:01:44] Engine
[01:01:44] Bill and Ted
[01:01:45] his stand-up
[01:01:46] and his
[01:01:47] performance
[01:01:47] in this
[01:01:48] to me
[01:01:48] is just
[01:01:48] so fucking
[01:01:49] beautiful
[01:01:49] he has
[01:01:50] my favorite
[01:01:51] line in
[01:01:51] the movie
[01:01:52] and it's
[01:01:52] when he
[01:01:53] refuses to
[01:01:53] sit with
[01:01:54] the kid
[01:01:54] because he's
[01:01:55] got to
[01:01:55] take a shift
[01:01:55] at work
[01:01:56] and Ben
[01:01:57] Affleck's
[01:01:57] like what
[01:01:57] am I
[01:01:58] supposed to
[01:01:58] do
[01:01:58] and he
[01:01:58] just goes
[01:01:58] try acting
[01:01:59] like your
[01:01:59] father
[01:01:59] shithead
[01:02:01] it's
[01:02:01] it
[01:02:01] I will
[01:02:02] never
[01:02:02] lose
[01:02:03] love for
[01:02:04] that
[01:02:04] moment
[01:02:04] um
[01:02:05] and
[01:02:06] I run
[01:02:07] into a lot
[01:02:09] including my
[01:02:10] partner
[01:02:10] who do not
[01:02:11] like Ben
[01:02:11] Affleck as
[01:02:12] an actor
[01:02:12] and this
[01:02:12] is one
[01:02:13] of the
[01:02:13] reminders
[01:02:13] for me
[01:02:14] of like
[01:02:14] no Ben
[01:02:15] Affleck's
[01:02:15] a great
[01:02:15] actor
[01:02:16] he can
[01:02:16] really pull
[01:02:17] off a lot
[01:02:18] of great
[01:02:18] stuff
[01:02:18] and this
[01:02:19] performance
[01:02:19] is one
[01:02:19] of the
[01:02:20] warmest
[01:02:21] ones
[01:02:21] he's ever
[01:02:21] given in
[01:02:22] his life
[01:02:22] it's a
[01:02:23] fantastic
[01:02:23] performance
[01:02:24] it's not
[01:02:25] like as
[01:02:25] brilliant
[01:02:26] necessarily
[01:02:26] as chasing
[01:02:27] his performance
[01:02:28] in Chasing
[01:02:28] Amy or anything
[01:02:29] like that
[01:02:29] or even
[01:02:29] the malevolence
[01:02:31] he has
[01:02:31] in Dogma
[01:02:32] but it's
[01:02:33] it's such
[01:02:34] a warm
[01:02:35] performance
[01:02:36] out of
[01:02:36] him
[01:02:37] and it's
[01:02:38] and he
[01:02:39] and Kevin
[01:02:39] has always
[01:02:40] talked about
[01:02:40] this in the
[01:02:40] Q&A's
[01:02:41] but like
[01:02:41] yeah he
[01:02:41] can get
[01:02:41] that guy
[01:02:42] to cry
[01:02:43] and he
[01:02:44] can do
[01:02:44] it really
[01:02:44] well
[01:02:45] so yeah
[01:02:46] if you've
[01:02:47] not seen
[01:02:47] Jersey Girl
[01:02:48] guys I
[01:02:48] would really
[01:02:48] give it a
[01:02:49] shot
[01:02:50] I think
[01:02:50] time has
[01:02:51] been better
[01:02:51] than this
[01:02:52] movie
[01:02:52] because of
[01:02:52] the whole
[01:02:53] J-Lo
[01:02:54] the Benefer
[01:02:55] thing
[01:02:56] hit it hard
[01:02:56] at the box
[01:02:57] office but
[01:02:57] look past
[01:02:59] it and watch
[01:03:00] this movie
[01:03:00] for what it
[01:03:00] is which
[01:03:01] is just
[01:03:01] a very
[01:03:01] very warm
[01:03:03] rom-com
[01:03:04] yeah there's
[01:03:04] a rated R
[01:03:05] cut
[01:03:05] it's like
[01:03:06] two hours
[01:03:07] long or
[01:03:07] something
[01:03:07] that he
[01:03:07] finally
[01:03:08] like screened
[01:03:09] recently that
[01:03:09] I wish I
[01:03:09] could see
[01:03:12] I remember
[01:03:13] just going
[01:03:13] because we
[01:03:13] were like
[01:03:14] oh is he
[01:03:14] gonna have
[01:03:15] like
[01:03:16] slyly have
[01:03:17] James
[01:03:17] Silent Bob
[01:03:18] still in
[01:03:18] there and
[01:03:20] it didn't
[01:03:20] happen
[01:03:20] yeah it's
[01:03:21] an okay
[01:03:21] movie I
[01:03:22] recently got
[01:03:22] it it came
[01:03:23] out on
[01:03:23] blu-ray I
[01:03:23] think a
[01:03:24] year and a
[01:03:25] half ago and
[01:03:26] I haven't
[01:03:26] watched it on
[01:03:27] blu-ray and
[01:03:28] when I saw
[01:03:29] that trailer
[01:03:29] reminded me
[01:03:30] that oh
[01:03:31] yeah that is
[01:03:31] a Kevin
[01:03:31] Smith movie
[01:03:32] it doesn't
[01:03:32] feel like
[01:03:33] one at
[01:03:33] all until
[01:03:34] you watch
[01:03:36] it and then
[01:03:36] the dialogue
[01:03:37] and stuff
[01:03:38] comes through
[01:03:38] but yeah it's
[01:03:40] better than
[01:03:40] people think
[01:03:40] it is for
[01:03:41] sure
[01:03:43] my number
[01:03:44] six is
[01:03:46] one of the
[01:03:47] films that
[01:03:49] the internet
[01:03:50] loves to
[01:03:51] hate before
[01:03:52] they see it
[01:03:54] and then they
[01:03:55] see it and
[01:03:56] they realize
[01:03:57] they're watching
[01:03:57] some of the
[01:03:58] best opening
[01:03:59] 20 minutes in
[01:03:59] horror movie
[01:04:00] history
[01:04:00] hey Vivian
[01:04:01] you know
[01:04:02] look I can
[01:04:02] go backwards
[01:04:03] let me see
[01:04:03] hey that's
[01:04:04] amazing
[01:04:08] hey
[01:04:09] hey you
[01:04:32] Vivian
[01:04:32] honey are
[01:04:33] you okay
[01:04:33] declare a
[01:04:56] state of
[01:04:56] emergency
[01:04:56] everybody
[01:04:57] they kill
[01:04:58] gets up
[01:04:58] and killed
[01:04:58] residents
[01:04:59] are advised
[01:05:00] to find a
[01:05:00] safe place
[01:05:01] and stay
[01:05:02] there
[01:05:04] I've just
[01:05:05] been informed
[01:05:06] that we are
[01:05:06] going off
[01:05:07] the air
[01:05:07] and switching
[01:05:08] to the
[01:05:08] emergency
[01:05:08] broadcasting
[01:05:09] system
[01:05:19] look up
[01:05:20] the road
[01:05:20] there's a
[01:05:21] lot more
[01:05:21] of them
[01:05:22] why are
[01:05:22] they coming
[01:05:23] here
[01:05:23] maybe they're
[01:05:24] coming for
[01:05:25] us
[01:05:30] they're
[01:05:31] going to
[01:05:32] get in
[01:05:32] here
[01:05:34] baby's
[01:05:35] going to
[01:05:35] for it
[01:05:36] it's
[01:05:37] only a
[01:05:37] matter
[01:05:37] of
[01:05:37] time
[01:05:38] it's
[01:05:39] coming
[01:05:39] they'll
[01:05:40] find a
[01:05:40] way in
[01:05:41] oh god
[01:06:02] number
[01:06:02] six
[01:06:04] for me
[01:06:04] is
[01:06:05] dawn
[01:06:05] of the
[01:06:05] dead
[01:06:05] 2004
[01:06:07] this is
[01:06:07] a James
[01:06:08] Gunn
[01:06:08] script
[01:06:09] directed
[01:06:09] by
[01:06:09] Zack
[01:06:10] Snyder
[01:06:10] put
[01:06:11] Zack
[01:06:11] Snyder
[01:06:11] on the
[01:06:11] map
[01:06:12] it
[01:06:12] really
[01:06:12] did
[01:06:12] justice
[01:06:13] league
[01:06:13] because
[01:06:13] of
[01:06:13] this
[01:06:14] movie
[01:06:14] he did
[01:06:15] because
[01:06:16] he took
[01:06:16] a
[01:06:17] small
[01:06:18] budget
[01:06:19] and
[01:06:20] made
[01:06:21] a pretty
[01:06:21] intense
[01:06:21] film
[01:06:22] I think
[01:06:22] the film
[01:06:23] succeeds
[01:06:23] in a lot
[01:06:24] more than
[01:06:25] it fails
[01:06:26] I think
[01:06:27] it's really
[01:06:27] fun
[01:06:30] like I said
[01:06:31] when I
[01:06:31] introduced
[01:06:31] I think
[01:06:32] the first
[01:06:32] 20 minutes
[01:06:33] of this
[01:06:33] film are
[01:06:33] some of
[01:06:33] the best
[01:06:33] in horror
[01:06:35] where
[01:06:37] you are
[01:06:37] kind of
[01:06:38] getting
[01:06:38] into the
[01:06:38] world
[01:06:38] and as
[01:06:39] the world
[01:06:40] is slowly
[01:06:40] devolving
[01:06:41] around
[01:06:42] you
[01:06:43] you're
[01:06:44] almost
[01:06:44] oblivious
[01:06:44] to it
[01:06:44] because
[01:06:45] you're
[01:06:45] living
[01:06:45] your
[01:06:45] life
[01:06:47] one of
[01:06:48] the
[01:06:48] scariest
[01:06:48] things
[01:06:48] my son
[01:06:49] has ever
[01:06:49] done
[01:06:49] is I'll
[01:06:50] never
[01:06:51] forget
[01:06:51] I was
[01:06:51] sleeping
[01:06:51] one day
[01:06:52] and
[01:06:52] I had
[01:06:53] this
[01:06:53] feeling
[01:06:53] someone
[01:06:54] was
[01:06:54] watching
[01:06:54] me
[01:06:55] and I
[01:06:56] looked
[01:06:56] down
[01:06:56] the
[01:06:56] hall
[01:06:56] and my
[01:06:57] son
[01:06:57] was
[01:06:57] standing
[01:06:58] like
[01:06:58] just
[01:06:58] outside
[01:06:59] my
[01:06:59] door
[01:06:59] and he
[01:07:00] was
[01:07:01] just
[01:07:02] staring
[01:07:02] at me
[01:07:03] and then
[01:07:03] he
[01:07:03] ran
[01:07:04] and
[01:07:04] jumped
[01:07:04] in
[01:07:04] my
[01:07:04] bed
[01:07:05] and
[01:07:05] all
[01:07:05] I
[01:07:06] could
[01:07:06] think
[01:07:06] about
[01:07:06] was
[01:07:06] this
[01:07:06] movie
[01:07:07] it
[01:07:07] didn't
[01:07:08] sleep
[01:07:08] the
[01:07:08] rest
[01:07:08] of
[01:07:08] the
[01:07:08] night
[01:07:09] but
[01:07:10] no
[01:07:10] it's
[01:07:10] scary
[01:07:11] it's
[01:07:12] cool
[01:07:12] it's
[01:07:13] violent
[01:07:16] it
[01:07:16] doesn't
[01:07:16] reach
[01:07:17] the
[01:07:17] heights
[01:07:17] of
[01:07:17] the
[01:07:17] original
[01:07:17] by far
[01:07:18] but
[01:07:18] it's
[01:07:19] still
[01:07:19] a
[01:07:20] really
[01:07:20] cool
[01:07:20] idea
[01:07:22] it
[01:07:23] introduced
[01:07:23] the
[01:07:23] running
[01:07:24] zombies
[01:07:24] which
[01:07:25] is
[01:07:25] turned
[01:07:26] on
[01:07:26] its
[01:07:26] head
[01:07:26] a
[01:07:37] horror
[01:07:37] film
[01:07:37] that
[01:07:38] is
[01:07:39] better
[01:07:39] than
[01:07:40] I
[01:07:41] was
[01:07:41] expecting
[01:07:43] I
[01:07:44] I
[01:07:44] guess
[01:07:45] it
[01:07:45] didn't
[01:07:45] make
[01:07:46] my
[01:07:46] list
[01:07:46] not
[01:07:46] because
[01:07:46] I
[01:07:46] don't
[01:07:47] like
[01:07:47] it
[01:07:47] just
[01:07:47] other
[01:07:48] movies
[01:07:48] I
[01:07:48] like
[01:07:48] more
[01:07:48] right
[01:07:48] okay
[01:07:50] I
[01:07:50] did
[01:07:50] not
[01:07:50] realize
[01:07:51] until
[01:07:51] you
[01:07:51] just
[01:07:51] said
[01:07:52] something
[01:07:52] I
[01:07:52] thought
[01:07:53] this
[01:07:53] is
[01:07:53] one
[01:07:53] of
[01:07:53] the
[01:07:53] remakes
[01:07:53] that
[01:07:54] people
[01:07:54] fucking
[01:07:54] love
[01:07:55] they
[01:07:55] did
[01:07:55] after
[01:07:55] they
[01:07:56] saw
[01:07:57] it
[01:07:57] but
[01:07:57] before
[01:07:57] it
[01:07:58] came
[01:07:58] out
[01:07:58] it
[01:07:59] was
[01:08:01] hated
[01:08:02] dare
[01:08:02] you
[01:08:02] touch
[01:08:03] Romero
[01:08:03] yeah
[01:08:04] it's
[01:08:05] why
[01:08:05] are you
[01:08:05] doing
[01:08:06] it
[01:08:06] it
[01:08:06] reminds
[01:08:07] me
[01:08:07] a lot
[01:08:07] of
[01:08:07] every
[01:08:07] time
[01:08:08] they
[01:08:08] cast
[01:08:08] a
[01:08:08] Batman
[01:08:08] or
[01:08:09] Joker
[01:08:09] where
[01:08:10] everybody
[01:08:11] just
[01:08:11] hates
[01:08:11] it
[01:08:11] for
[01:08:11] no
[01:08:12] reason
[01:08:12] yeah
[01:08:13] and
[01:08:13] this
[01:08:14] is
[01:08:14] one
[01:08:14] of
[01:08:14] the
[01:08:14] movies
[01:08:14] that
[01:08:15] I
[01:08:15] always
[01:08:15] point
[01:08:16] to
[01:08:16] is
[01:08:16] for
[01:08:16] our
[01:08:17] you know
[01:08:17] our motto
[01:08:18] on our
[01:08:18] podcast
[01:08:18] to see
[01:08:18] every
[01:08:19] movie
[01:08:19] to give
[01:08:19] it
[01:08:20] an
[01:08:20] opportunity
[01:08:21] because
[01:08:21] you
[01:08:21] never
[01:08:21] know
[01:08:22] what
[01:08:22] you're
[01:08:22] going
[01:08:22] to
[01:08:22] get
[01:08:23] and
[01:08:23] Dawn
[01:08:24] of
[01:08:24] the
[01:08:24] dead
[01:08:24] is
[01:08:25] one
[01:08:25] of
[01:08:25] my
[01:08:25] most
[01:08:25] favorite
[01:08:26] horror
[01:08:26] films
[01:08:26] ever
[01:08:26] the
[01:08:27] original
[01:08:27] yeah
[01:08:28] this
[01:08:28] one
[01:08:28] doesn't
[01:08:29] touch
[01:08:29] it
[01:08:30] as
[01:08:30] far
[01:08:30] as
[01:08:30] the
[01:08:31] social
[01:08:31] commentary
[01:08:32] and
[01:08:33] how
[01:08:33] it's
[01:08:34] presented
[01:08:35] but
[01:08:36] it's
[01:08:36] still
[01:08:36] a
[01:08:36] damn
[01:08:36] fun
[01:08:36] film
[01:08:37] and
[01:08:37] I
[01:08:38] don't
[01:08:38] think
[01:08:38] it's
[01:08:38] trying
[01:08:38] to
[01:08:38] be
[01:08:56] the
[01:08:56] pursuit
[01:08:57] of
[01:08:57] the
[01:08:57] American
[01:08:59] experience
[01:09:00] I guess
[01:09:01] Mr.
[01:09:12] Novarski
[01:09:12] please
[01:09:13] follow
[01:09:13] me
[01:09:13] while
[01:09:14] you
[01:09:15] were
[01:09:15] in
[01:09:15] the
[01:09:15] air
[01:09:15] there
[01:09:15] was
[01:09:16] a
[01:09:16] military
[01:09:16] coup
[01:09:16] in
[01:09:16] your
[01:09:16] country
[01:09:17] Republic
[01:09:17] of
[01:09:17] Krakosia
[01:09:18] is
[01:09:18] under
[01:09:19] new
[01:09:19] leadership
[01:09:19] I
[01:09:20] don't
[01:09:21] think
[01:09:21] he
[01:09:21] gets
[01:09:22] it
[01:09:25] I'm
[01:09:25] gonna
[01:09:25] need
[01:09:26] the
[01:09:26] passport
[01:09:26] also
[01:09:27] no
[01:09:28] no
[01:09:28] no
[01:09:29] no
[01:09:29] no
[01:09:30] Mr.
[01:09:30] Novarski
[01:09:31] beyond
[01:09:31] those doors
[01:09:32] is
[01:09:32] American
[01:09:33] soil
[01:09:33] you are
[01:09:34] not to
[01:09:34] leave
[01:09:34] this
[01:09:35] building
[01:09:42] there's
[01:09:43] a man
[01:09:44] walking
[01:09:44] around
[01:09:44] the
[01:09:44] terminal
[01:09:45] in a
[01:09:45] bathrobe
[01:09:46] I
[01:09:46] think
[01:09:47] it's
[01:09:47] CIA
[01:09:47] you don't
[01:09:48] know
[01:09:48] what the
[01:09:48] hell
[01:09:49] you're
[01:09:49] talking
[01:09:49] about
[01:09:49] that
[01:09:49] guy
[01:09:50] doesn't
[01:09:50] even
[01:09:50] speak
[01:09:50] English
[01:09:52] I
[01:09:53] help
[01:09:54] you
[01:09:54] do
[01:09:54] you live
[01:09:55] nearby
[01:09:55] yes
[01:09:55] gate
[01:09:56] 67
[01:09:56] because
[01:09:57] we
[01:09:57] are
[01:09:57] very
[01:09:58] particular
[01:09:58] about
[01:09:58] punctual
[01:09:59] did
[01:09:59] you
[01:10:00] say
[01:10:00] gate
[01:10:00] 67
[01:10:02] we
[01:10:02] don't
[01:10:02] play
[01:10:02] for
[01:10:02] cash
[01:10:03] we
[01:10:03] play
[01:10:03] for
[01:10:03] unclaimed
[01:10:04] items
[01:10:04] from
[01:10:04] the
[01:10:04] lost
[01:10:05] and
[01:10:05] found
[01:10:10] she's a wild
[01:10:11] stallion
[01:10:11] you help me to win her heart
[01:10:13] and you'll never go home again
[01:10:15] officer
[01:10:15] my friends say
[01:10:17] you
[01:10:17] are
[01:10:18] a stallion
[01:10:18] what
[01:10:19] like a horse
[01:10:20] stand behind
[01:10:21] the O-line
[01:10:25] O-pa
[01:10:26] this belong you
[01:10:27] thanks
[01:10:29] are you headed for home
[01:10:34] uh
[01:10:34] no
[01:10:35] I am
[01:10:36] delayed
[01:10:36] long time
[01:10:38] you are the kind of woman
[01:10:47] who can get any guy she wants
[01:10:49] why Victor Nervorski
[01:10:50] that's something a guy like you
[01:10:52] could never understand
[01:10:54] you ever feel like you're just living in an airport
[01:11:12] flight 101
[01:11:21] so yeah my number six is
[01:11:25] Steven Spielberg's The Terminal
[01:11:27] based on the real life story of
[01:11:30] I don't know if his name is Victor Nervorski
[01:11:32] they probably changed it
[01:11:33] um
[01:11:33] but a man who um
[01:11:36] I guess uh
[01:11:37] in the time he traveled to America
[01:11:39] his passport was invalidated
[01:11:41] and he couldn't
[01:11:42] leave the terminal
[01:11:43] because he'd be trespassing
[01:11:45] on American soil
[01:11:45] so he had to live in the airport terminal
[01:11:48] for a
[01:11:48] bunch of months
[01:11:50] um
[01:11:51] and um
[01:11:52] yeah
[01:11:53] uh
[01:11:54] I like
[01:11:55] this movie
[01:11:56] is like this
[01:11:57] bottle
[01:11:57] thing
[01:11:58] like Spielberg
[01:12:00] like they built this fake terminal
[01:12:02] and like
[01:12:02] there's all the creative stuff
[01:12:03] that he does
[01:12:04] like make this movie
[01:12:05] interesting
[01:12:06] and um
[01:12:07] yeah you know
[01:12:09] it works well
[01:12:10] because he's
[01:12:11] Spielberg is such a great filmmaker
[01:12:12] that
[01:12:14] it seems like such a mundane
[01:12:15] thing for him to make
[01:12:17] but one of the
[01:12:18] forgotten elements
[01:12:19] I think of Spielberg
[01:12:20] whether it's E.T.
[01:12:20] or Jaws
[01:12:21] or whatever film
[01:12:22] you're
[01:12:23] looking at with his
[01:12:24] is his human elements
[01:12:25] he brings into film
[01:12:26] are almost second to none
[01:12:28] and his humor
[01:12:29] yeah and I think
[01:12:29] that's why he transcends
[01:12:31] and why he's been making films
[01:12:32] for
[01:12:33] 50 years now
[01:12:34] is because he's able
[01:12:36] to capture that
[01:12:36] and you
[01:12:37] I mean
[01:12:38] the trailer has that line
[01:12:39] where you know
[01:12:40] Catherine Zeta-Jones
[01:12:41] who is stunning
[01:12:42] she says
[01:12:43] you know
[01:12:44] it's because
[01:12:45] he's something
[01:12:46] like a man
[01:12:47] like you could never understand
[01:12:49] and it is
[01:12:49] and you know
[01:12:50] it's
[01:12:50] the humor in it
[01:12:51] just trickles through
[01:12:52] where
[01:12:53] they want him to say
[01:12:55] he can get out of the terminal
[01:12:56] if he says
[01:12:56] he's afraid of his home country
[01:12:57] yeah
[01:12:58] so they can arrest him
[01:12:59] and send him back
[01:13:00] yeah
[01:13:00] but he refuses to
[01:13:01] and he says
[01:13:01] ghosts
[01:13:02] I'm afraid of ghosts
[01:13:04] um
[01:13:04] and it's
[01:13:05] just a
[01:13:06] really sweet story
[01:13:07] and yeah
[01:13:08] it's a great movie
[01:13:09] and yeah
[01:13:10] it's just creative
[01:13:10] how they like
[01:13:11] use the terminal setting
[01:13:13] and like find all these
[01:13:14] interesting things
[01:13:14] to like
[01:13:15] show you how
[01:13:16] life could
[01:13:17] like
[01:13:18] you feel like you could
[01:13:19] live there like he does
[01:13:20] yeah
[01:13:21] um
[01:13:21] rent free and everything
[01:13:22] and then
[01:13:23] the way he touches
[01:13:24] all the other lives
[01:13:24] of the other workers
[01:13:25] in the terminal
[01:13:26] and brings them together
[01:13:27] um
[01:13:28] and frustrates
[01:13:29] Stanley Tucci
[01:13:30] um
[01:13:31] who's like
[01:13:32] just on this
[01:13:32] you know
[01:13:33] path to
[01:13:36] jump
[01:13:36] uh
[01:13:37] like
[01:13:38] promotion to promotion
[01:13:39] and everything
[01:13:39] um
[01:13:40] yeah it's really cool
[01:13:41] like the only thing
[01:13:42] I think it like
[01:13:43] hurts it is
[01:13:44] Catherine Zeta-Jones
[01:13:45] like
[01:13:46] some of her
[01:13:47] like dialogue
[01:13:48] and situations
[01:13:48] are a little cringy
[01:13:49] um
[01:13:50] you know
[01:13:50] there's like
[01:13:51] one part
[01:13:51] she's like
[01:13:52] stay away from me
[01:13:53] Victor
[01:13:54] I'm bad news
[01:13:55] because she's kind of
[01:13:56] like the flight attendant
[01:13:56] who kind of
[01:13:57] jumps from guy to guy
[01:13:59] yeah
[01:13:59] um
[01:14:00] so it's a little
[01:14:01] like I don't know
[01:14:02] underwritten I think
[01:14:04] um
[01:14:04] but she does the best
[01:14:05] she can with that material
[01:14:06] and um
[01:14:08] yeah
[01:14:08] but did I mention
[01:14:09] how beautiful she is
[01:14:09] oh my god
[01:14:11] so yeah
[01:14:12] the terminal
[01:14:12] stunning
[01:14:13] I don't know
[01:14:14] I feel like a lot of people
[01:14:16] hate this movie
[01:14:16] but I like it
[01:14:17] I think it's
[01:14:18] I think it's
[01:14:19] it's
[01:14:21] it's
[01:14:21] it's working towards
[01:14:22] the best possible thing
[01:14:23] it can be
[01:14:23] um
[01:14:24] it's not the most perfect
[01:14:25] thing Spielberg's made
[01:14:26] but I like
[01:14:27] when he takes an opportunity
[01:14:28] to do something
[01:14:29] that you're not expecting
[01:14:30] out of him
[01:14:31] because then you can actually
[01:14:32] see his talent
[01:14:33] blossom
[01:14:33] because even if the script
[01:14:35] is not
[01:14:35] at 100% strength
[01:14:37] he can lift it up
[01:14:38] visually
[01:14:38] through performance
[01:14:40] whatever it might be
[01:14:40] like this movie's not perfect
[01:14:41] but
[01:14:42] I like watching these
[01:14:44] compared to just watching
[01:14:45] every single
[01:14:46] like action or sci-fi
[01:14:47] movie he's ever made
[01:14:48] because I like to watch
[01:14:49] people move in and out
[01:14:50] of their comfort zones
[01:14:52] yeah
[01:14:52] I love this time of his
[01:14:53] because he was always
[01:14:54] doing like
[01:14:54] two
[01:14:55] mostly doing like
[01:14:56] two movies a year
[01:14:57] where like one was
[01:14:57] a huge blockbuster
[01:14:58] and then there's like
[01:14:59] this tiny one
[01:15:00] yeah
[01:15:00] uh like this
[01:15:01] so um
[01:15:02] wish that was
[01:15:03] still happening
[01:15:05] agreed
[01:15:07] Zach number six
[01:15:08] my number six
[01:15:09] Ryan you always say
[01:15:10] that I don't
[01:15:10] like the same things
[01:15:11] you like
[01:15:12] but that's not true
[01:15:13] because my number six
[01:15:14] is my favorite movie
[01:15:16] set in Hawaii ever
[01:15:18] so tell me
[01:15:19] how's Hawaii
[01:15:20] I met this guy
[01:15:21] it was the best week
[01:15:22] of my life
[01:15:23] when I asked for his
[01:15:24] phone number
[01:15:24] he told me he's married
[01:15:26] gay
[01:15:27] straight
[01:15:27] Henry Ross
[01:15:29] why didn't you tell me
[01:15:30] you were a secret agent
[01:15:31] I'm afraid that's not
[01:15:32] an option Lisa
[01:15:33] Linda
[01:15:34] I know
[01:15:34] I changed your name
[01:15:35] for your protection
[01:15:38] Dr. Henry Roth's
[01:15:39] best relationships
[01:15:40] were with his patients
[01:15:42] and he wasn't looking
[01:15:43] to settle down
[01:15:45] but one day
[01:15:46] the unthinkable happened
[01:15:52] are you staring at me
[01:15:54] or her
[01:15:54] because you're starting
[01:15:55] to freak me out
[01:15:56] I'm Lucy
[01:15:57] Henry Roth
[01:15:59] nice to meet you
[01:16:00] Lucy was in a terrible
[01:16:19] car accident
[01:16:20] she lost her short
[01:16:21] term memory
[01:16:21] she won't remember him
[01:16:23] tomorrow
[01:16:23] you and I are actually
[01:16:24] seeing each other
[01:16:26] don't worry
[01:16:27] you're not going to
[01:16:28] suffer any short
[01:16:28] term memory loss
[01:16:29] but was your head
[01:16:30] shaped like an egg
[01:16:31] before she hit you
[01:16:32] now
[01:16:33] the guy who's
[01:16:34] afraid of commitment
[01:16:35] I just want to try
[01:16:36] something that'll
[01:16:36] help her remember me
[01:16:37] it's a videotape
[01:16:38] during this reenactment
[01:16:39] you will be played by
[01:16:40] hula
[01:16:41] aloha
[01:16:42] sorry about your brain
[01:16:44] is going to extremes
[01:16:46] okay pal
[01:16:47] when she stops
[01:16:48] just let her pet you
[01:16:49] look cute
[01:16:49] okay here she comes
[01:16:51] smile
[01:16:51] why is she not slowing down
[01:16:53] uh oh
[01:16:54] hold on
[01:16:58] to get the girl
[01:16:59] do you have any idea
[01:17:00] who I am
[01:17:01] I've never even met you
[01:17:03] it's gonna be alright
[01:17:09] don't call me loose
[01:17:10] I barely know you
[01:17:11] sweetie
[01:17:12] you're sort of dating him
[01:17:15] sorry I'm
[01:17:16] not better looking
[01:17:18] Drew Barrymore
[01:17:19] okay this is her
[01:17:20] pretend you're attacking me
[01:17:21] so she pulls over
[01:17:22] what do you think
[01:17:23] he'll do it
[01:17:23] coming over here
[01:17:24] taking my pineapple
[01:17:25] help me please
[01:17:26] I'm tipping your big ass
[01:17:41] alright yeah
[01:17:42] my number six is
[01:17:43] 50 First Dates
[01:17:44] um
[01:17:45] movie I got to see
[01:17:46] in a theater
[01:17:47] it's charming
[01:17:47] I loved Adam Sandler
[01:17:49] at this time in my life
[01:17:49] I still do
[01:17:50] I love him
[01:17:51] but
[01:17:52] uh
[01:17:52] this one stands out
[01:17:53] apart from others
[01:17:55] for a couple reasons
[01:17:56] um
[01:17:56] one of the biggest ones
[01:17:58] I think is that
[01:17:58] it's a rom-com
[01:18:00] that takes a lot of elements
[01:18:02] that might feel
[01:18:03] contrived from an
[01:18:04] earlier screwball
[01:18:05] comedy
[01:18:05] like of some kind
[01:18:07] from the era
[01:18:07] and it manages to
[01:18:09] land its beats
[01:18:10] so nicely
[01:18:11] um
[01:18:12] everything is sincere
[01:18:13] with its conceit
[01:18:15] of
[01:18:15] short-term memory loss
[01:18:17] and
[01:18:17] playing to that strength
[01:18:19] yeah
[01:18:19] and him and
[01:18:20] Drew Barrymore
[01:18:21] have always had
[01:18:22] this really nice chemistry
[01:18:23] yep
[01:18:24] yep
[01:18:24] it's no different
[01:18:25] than watching
[01:18:26] Irene Dunn and
[01:18:27] Cary Grant
[01:18:27] on screen together
[01:18:28] like there's something
[01:18:29] about it that
[01:18:30] those two feel
[01:18:31] right together
[01:18:32] and the script
[01:18:33] and the direction
[01:18:34] is strong enough
[01:18:34] where
[01:18:35] the
[01:18:36] the
[01:18:37] what could feel
[01:18:38] again
[01:18:38] what could feel
[01:18:39] contrived
[01:18:40] ends up
[01:18:40] coming off
[01:18:41] as very sincere
[01:18:42] while still maintaining
[01:18:44] what Sandler
[01:18:45] built his brand on
[01:18:46] which was
[01:18:46] irreverent wackiness
[01:18:47] um
[01:18:48] and I also
[01:18:49] this was
[01:18:50] coming off
[01:18:51] of Lord of the Rings
[01:18:52] but Sean Astin's
[01:18:53] character cracked me
[01:18:54] the fuck up
[01:18:55] when I was younger
[01:18:55] and he still does
[01:18:56] to this day
[01:18:57] he's become like
[01:18:58] uh
[01:18:58] he's the meme guy
[01:19:00] from this movie
[01:19:01] you know
[01:19:01] yeah
[01:19:01] um
[01:19:02] it's transcended
[01:19:03] again
[01:19:04] it's
[01:19:04] it's one of Adam Sandler's
[01:19:06] really popular films
[01:19:08] that
[01:19:09] uh
[01:19:10] I don't know if it's
[01:19:11] sneakily popular
[01:19:12] but
[01:19:12] um
[01:19:13] it's always mentioned
[01:19:14] with
[01:19:14] you know
[01:19:15] his other stuff
[01:19:15] and
[01:19:16] it's just
[01:19:17] people
[01:19:17] love it
[01:19:19] I think it's the one
[01:19:20] that hit
[01:19:20] all the quadrants
[01:19:22] that you'd want it to hit
[01:19:23] um
[01:19:23] and when I started
[01:19:24] dating my girlfriend
[01:19:25] I didn't realize
[01:19:26] how much this movie
[01:19:27] meant to her
[01:19:27] but
[01:19:28] one of the things
[01:19:29] that I
[01:19:29] enjoyed doing
[01:19:31] over the last year
[01:19:31] was we were in Hawaii
[01:19:32] with her family
[01:19:33] and we all watched this
[01:19:34] together
[01:19:35] and it was
[01:19:35] a very magical time
[01:19:37] um
[01:19:38] so yeah
[01:19:38] it's
[01:19:38] it's still stuck
[01:19:39] with me enough
[01:19:40] to where I'm like
[01:19:40] yeah
[01:19:40] this is a
[01:19:41] fucking great
[01:19:42] ass movie
[01:19:42] like should be
[01:19:44] this high on my list
[01:19:45] um
[01:19:45] and I
[01:19:46] I like
[01:19:47] I like
[01:19:48] hope
[01:19:48] uh
[01:19:48] hoping for something
[01:19:50] of this caliber
[01:19:51] to come around again
[01:19:52] with Adam Sandler
[01:19:53] that isn't just a
[01:19:54] you know
[01:19:55] an intense drama
[01:19:56] that gives me
[01:19:56] panic attacks
[01:19:57] like uncut gems
[01:19:58] like I'm just like
[01:19:58] I want to find
[01:19:59] an Adam Sandler movie
[01:20:00] that hits the same beats
[01:20:01] that I like about this film
[01:20:03] yeah
[01:20:03] you know
[01:20:03] I don't know
[01:20:04] about the sweetness
[01:20:04] but I
[01:20:05] I'm a big
[01:20:06] uh
[01:20:06] lover of
[01:20:07] uh
[01:20:08] Hubie Halloween
[01:20:08] that came out
[01:20:09] recently with him
[01:20:10] I still need to watch that
[01:20:11] but I've heard that one's fun
[01:20:12] you should
[01:20:12] it's pretty silly
[01:20:13] but it has
[01:20:14] kind of
[01:20:14] doesn't have the sweetness
[01:20:16] of this one
[01:20:16] but it's
[01:20:17] pretty fun
[01:20:18] for an Adam Sandler film
[01:20:20] very nice
[01:20:20] yeah
[01:20:21] but yeah
[01:20:22] 50 First Dates
[01:20:23] people should watch it
[01:20:24] my number five
[01:20:26] is one of my favorite films
[01:20:27] from this series
[01:20:28] it's also
[01:20:29] a film series
[01:20:30] that the other
[01:20:31] nerds on this
[01:20:32] uh
[01:20:33] not necessarily Zach
[01:20:34] but Brad and James
[01:20:36] used to give me
[01:20:36] so much shit
[01:20:37] for loving
[01:20:38] and I used to
[01:20:38] go
[01:20:39] we talked about
[01:20:40] midnight screenings
[01:20:41] um
[01:20:41] um
[01:20:41] I started
[01:20:42] dating my wife
[01:20:43] in 2008
[01:20:45] and there was still
[01:20:46] one more
[01:20:47] of these
[01:20:48] or maybe two
[01:20:48] I can't remember now
[01:20:49] um
[01:20:50] and we used to
[01:20:51] wear um
[01:20:53] graduation gowns
[01:20:54] and I would wear
[01:20:55] Gryffindor stuff
[01:20:56] to the movies
[01:20:57] and she would wear
[01:20:58] Slytherin
[01:20:58] um
[01:20:59] this is my
[01:21:00] number five film
[01:21:09] turn to page
[01:21:12] 394
[01:21:13] from Azkaban prison
[01:21:29] he's a murderer
[01:21:34] Sirius Black
[01:21:35] is the reason
[01:21:36] the Potters
[01:21:36] are dead
[01:21:37] and now he wants
[01:21:38] to finish
[01:21:38] what he started
[01:21:39] I want you to
[01:21:39] swear to me
[01:21:40] you won't go
[01:21:41] looking for Black
[01:21:41] why would I go
[01:21:42] looking for someone
[01:21:43] who wants to kill me
[01:21:44] there's something
[01:21:51] moving out there
[01:21:52] it was a Dementor
[01:21:53] one of the guards
[01:21:54] of Azkaban
[01:21:55] searching the train
[01:21:56] for Sirius Black
[01:21:57] it is not in the nature
[01:22:01] of a Dementor
[01:22:02] to be forgiving
[01:22:04] I hope he finds me
[01:22:14] because when he does
[01:22:15] I'm gonna be ready
[01:22:16] you must look
[01:22:19] beyond
[01:22:20] that felt good
[01:22:36] um so we were just
[01:22:48] treated to the
[01:22:49] trailer for
[01:22:50] Harry Potter
[01:22:51] and the Goblet of Fire
[01:22:52] who gives a shit
[01:22:53] they're all the same movie
[01:22:55] um
[01:22:56] when in actuality
[01:22:57] in 2004
[01:22:58] is Harry Potter
[01:22:58] and the Prisoner of Azkaban
[01:22:59] you made Alfonso Cuaron
[01:23:01] cry Brad
[01:23:02] um
[01:23:02] this is the film
[01:23:04] because the first two
[01:23:04] were really fun
[01:23:05] obviously Chris Columbus films
[01:23:07] and
[01:23:07] are they going to class
[01:23:09] and then Voldemort's
[01:23:10] fucking shit up
[01:23:11] yeah
[01:23:11] they're all the same movie
[01:23:12] no there's no Voldemort
[01:23:14] this time
[01:23:14] yeah
[01:23:15] and this one
[01:23:16] Sirius Black
[01:23:17] is free
[01:23:18] and he has
[01:23:19] set his sights
[01:23:20] on Hogwarts
[01:23:21] um
[01:23:22] but we learn
[01:23:23] throughout the film
[01:23:24] and if you've read the books
[01:23:25] that everything is not
[01:23:26] what it seems
[01:23:27] and this is where
[01:23:28] these films kind of
[01:23:29] went down a darker path
[01:23:31] um
[01:23:31] where the first two
[01:23:32] are kind of
[01:23:33] kitty candy coated
[01:23:34] films
[01:23:35] and this one
[01:23:36] like dropped
[01:23:38] the saturation out
[01:23:39] it's dealing with werewolves
[01:23:40] and
[01:23:42] um
[01:23:42] teen angst
[01:23:43] yeah
[01:23:44] and it's just really well done
[01:23:45] um
[01:23:46] it's one of my favorites
[01:23:48] I still think actually
[01:23:49] um
[01:23:49] Harry Potter
[01:23:50] and the Death of the Laws 2
[01:23:51] is my favorite
[01:23:51] um
[01:23:52] just because of how
[01:23:54] it ties everything up
[01:23:55] and
[01:23:55] the grandeur
[01:23:56] of it all
[01:23:58] um
[01:23:59] but I've
[01:23:59] I've always loved
[01:24:00] these movies
[01:24:01] and I remember
[01:24:02] when the first one
[01:24:04] came out
[01:24:04] it was such a sensation
[01:24:06] and
[01:24:06] my friend Brandon
[01:24:08] and I
[01:24:08] made a pact
[01:24:09] that we would never
[01:24:09] see those movies
[01:24:10] ever
[01:24:11] because fuck them
[01:24:12] fuck Harry Potter
[01:24:14] and
[01:24:14] uh
[01:24:15] one day
[01:24:16] uh
[01:24:16] cause that
[01:24:17] the first one came out
[01:24:18] in Thanksgiving
[01:24:19] in 98
[01:24:20] if I remember correctly
[01:24:22] 2001
[01:24:23] 2001
[01:24:23] see I don't even know
[01:24:24] a space odyssey
[01:24:25] you were still reeling
[01:24:26] from 9-11
[01:24:27] yeah I was
[01:24:28] so in 2001
[01:24:30] and
[01:24:31] one day after work
[01:24:32] Brandon said
[01:24:33] hey I'm taking this girl
[01:24:34] out to the movies
[01:24:35] you want to come with me
[01:24:35] I said yeah sure
[01:24:36] and I get there
[01:24:37] he says hey
[01:24:37] I got you a ticket
[01:24:38] and it was for
[01:24:39] fucking Harry Potter
[01:24:40] you
[01:24:41] willingly
[01:24:42] made yourself
[01:24:43] the third wheel
[01:24:43] I did
[01:24:44] I had no idea
[01:24:45] and I didn't know
[01:24:46] we were seeing Harry Potter
[01:24:46] cause that's what his date
[01:24:47] wanted to see
[01:24:48] her name was Colt
[01:24:49] and she was very pretty
[01:24:51] um
[01:24:51] she just had a
[01:24:52] little toothy
[01:24:54] and
[01:24:57] that's a horse joke
[01:24:58] if anybody
[01:24:58] picked that up
[01:24:59] um
[01:25:00] we get it
[01:25:02] then I fell in love
[01:25:03] with the series
[01:25:03] and I
[01:25:04] read all the books
[01:25:05] I'll never forget
[01:25:06] getting
[01:25:07] the Deathly Hallows
[01:25:09] I do believe in magic
[01:25:10] said Ryan
[01:25:13] it's true
[01:25:14] just dancing
[01:25:15] in the lobby
[01:25:15] da da da
[01:25:16] but
[01:25:17] but this became
[01:25:18] a midnight
[01:25:19] uh
[01:25:20] uh
[01:25:20] seeing
[01:25:21] film
[01:25:21] for me
[01:25:22] um
[01:25:22] and the book
[01:25:23] I picked up
[01:25:24] the Deathly Hallows
[01:25:25] at Barnes & Noble
[01:25:26] at midnight
[01:25:27] when it launched
[01:25:27] and I remember
[01:25:28] going to the Denver West
[01:25:30] uh
[01:25:31] Barnes & Noble
[01:25:32] and there's thousands
[01:25:32] of people
[01:25:33] I mean
[01:25:33] thousands of people
[01:25:35] there
[01:25:35] um
[01:25:36] and it's just cool
[01:25:37] and they're fun movies
[01:25:38] no matter what
[01:25:39] James and Brad say
[01:25:40] um
[01:25:41] they're just cold
[01:25:42] and heartless
[01:25:43] I
[01:25:44] I
[01:25:44] I think of all the
[01:25:45] Harry Potter films
[01:25:46] this is the one
[01:25:47] that you can always
[01:25:48] point to
[01:25:48] and go like
[01:25:49] these movies
[01:25:49] can be very well
[01:25:50] directed
[01:25:51] and very well
[01:25:52] written
[01:25:52] um
[01:25:53] and it helps
[01:25:54] that that book
[01:25:54] is so strong
[01:25:55] in the whole series
[01:25:56] um
[01:25:57] but Caron's
[01:25:57] direction
[01:25:58] like
[01:25:59] it
[01:25:59] it sticks
[01:26:00] with you
[01:26:00] like he really
[01:26:01] does change
[01:26:02] the game
[01:26:02] and he lays
[01:26:03] into the gothic
[01:26:03] elements
[01:26:04] so beautifully
[01:26:04] you're the third
[01:26:05] act
[01:26:05] yeah
[01:26:05] and I'm glad
[01:26:06] they picked him
[01:26:07] because I
[01:26:07] I think Chris Columbus
[01:26:09] is talented
[01:26:09] he couldn't have
[01:26:10] pulled it off
[01:26:11] no you needed
[01:26:11] to move into
[01:26:12] another realm
[01:26:13] with it
[01:26:14] age with the kids
[01:26:15] yeah
[01:26:16] yep
[01:26:16] and Mike Newell
[01:26:17] does a good job
[01:26:18] consequently also
[01:26:19] with the fourth one
[01:26:19] because he's handling
[01:26:20] I know man
[01:26:21] I saw that trailer
[01:26:21] I haven't seen it in a while
[01:26:22] I was like
[01:26:22] that is a good movie
[01:26:23] yep
[01:26:23] I love
[01:26:24] I love the fourth one
[01:26:25] because it has
[01:26:26] uh
[01:26:26] Michael Gambon
[01:26:27] shaking Harry
[01:26:28] going like
[01:26:28] did you put your name
[01:26:29] in the Goblet of Fire
[01:26:32] uh
[01:26:33] Brad
[01:26:33] number five
[01:26:35] um
[01:26:36] yeah
[01:26:37] five is a repeat
[01:26:37] it's uh
[01:26:38] team America
[01:26:39] world
[01:26:39] world police
[01:26:40] fuck yeah
[01:26:41] and we talked about
[01:26:41] it a lot before
[01:26:42] but um
[01:26:43] yeah
[01:26:43] it's like
[01:26:44] the audacity
[01:26:45] to
[01:26:46] make a movie
[01:26:47] based on like
[01:26:48] the Thunderbirds
[01:26:48] puppets
[01:26:49] like who was
[01:26:49] asking for that
[01:26:50] other than
[01:26:51] Trey Parker
[01:26:52] um
[01:26:53] and just not
[01:26:54] willingly making
[01:26:56] a Thunderbirds
[01:26:56] movie
[01:26:57] um
[01:26:57] but yeah
[01:26:58] like you touched
[01:26:59] on before
[01:26:59] um
[01:27:00] it's a great
[01:27:02] uh
[01:27:02] satire
[01:27:03] of
[01:27:03] America
[01:27:04] at the time
[01:27:04] you know
[01:27:05] being
[01:27:05] being this like
[01:27:06] world order
[01:27:07] policing
[01:27:08] uh
[01:27:09] based on
[01:27:10] the
[01:27:10] you know
[01:27:11] nationalism
[01:27:12] and jingoism
[01:27:13] of 9-11
[01:27:13] while also
[01:27:14] uh
[01:27:15] skewering
[01:27:15] the uh
[01:27:16] like
[01:27:17] I don't know
[01:27:18] fake
[01:27:19] uh
[01:27:21] like
[01:27:21] liberal
[01:27:22] Hollywood
[01:27:22] like
[01:27:23] I mean
[01:27:23] they
[01:27:23] they just
[01:27:24] roast
[01:27:24] Michael Moore
[01:27:25] bad in this
[01:27:25] yeah
[01:27:26] um
[01:27:27] and yeah
[01:27:27] gave us like
[01:27:28] Matt Damon
[01:27:29] and Alec Bowen
[01:27:31] like
[01:27:31] um
[01:27:32] um
[01:27:32] I mean
[01:27:33] not that
[01:27:33] they even
[01:27:33] like hate
[01:27:34] those people
[01:27:34] but like
[01:27:35] just fun
[01:27:35] it's the
[01:27:36] the mentality
[01:27:37] of like
[01:27:38] you know
[01:27:38] helping the world
[01:27:39] without really
[01:27:40] helping
[01:27:40] yeah
[01:27:41] uh
[01:27:42] so
[01:27:43] um
[01:27:43] yeah
[01:27:44] um
[01:27:45] yeah
[01:27:45] and then
[01:27:46] like
[01:27:46] the
[01:27:47] the
[01:27:48] like
[01:27:48] Matt Damon
[01:27:49] and Trey Parker
[01:27:49] said it was like
[01:27:49] the worst idea
[01:27:50] they've ever had
[01:27:51] to do was like
[01:27:51] working with those
[01:27:52] puppets
[01:27:53] because they
[01:27:53] just couldn't
[01:27:53] do anything
[01:27:54] really well
[01:27:55] um
[01:27:56] but I think
[01:27:56] it's really
[01:27:57] you know
[01:27:57] really
[01:27:57] pretty good
[01:27:58] and it's unique
[01:27:59] you know
[01:27:59] it's such a
[01:27:59] unique film
[01:28:00] yeah
[01:28:01] and like you
[01:28:01] said
[01:28:01] there's like
[01:28:01] there's
[01:28:02] crazy details
[01:28:03] of like
[01:28:03] croissants
[01:28:04] being like
[01:28:04] cobblestones
[01:28:05] in France
[01:28:06] and uh
[01:28:07] um
[01:28:08] yeah
[01:28:09] it's great
[01:28:09] lines
[01:28:09] and great
[01:28:10] music
[01:28:10] and yeah
[01:28:11] it's great
[01:28:13] so much fun
[01:28:14] I think
[01:28:15] I feel like
[01:28:15] watching it
[01:28:16] right now
[01:28:16] Zach
[01:28:17] number five
[01:28:17] all right
[01:28:18] uh
[01:28:18] my number
[01:28:19] five is a
[01:28:19] repeat
[01:28:20] it's
[01:28:20] Anchorman
[01:28:20] the legend
[01:28:21] of Ron
[01:28:21] Burgundy
[01:28:22] oh
[01:28:22] it's hot
[01:28:22] up there
[01:28:23] we swept
[01:28:24] Zach
[01:28:24] how about
[01:28:25] that
[01:28:25] well
[01:28:25] it happens
[01:28:26] every once
[01:28:26] in a blue moon
[01:28:27] turnabout
[01:28:27] might be
[01:28:28] fair fucking
[01:28:28] place
[01:28:29] um
[01:28:30] uh
[01:28:30] yeah
[01:28:30] no
[01:28:30] uh
[01:28:32] I uh
[01:28:32] there's a fun
[01:28:33] story behind
[01:28:34] this
[01:28:34] the only reason
[01:28:35] I saw this
[01:28:36] film is
[01:28:37] my dad
[01:28:37] promised
[01:28:38] me
[01:28:39] because I
[01:28:40] was getting
[01:28:40] old enough
[01:28:40] and he had
[01:28:41] let me watch
[01:28:41] the first
[01:28:42] Kill Bill
[01:28:42] that I was
[01:28:43] gonna finally
[01:28:43] get to see
[01:28:44] Kill Bill
[01:28:44] volume two
[01:28:45] that was
[01:28:45] gonna be
[01:28:45] my first
[01:28:45] Quentin
[01:28:46] Tarantino
[01:28:46] theater
[01:28:46] movie in
[01:28:47] a theater
[01:28:47] uh
[01:28:48] and he
[01:28:49] misread
[01:28:49] the show
[01:28:50] times
[01:28:51] cause they
[01:28:51] were
[01:28:51] he thought
[01:28:52] they would
[01:28:53] extend
[01:28:53] throughout the
[01:28:53] week
[01:28:54] he was wrong
[01:28:54] so Kill Bill
[01:28:55] out of the
[01:28:56] theaters
[01:28:56] so he said
[01:28:57] well how about
[01:28:58] Anchorman
[01:28:58] and I'm like
[01:28:59] sure
[01:28:59] I like
[01:29:01] I like funny
[01:29:01] movies
[01:29:02] I like SNL
[01:29:02] and I
[01:29:04] walked out
[01:29:05] with my
[01:29:06] sides
[01:29:06] literally split
[01:29:08] that movie
[01:29:08] and a boner
[01:29:09] yeah
[01:29:10] the pants
[01:29:11] party
[01:29:11] um
[01:29:12] um
[01:29:13] I
[01:29:13] I have
[01:29:14] since
[01:29:15] rewatched
[01:29:16] this film
[01:29:16] pretty regularly
[01:29:18] it's one of
[01:29:19] those films
[01:29:20] because it is
[01:29:20] so quote
[01:29:21] heavy
[01:29:21] that you
[01:29:22] can draw
[01:29:22] like
[01:29:23] anything
[01:29:24] from it
[01:29:24] any moment
[01:29:25] in it
[01:29:25] it
[01:29:26] it
[01:29:26] doesn't
[01:29:27] matter
[01:29:27] um
[01:29:28] I think
[01:29:29] it's
[01:29:29] it's kind
[01:29:29] of wonderful
[01:29:30] to watch
[01:29:30] Adam McKay
[01:29:31] in this
[01:29:31] pre
[01:29:32] big short
[01:29:33] world
[01:29:34] where
[01:29:34] a lot
[01:29:35] of ideas
[01:29:35] that he'll
[01:29:35] run with
[01:29:36] in his
[01:29:36] more
[01:29:36] overt
[01:29:37] statement
[01:29:38] movies
[01:29:38] are
[01:29:38] kind
[01:29:39] of
[01:29:39] laid
[01:29:39] in here
[01:29:40] like
[01:29:40] the idea
[01:29:40] of dealing
[01:29:41] with
[01:29:41] the
[01:29:42] the
[01:29:42] the
[01:29:43] the
[01:29:43] 70s
[01:29:44] and women
[01:29:44] in the
[01:29:44] workplace
[01:29:45] and the
[01:29:45] changing
[01:29:45] times
[01:29:46] like I
[01:29:47] do
[01:29:47] actually
[01:29:47] do
[01:29:47] love
[01:29:47] that line
[01:29:48] Bob Dylan
[01:29:48] once wrote
[01:29:49] the times
[01:29:49] they are
[01:29:50] changing
[01:29:50] Ron
[01:29:51] Burgundy
[01:29:51] never heard
[01:29:52] that song
[01:29:54] um
[01:29:54] and uh
[01:29:55] and the
[01:29:55] irreverence
[01:29:56] of it
[01:29:56] and the
[01:29:57] way it
[01:29:57] kind of
[01:29:58] moves in
[01:29:58] a Simpsons
[01:29:59] like fashion
[01:29:59] to just
[01:30:00] have things
[01:30:00] pop up
[01:30:01] out of
[01:30:01] nowhere
[01:30:01] like the
[01:30:02] anchor fight
[01:30:02] is so
[01:30:03] brilliant
[01:30:03] and then
[01:30:04] they just
[01:30:04] they find
[01:30:05] a way to
[01:30:06] post comment
[01:30:07] on it
[01:30:07] with the
[01:30:08] whole thing
[01:30:08] like yeah
[01:30:09] I mean
[01:30:09] Brick even
[01:30:09] killed somebody
[01:30:10] with a
[01:30:10] trident
[01:30:10] yeah
[01:30:10] I killed
[01:30:11] someone
[01:30:11] with a
[01:30:11] trident
[01:30:12] like
[01:30:13] there's
[01:30:14] just
[01:30:14] such a
[01:30:15] lovely
[01:30:16] disrespect
[01:30:17] for logic
[01:30:17] in that
[01:30:18] film
[01:30:18] that
[01:30:19] just
[01:30:19] embraces
[01:30:20] its own
[01:30:20] concept
[01:30:21] and goes
[01:30:21] nuts
[01:30:21] with it
[01:30:22] it breaks
[01:30:23] its own
[01:30:23] fourth wall
[01:30:23] constantly
[01:30:24] to
[01:30:25] for the
[01:30:26] betterment
[01:30:26] of the
[01:30:27] humor
[01:30:27] of the
[01:30:28] story
[01:30:28] and you
[01:30:28] accept
[01:30:28] it
[01:30:29] because
[01:30:29] that
[01:30:30] world
[01:30:30] is
[01:30:31] already
[01:30:31] like
[01:30:32] a
[01:30:32] lampooning
[01:30:33] SNL
[01:30:33] sketch
[01:30:33] and they
[01:30:34] just
[01:30:34] kind of
[01:30:34] crank it
[01:30:34] to the
[01:30:35] next
[01:30:35] degree
[01:30:36] I love
[01:30:37] the film
[01:30:37] it's
[01:30:38] fantastic
[01:30:38] and I'm
[01:30:39] I'm
[01:30:40] ever a
[01:30:40] will
[01:30:41] support
[01:30:41] I'm
[01:30:42] gonna
[01:30:42] forever
[01:30:42] be a
[01:30:43] Will
[01:30:43] Ferrell
[01:30:43] supporter
[01:30:44] and a
[01:30:44] lot
[01:30:44] of it
[01:30:45] is due
[01:30:45] to this
[01:30:46] movie
[01:30:46] existing
[01:30:47] so yeah
[01:30:48] Anchorman
[01:30:49] fantastic
[01:30:50] film
[01:30:51] my
[01:30:52] number
[01:30:52] four
[01:30:53] is
[01:30:55] stars
[01:30:56] one
[01:30:56] of
[01:30:56] my
[01:30:56] most
[01:30:56] favorite
[01:30:57] actors
[01:30:58] it
[01:30:59] is a
[01:30:59] film
[01:31:00] that
[01:31:00] the
[01:31:00] more
[01:31:01] I've
[01:31:01] watched
[01:31:01] it
[01:31:02] the
[01:31:02] more
[01:31:02] I've
[01:31:02] loved
[01:31:03] it
[01:31:03] it
[01:31:04] has
[01:31:04] an
[01:31:04] intensity
[01:31:05] to it
[01:31:05] by the
[01:31:06] way
[01:31:06] it's
[01:31:06] shot
[01:31:08] that
[01:31:08] is
[01:31:09] hard
[01:31:09] to
[01:31:10] look
[01:31:11] away
[01:31:11] from
[01:31:11] the
[01:31:20] down
[01:31:20] in
[01:31:20] traffic
[01:31:21] right
[01:31:21] now
[01:31:21] and
[01:31:21] you
[01:31:21] would've
[01:31:22] made
[01:31:22] yourself
[01:31:22] an
[01:31:22] extra
[01:31:23] five
[01:31:23] bucks
[01:31:23] yeah
[01:31:24] well
[01:31:24] you
[01:31:24] keep
[01:31:24] that
[01:31:24] five
[01:31:24] bucks
[01:31:24] buy you
[01:31:25] something
[01:31:25] special
[01:31:49] I got
[01:31:50] five
[01:31:50] stops
[01:31:50] to
[01:31:51] make
[01:31:51] what's
[01:31:51] your
[01:31:51] name
[01:31:52] Max
[01:31:53] Max
[01:31:53] I'm
[01:31:54] Vincent
[01:31:56] I'll meet
[01:31:56] you in the alley
[01:31:57] behind the building
[01:32:04] you're good
[01:32:05] red light
[01:32:06] Max
[01:32:06] hold on
[01:32:07] hold on
[01:32:07] man you were
[01:32:08] gonna drive me
[01:32:08] around tonight
[01:32:09] never be the
[01:32:09] wiser
[01:32:09] but
[01:32:10] we're in
[01:32:10] plan B
[01:32:10] now we
[01:32:13] gotta make
[01:32:13] the best
[01:32:14] of it
[01:32:14] improvise
[01:32:15] adapt
[01:32:15] to the
[01:32:15] environment
[01:32:16] whatever
[01:32:17] man
[01:32:17] we gotta
[01:32:18] roll
[01:32:18] with it
[01:32:20] you just
[01:32:20] met him
[01:32:20] once
[01:32:21] and you
[01:32:21] kill him
[01:32:21] like that
[01:32:22] but I
[01:32:23] should only
[01:32:23] kill people
[01:32:23] after I
[01:32:24] get to
[01:32:24] know
[01:32:24] them
[01:32:27] I'm
[01:32:28] not up
[01:32:28] for this
[01:32:31] what are
[01:32:31] you gonna
[01:32:32] do about
[01:32:32] it
[01:32:38] I got
[01:32:38] another
[01:32:39] DOA
[01:32:40] he's
[01:32:41] already
[01:32:41] killed
[01:32:41] witnesses
[01:32:42] he's
[01:32:42] coming to
[01:32:43] kill
[01:33:29] Bruce plays
[01:33:29] the bad
[01:33:29] guy in
[01:33:30] it
[01:33:30] which he
[01:33:31] does not
[01:33:31] play very
[01:33:32] often
[01:33:33] and not
[01:33:34] only is he
[01:33:34] played in
[01:33:35] he plays
[01:33:35] it extremely
[01:33:36] well
[01:33:36] the character
[01:33:37] of Vincent
[01:33:37] requires a
[01:33:38] level of
[01:33:38] intensity
[01:33:39] that I
[01:33:40] think Tom
[01:33:41] brings to
[01:33:42] the screen
[01:33:43] no matter
[01:33:44] what he
[01:33:44] does
[01:33:45] and when
[01:33:46] you couple
[01:33:46] that with
[01:33:47] his physical
[01:33:47] um
[01:33:49] aggressiveness
[01:33:50] in the
[01:33:50] film
[01:33:51] um
[01:33:52] Jamie Foxx
[01:33:53] is kind
[01:33:53] of the
[01:33:53] uh
[01:33:54] fish out
[01:33:55] of water
[01:33:55] um
[01:33:56] in over
[01:33:56] his head
[01:33:57] the film
[01:33:58] moves at
[01:33:59] such a
[01:33:59] clip
[01:33:59] um
[01:34:00] and it's
[01:34:01] with Michael
[01:34:01] Mann's
[01:34:02] directing
[01:34:02] I mean
[01:34:02] you really
[01:34:03] have to
[01:34:03] like Michael
[01:34:03] Mann
[01:34:04] or you're
[01:34:04] not gonna
[01:34:04] like the
[01:34:04] movie
[01:34:05] he is
[01:34:05] very
[01:34:06] um
[01:34:07] cut cut
[01:34:08] cut
[01:34:08] cameras moving
[01:34:09] it's kind
[01:34:10] of that
[01:34:10] digital
[01:34:11] look
[01:34:11] camera
[01:34:11] um
[01:34:12] but it
[01:34:13] works really
[01:34:14] well in
[01:34:14] this film
[01:34:15] and the
[01:34:15] more I've
[01:34:16] watched it
[01:34:16] uh
[01:34:17] the more
[01:34:17] I really
[01:34:18] really
[01:34:18] really
[01:34:19] like the
[01:34:19] movie
[01:34:19] um
[01:34:21] and just
[01:34:22] because
[01:34:22] it's
[01:34:23] it's
[01:34:23] so different
[01:34:24] to see
[01:34:24] Tom
[01:34:24] Cruz
[01:34:25] play
[01:34:27] I liken it
[01:34:28] to when he
[01:34:28] plays Lestat
[01:34:29] in an interview
[01:34:29] with a vampire
[01:34:31] where you're
[01:34:32] not used to
[01:34:32] him being
[01:34:33] just all out
[01:34:34] of just a
[01:34:34] bastard
[01:34:34] and in this
[01:34:36] film he has
[01:34:36] no redeeming
[01:34:37] qualities
[01:34:37] he has a
[01:34:39] single
[01:34:40] mission in
[01:34:40] mind
[01:34:41] and
[01:34:41] um
[01:34:42] you're along
[01:34:43] for the ride
[01:34:43] just like
[01:34:44] Jamie Foxx's
[01:34:45] character
[01:34:45] Max in it
[01:34:46] you're just
[01:34:46] there
[01:34:47] and you're
[01:34:48] stuck
[01:34:49] and he will
[01:34:50] do whatever
[01:34:50] it takes
[01:34:50] to complete
[01:34:51] his mission
[01:34:52] um
[01:34:53] and yeah
[01:34:54] it's just
[01:34:54] has an
[01:34:55] intensity
[01:34:55] it's an
[01:34:56] edge of your
[01:34:56] seat thriller
[01:34:57] and it's
[01:34:57] it's really
[01:34:58] well done
[01:34:59] and it's
[01:35:00] slowly
[01:35:01] creeped up
[01:35:01] my list
[01:35:02] every time
[01:35:03] I watch
[01:35:03] it
[01:35:03] um
[01:35:04] I got
[01:35:05] the 4k
[01:35:05] maybe last
[01:35:06] year
[01:35:07] and it's
[01:35:08] one of those
[01:35:08] movies you get
[01:35:09] on 4k
[01:35:09] and he says
[01:35:10] is this
[01:35:10] going to be
[01:35:10] worth it
[01:35:11] um
[01:35:11] because I
[01:35:12] picked it
[01:35:12] up on one
[01:35:13] of those
[01:35:13] sales
[01:35:13] it's like
[01:35:14] 1099
[01:35:15] and yeah
[01:35:15] it actually
[01:35:17] makes it
[01:35:17] look pretty
[01:35:18] sharp
[01:35:18] um
[01:35:19] it benefits
[01:35:20] from the
[01:35:21] higher
[01:35:21] resolution
[01:35:22] um
[01:35:23] I think
[01:35:23] the 4k
[01:35:24] is coming
[01:35:24] out soon
[01:35:25] yeah I have
[01:35:25] it
[01:35:26] oh
[01:35:27] and yeah
[01:35:28] so it's uh
[01:35:29] it's cool
[01:35:30] and you should
[01:35:30] see it if you
[01:35:31] haven't seen
[01:35:32] collateral
[01:35:33] because Tom
[01:35:34] Cruz is awesome
[01:35:36] and you saw him
[01:35:36] running the trailer
[01:35:37] so you know
[01:35:38] it's already good
[01:35:38] there's this
[01:35:39] algorithm that
[01:35:40] the longer Tom
[01:35:41] Cruz runs in a
[01:35:42] movie the better
[01:35:42] the film is
[01:35:43] it's pretty funny
[01:35:44] I feel like
[01:35:45] we were the first
[01:35:45] ones to point
[01:35:46] out is running
[01:35:46] I know
[01:35:47] it feels like
[01:35:47] it's like a
[01:35:48] like all
[01:35:49] everyone ever
[01:35:49] talks about
[01:35:50] it's like
[01:35:50] the movie's
[01:35:51] good if Tom
[01:35:51] Cruz can run
[01:35:52] in it
[01:35:52] we're just
[01:35:53] the innovators
[01:35:54] I mean
[01:35:54] I can pull up
[01:35:56] stuff from
[01:35:57] you know
[01:35:57] my
[01:35:58] Facebook
[01:36:00] memories
[01:36:00] where I talk
[01:36:01] about last
[01:36:01] action hero
[01:36:02] being underrated
[01:36:03] and it needs
[01:36:04] 4k or
[01:36:05] blu-ray
[01:36:05] or whatever
[01:36:06] and then people
[01:36:07] just finally
[01:36:08] jump on board
[01:36:10] Brad
[01:36:11] you're number
[01:36:11] 4
[01:36:12] if you don't
[01:36:13] like my
[01:36:14] number 4
[01:36:14] you're a
[01:36:14] freaking idiot
[01:36:15] gosh
[01:36:16] girls only want
[01:36:17] boyfriends
[01:36:17] who have
[01:36:18] great skills
[01:36:18] you know
[01:36:19] like
[01:36:20] nunchuck
[01:36:20] skills
[01:36:21] bow hunting
[01:36:22] skills
[01:36:22] computer
[01:36:23] hacking
[01:36:24] skills
[01:36:27] how was
[01:36:28] school
[01:36:28] worst day
[01:36:29] of my life
[01:36:30] what do you
[01:36:30] think
[01:36:33] idiot
[01:36:34] what kind
[01:36:38] of bike
[01:36:38] do you
[01:36:39] have
[01:36:39] it's a
[01:36:39] sledgehammer
[01:36:40] dang
[01:36:41] you ever
[01:36:41] take it
[01:36:42] off any
[01:36:42] sweet
[01:36:42] jumps
[01:36:48] what are
[01:36:49] you drawing
[01:36:50] a liger
[01:36:50] what's a
[01:36:51] liger
[01:36:51] it's my
[01:36:52] favorite
[01:36:52] animal
[01:36:53] it's like
[01:36:54] a lion
[01:36:54] and a
[01:36:54] tiger
[01:36:55] mix
[01:36:59] why are
[01:37:00] you so
[01:37:00] sweaty
[01:37:01] I've been
[01:37:02] practicing
[01:37:02] some dance
[01:37:03] moves
[01:37:03] is Trisha
[01:37:13] here
[01:37:13] who's that
[01:37:17] on my
[01:37:17] driveway
[01:37:19] that's
[01:37:20] my ride
[01:37:21] yeah so
[01:37:22] my number
[01:37:22] 4 is
[01:37:23] Napoleon
[01:37:23] Dynamite
[01:37:23] it belongs
[01:37:24] at number
[01:37:24] 3
[01:37:25] where it's
[01:37:25] on mine
[01:37:26] I know
[01:37:26] like
[01:37:27] I wanted
[01:37:28] to tag
[01:37:29] team
[01:37:29] with you
[01:37:29] bad
[01:37:29] it's
[01:37:30] like
[01:37:30] again
[01:37:30] so bad
[01:37:30] but
[01:37:31] like
[01:37:31] yeah
[01:37:31] you'll
[01:37:32] see
[01:37:32] no
[01:37:32] it's
[01:37:32] fine
[01:37:33] I fucking
[01:37:34] love
[01:37:34] this movie
[01:37:34] but
[01:37:35] yeah
[01:37:36] I know
[01:37:38] a lot
[01:37:38] of people
[01:37:38] who hate
[01:37:38] this for
[01:37:39] some
[01:37:59] part
[01:37:59] it's
[01:37:59] just
[01:37:59] a slice
[01:38:00] of life
[01:38:00] that you
[01:38:01] would
[01:38:02] never
[01:38:02] usually
[01:38:02] focus
[01:38:03] on
[01:38:03] and
[01:38:03] you
[01:38:03] have
[01:38:04] to
[01:38:04] be
[01:38:04] invested
[01:38:04] in the
[01:38:05] world
[01:38:05] for it
[01:38:05] to
[01:38:05] work
[01:38:06] yeah
[01:38:06] I think
[01:38:07] like it
[01:38:08] takes place
[01:38:08] in Idaho
[01:38:09] right
[01:38:09] yep
[01:38:09] and
[01:38:10] yeah
[01:38:11] this is
[01:38:11] you know
[01:38:11] another
[01:38:12] coming of
[01:38:13] age
[01:38:13] school
[01:38:14] comedy
[01:38:15] but it's
[01:38:15] just played
[01:38:16] like so
[01:38:16] oddly
[01:38:17] yes
[01:38:18] it's a
[01:38:19] definition
[01:38:19] of quirky
[01:38:20] and like
[01:38:21] I guess
[01:38:22] like you
[01:38:22] have seen
[01:38:23] characters
[01:38:23] like this
[01:38:23] in school
[01:38:24] they're
[01:38:25] like really
[01:38:25] on the
[01:38:26] fringe
[01:38:27] of like
[01:38:27] not
[01:38:28] coolness
[01:38:29] yeah
[01:38:29] um
[01:38:30] and it's
[01:38:31] it's
[01:38:31] it's great
[01:38:32] that they
[01:38:32] like have
[01:38:33] their own
[01:38:33] movie
[01:38:33] um
[01:38:34] so yeah
[01:38:35] like everyone's
[01:38:36] fun in it
[01:38:36] you know
[01:38:37] um
[01:38:37] and yeah
[01:38:38] just full
[01:38:39] of just
[01:38:39] silly
[01:38:40] gags
[01:38:40] that
[01:38:41] aren't
[01:38:41] like
[01:38:42] you know
[01:38:42] anchorman
[01:38:42] or dodgeball
[01:38:43] like
[01:38:44] bombastic
[01:38:45] yeah
[01:38:45] they're just
[01:38:46] like
[01:38:46] I don't know
[01:38:47] more cerebral
[01:38:48] like huh
[01:38:49] that's funny
[01:38:49] and it's funny
[01:38:50] because my
[01:38:51] kid couldn't
[01:38:51] get into
[01:38:52] anchorman
[01:38:52] but he
[01:38:53] loved
[01:38:53] napoleon
[01:38:54] dynamite
[01:38:54] and it's
[01:38:55] there's some
[01:38:56] some like
[01:38:56] even the
[01:38:57] stupid
[01:38:57] things
[01:38:57] I've always
[01:38:58] mentioned
[01:38:58] this
[01:38:58] I love
[01:38:59] stupid
[01:38:59] things
[01:38:59] sometimes
[01:39:00] and it's
[01:39:01] when napoleon
[01:39:02] puts all
[01:39:03] his uh
[01:39:04] pedro's
[01:39:04] tater tots
[01:39:05] in his
[01:39:05] pocket
[01:39:06] and then
[01:39:06] later in
[01:39:07] classes
[01:39:08] classmate
[01:39:08] says
[01:39:09] napoleon
[01:39:09] give me
[01:39:09] some of
[01:39:09] those
[01:39:10] tots
[01:39:10] and he
[01:39:10] says
[01:39:10] i have
[01:39:11] anything
[01:39:11] to eat
[01:39:11] like
[01:39:11] a whole
[01:39:12] day
[01:39:12] and he
[01:39:12] literally
[01:39:13] just
[01:39:13] ate
[01:39:13] at
[01:39:14] lunch
[01:39:14] it's
[01:39:15] just
[01:39:15] it's
[01:39:15] stupid
[01:39:15] stuff
[01:39:16] like
[01:39:16] that
[01:39:16] or
[01:39:16] um
[01:39:17] you
[01:39:18] know
[01:39:19] uh
[01:39:20] his
[01:39:20] uncle
[01:39:20] rico
[01:39:21] throwing
[01:39:21] a
[01:39:43] napoleon
[01:39:43] what are
[01:39:43] you gonna
[01:39:44] do
[01:39:44] today
[01:39:44] what if
[01:39:45] the flip
[01:39:45] might feel
[01:39:46] like it
[01:39:46] gosh
[01:39:47] and he
[01:39:47] throws
[01:39:48] like his
[01:39:48] action figure
[01:39:48] out the
[01:39:49] window
[01:39:49] on a
[01:39:49] string
[01:39:50] and if
[01:39:51] you're
[01:39:51] not on
[01:39:51] board
[01:39:51] right
[01:39:51] then
[01:39:52] you're
[01:39:53] not
[01:39:53] gonna
[01:39:53] be
[01:39:53] on
[01:39:53] board
[01:39:54] the rest
[01:39:54] of the
[01:39:54] movie
[01:39:54] yeah
[01:39:55] i love
[01:39:55] when he
[01:39:55] calls
[01:39:55] his
[01:39:56] brother
[01:39:56] from the
[01:39:56] nurse
[01:39:57] station
[01:39:57] he's
[01:40:13] but you
[01:40:13] have to
[01:40:14] be
[01:40:14] invested
[01:40:15] in
[01:40:15] you know
[01:40:16] the
[01:40:16] world
[01:40:17] um
[01:40:18] i do
[01:40:18] well
[01:40:19] on this
[01:40:19] test
[01:40:19] i'm not
[01:40:19] gonna
[01:40:19] get
[01:40:19] into
[01:40:20] college
[01:40:20] your
[01:40:20] mom
[01:40:21] goes
[01:40:21] to
[01:40:21] college
[01:40:24] what are
[01:40:24] you doing
[01:40:25] all day
[01:40:25] i'm talking
[01:40:26] to sweet
[01:40:26] hot chicks
[01:40:27] on the
[01:40:28] internet
[01:40:28] napoleon
[01:40:29] yeah
[01:40:32] la fonda
[01:40:33] yeah
[01:40:33] it's just
[01:40:33] it's just
[01:40:34] fun stuff
[01:40:34] and
[01:40:35] it's
[01:40:35] something
[01:40:36] too
[01:40:36] what
[01:40:36] what i
[01:40:36] love
[01:40:37] about
[01:40:37] films
[01:40:37] like
[01:40:37] this
[01:40:38] too
[01:40:38] is
[01:40:39] you
[01:40:39] know
[01:40:39] la fonda
[01:40:40] so
[01:40:40] napoleon's
[01:40:41] brother
[01:40:41] is
[01:40:41] you know
[01:40:42] super
[01:40:43] uh
[01:40:43] diminutive
[01:40:44] and he's
[01:40:44] small
[01:40:45] and he's
[01:40:45] kind of
[01:40:45] you know
[01:40:46] nerdy
[01:40:46] and his
[01:40:48] girlfriend
[01:40:48] he talks
[01:40:49] on the
[01:40:49] internet
[01:40:49] is this
[01:40:50] like
[01:40:50] big
[01:40:50] strong
[01:40:51] powerful
[01:40:51] black
[01:40:52] woman
[01:40:52] like
[01:40:52] she
[01:40:53] has to
[01:40:53] be
[01:40:53] five
[01:40:54] or six
[01:40:54] inches
[01:40:54] taller
[01:40:54] than him
[01:40:55] and she
[01:40:56] loves him
[01:40:56] and they
[01:40:57] end up
[01:40:57] getting married
[01:40:58] and stuff
[01:40:58] and there's
[01:40:58] no
[01:40:59] uh
[01:41:00] when i
[01:41:00] see her
[01:41:01] i
[01:41:01] you know
[01:41:01] when she
[01:41:02] sees him
[01:41:02] she doesn't
[01:41:02] like him
[01:41:03] or whatever
[01:41:03] it's just
[01:41:04] they embrace
[01:41:05] each other
[01:41:05] for who
[01:41:06] they are
[01:41:06] and it's
[01:41:07] it's
[01:41:08] it's
[01:41:08] beautiful
[01:41:08] to see
[01:41:09] hard on
[01:41:09] the sleeve
[01:41:09] hard on
[01:41:10] the sleeve
[01:41:10] oh nice
[01:41:11] remembered
[01:41:12] uh
[01:41:12] didric
[01:41:12] peter
[01:41:12] the karate
[01:41:13] yeah
[01:41:13] bow to
[01:41:14] your sensei
[01:41:14] bow to
[01:41:15] your sensei
[01:41:16] you think
[01:41:16] anyone wants
[01:41:16] a roundhouse
[01:41:17] of the face
[01:41:17] with me
[01:41:18] wearing
[01:41:18] these bad
[01:41:19] boys
[01:41:20] it's got
[01:41:20] like the
[01:41:20] american
[01:41:21] flag suit
[01:41:22] going on
[01:41:23] yeah
[01:41:25] uh
[01:41:26] yeah
[01:41:27] and like
[01:41:27] ouch
[01:41:28] it's also
[01:41:29] like
[01:41:29] the finale
[01:41:30] is just
[01:41:30] like the
[01:41:31] big
[01:41:32] climactic
[01:41:32] sequence
[01:41:33] is just
[01:41:33] like a
[01:41:33] dance
[01:41:34] sequence
[01:41:35] it's not
[01:41:35] like they're
[01:41:36] saving the
[01:41:37] school
[01:41:37] or
[01:41:37] yeah
[01:41:38] but they
[01:41:39] have this
[01:41:39] really long
[01:41:40] uh
[01:41:40] after credit
[01:41:41] scene too
[01:41:42] of the
[01:41:42] wedding
[01:41:43] where napoleon
[01:41:44] rides in
[01:41:44] on a horse
[01:41:44] for some
[01:41:45] reason
[01:41:45] and it
[01:41:47] doesn't make
[01:41:47] any sense
[01:41:48] but it's
[01:41:48] still
[01:41:48] wonderful
[01:41:49] it's one
[01:41:49] of my
[01:41:49] most favorite
[01:41:50] post credit
[01:41:50] scenes ever
[01:41:52] yeah
[01:41:53] i wish there's
[01:41:54] more of it
[01:41:54] like i know
[01:41:55] there was that
[01:41:55] like cartoon
[01:41:56] for a little
[01:41:56] while but
[01:41:57] yeah
[01:41:57] like
[01:41:58] i'd be down
[01:41:59] to see
[01:41:59] this world
[01:41:59] again
[01:42:00] yeah
[01:42:00] you kind
[01:42:01] of get
[01:42:01] it in
[01:42:01] like
[01:42:01] gentleman
[01:42:02] broncos
[01:42:03] um
[01:42:03] but yeah
[01:42:04] right
[01:42:05] missy's
[01:42:06] character
[01:42:06] actually like
[01:42:06] they've been
[01:42:07] having those
[01:42:08] i forget
[01:42:08] what brand
[01:42:09] it's for
[01:42:10] but like
[01:42:10] napoleon
[01:42:10] dynamite's
[01:42:11] been like
[01:42:11] a commercial
[01:42:12] almost like
[01:42:13] earnest for
[01:42:13] like they've
[01:42:15] been using
[01:42:15] napoleon
[01:42:15] dynamite for
[01:42:16] like other
[01:42:16] stuff commercials
[01:42:17] yeah
[01:42:18] yeah
[01:42:18] so yeah
[01:42:19] my number
[01:42:20] four
[01:42:20] uh
[01:42:20] napoleon
[01:42:21] dynamite
[01:42:21] it's
[01:42:21] such a
[01:42:22] fun
[01:42:22] yeah
[01:42:24] zach
[01:42:25] all right
[01:42:26] cool
[01:42:26] my number
[01:42:27] four
[01:42:27] um
[01:42:28] it was
[01:42:28] tough
[01:42:29] because
[01:42:29] the following
[01:42:30] four
[01:42:31] are ones
[01:42:31] that could
[01:42:32] have easily
[01:42:32] all been
[01:42:33] my number
[01:42:33] one
[01:42:33] um
[01:42:34] uh
[01:42:35] but it's
[01:42:35] a little
[01:42:35] film
[01:42:36] from the
[01:42:36] uk
[01:42:57] ever think
[01:42:58] modern life
[01:42:59] is not
[01:42:59] for you
[01:43:02] you do
[01:43:02] the same
[01:43:03] dead end
[01:43:03] job
[01:43:04] every day
[01:43:05] there's no
[01:43:06] i in team
[01:43:07] but there
[01:43:07] is an i
[01:43:08] in pie
[01:43:09] in
[01:43:09] there's an
[01:43:10] i in
[01:43:10] meat
[01:43:11] pie
[01:43:11] the anagram
[01:43:12] of meat
[01:43:12] is team
[01:43:13] i don't know
[01:43:13] is your love life
[01:43:15] dying on its feet
[01:43:17] it's your wonderful mom
[01:43:18] oh
[01:43:20] have you ever felt
[01:43:22] that you're turning into
[01:43:23] a zombie
[01:43:31] prepare to comment
[01:43:35] religious groups are calling it
[01:43:37] judgment day
[01:43:37] crisis
[01:43:38] it is vital
[01:43:39] that you stay in your home
[01:43:41] a hero must rise
[01:43:43] avoid all contact
[01:43:44] with the assailants
[01:43:45] from
[01:43:46] his sofa
[01:43:55] or destroying the brain
[01:43:56] purple rain
[01:44:01] no
[01:44:01] sign of the time
[01:44:02] definitely not
[01:44:03] the batman soundtrack
[01:44:04] throw it
[01:44:04] the biggest zombie comedy
[01:44:06] in british history
[01:44:07] is invading america
[01:44:09] i'm coming
[01:44:10] and if you're looking
[01:44:11] for a man
[01:44:12] i've taken a shortcut
[01:44:13] before
[01:44:14] with the right moves
[01:44:17] nice
[01:44:18] good vocal work
[01:44:19] let's all try it together
[01:44:20] shall we
[01:44:20] one
[01:44:21] two
[01:44:22] the only thing
[01:44:27] that will redeem mankind
[01:44:28] is cooperation
[01:44:30] good luck
[01:44:31] and the right partner
[01:44:33] ed
[01:44:34] two seconds
[01:44:35] and
[01:44:36] hold it there
[01:44:38] don't
[01:44:56] ben you know
[01:44:57] i still love him
[01:44:59] i've still got the ring
[01:44:59] on my finger
[01:45:00] you got a bad with it
[01:45:03] uh yeah
[01:45:04] my number three
[01:45:05] uh four is
[01:45:06] shawn of the dead
[01:45:06] um
[01:45:07] i didn't find out
[01:45:09] about this
[01:45:09] until
[01:45:10] uh
[01:45:11] hearing about it
[01:45:12] on some
[01:45:13] kevin smith related thing
[01:45:14] and then that's when i
[01:45:16] looked it up
[01:45:17] because he
[01:45:17] at that time
[01:45:18] by the time i heard it
[01:45:19] edgar was working on
[01:45:20] hot fuzz
[01:45:21] um
[01:45:22] so i had to see this
[01:45:24] on dvd
[01:45:24] and i
[01:45:25] wore it the fuck out
[01:45:26] um
[01:45:27] i really really
[01:45:28] uh
[01:45:29] adore the film
[01:45:30] it's a
[01:45:31] it's one of those
[01:45:33] perfectly balanced
[01:45:34] horror comedies
[01:45:35] that finds a new way
[01:45:36] to take on an angle
[01:45:38] of a subject
[01:45:38] that's been
[01:45:39] worn and worn
[01:45:40] and worn
[01:45:41] kind of like how
[01:45:41] young frankenstein
[01:45:42] does for frankenstein
[01:45:43] movies
[01:45:43] um
[01:45:44] and i don't think
[01:45:46] i'd ever seen
[01:45:46] an editing style
[01:45:47] like edgar writes
[01:45:48] before until i saw
[01:45:49] this movie
[01:45:50] i was i was not
[01:45:51] fully prepared for
[01:45:52] his kinetic
[01:45:53] cutting
[01:45:54] in a
[01:45:55] not in a michael man
[01:45:56] way but like
[01:45:56] in it's a
[01:45:57] very stylized
[01:45:58] with like
[01:45:59] the specific intent
[01:46:01] um
[01:46:02] it's
[01:46:02] i think it's
[01:46:03] what
[01:46:04] between that
[01:46:05] and hot fuzz
[01:46:05] it built me
[01:46:06] towards
[01:46:06] loving the
[01:46:07] shit out of
[01:46:08] scott pilgrim
[01:46:09] when it came
[01:46:09] out um
[01:46:10] because i got
[01:46:11] used to his
[01:46:12] world um
[01:46:12] and it was
[01:46:13] lovely to get
[01:46:15] introduced to
[01:46:15] this world of
[01:46:16] this british
[01:46:18] sitcom called
[01:46:19] spaced that
[01:46:20] extended into
[01:46:21] this movie
[01:46:21] and so like
[01:46:22] i went to go
[01:46:23] see hot fuzz
[01:46:23] after watching
[01:46:24] this i
[01:46:25] finally found
[01:46:25] space when
[01:46:26] they put it
[01:46:26] out in the
[01:46:27] us on dvd
[01:46:27] i picked up
[01:46:28] a copy right
[01:46:29] away um
[01:46:30] it's it's
[01:46:31] perfectly balanced
[01:46:32] with its comedy
[01:46:33] and uh
[01:46:34] still manages
[01:46:35] to make me
[01:46:36] laugh my ass
[01:46:37] off but it's
[01:46:37] also got
[01:46:38] very solid horror
[01:46:39] moments like
[01:46:40] it's it hits
[01:46:41] all the right
[01:46:41] horror beats
[01:46:42] for even any
[01:46:43] good george
[01:46:44] romero movie
[01:46:44] um and
[01:46:46] there's genuine
[01:46:47] fear for every
[01:46:48] single person in
[01:46:50] in the winchester
[01:46:51] when they're
[01:46:51] fighting it out
[01:46:52] to the last
[01:46:52] you know i
[01:46:53] just don't
[01:46:53] have it in
[01:46:53] it to shoot
[01:46:55] my mom and
[01:46:55] my best and
[01:46:56] my girlfriend
[01:46:57] on the same
[01:46:57] night
[01:46:57] yeah um
[01:46:59] and uh
[01:46:59] the uh
[01:47:00] like with
[01:47:02] with the
[01:47:02] with pete
[01:47:03] coming back
[01:47:03] as a zombie
[01:47:04] and he goes
[01:47:04] pete i said
[01:47:05] leave him alone
[01:47:06] because he's
[01:47:07] it's it's
[01:47:08] magnificent and
[01:47:08] i and i do
[01:47:09] love a good
[01:47:10] ending and
[01:47:11] the ending of
[01:47:13] them being in
[01:47:14] the shed together
[01:47:15] after he started
[01:47:15] into a zombie
[01:47:16] playing video games
[01:47:17] with queen playing
[01:47:18] in the background
[01:47:19] is fantastic
[01:47:19] like it's a
[01:47:20] very solid
[01:47:21] movie so
[01:47:22] yeah um
[01:47:23] i uh
[01:47:24] i like it
[01:47:25] i know it's
[01:47:25] probably higher up
[01:47:26] on your guys's
[01:47:26] list but i
[01:47:27] i do enjoy
[01:47:28] the film and
[01:47:28] it would be a
[01:47:29] crime to not
[01:47:29] have it on
[01:47:30] the list
[01:47:32] uh my number
[01:47:32] three we actually
[01:47:33] talked about a lot
[01:47:34] just recently is
[01:47:35] napoleon dynamite
[01:47:37] um like i said
[01:47:38] i flip and love
[01:47:38] this movie
[01:47:40] uh it's funny
[01:47:42] and silly
[01:47:43] and right up
[01:47:44] my alley
[01:47:46] brad you're
[01:47:46] number three
[01:47:47] my number three
[01:47:48] is a repeat as
[01:47:48] well we talked
[01:47:49] about it a long
[01:47:50] time ago it
[01:47:50] was a saw
[01:47:51] oh wow
[01:47:52] which um
[01:47:54] yeah it was a
[01:47:57] movie uh
[01:47:58] when it came
[01:47:59] out and like
[01:47:59] not a big deal
[01:48:00] and then watched
[01:48:01] it like it's
[01:48:02] really about the
[01:48:02] the story which
[01:48:03] i thought was
[01:48:04] like told really
[01:48:05] well about the
[01:48:05] it has a great
[01:48:06] twist and it's
[01:48:07] also you know
[01:48:08] it's a horror
[01:48:08] movie but it's
[01:48:09] like a good
[01:48:10] like psychological
[01:48:12] like they actually
[01:48:13] like do detective
[01:48:14] work to figure out
[01:48:15] like how do we
[01:48:16] get out of this
[01:48:16] situation and
[01:48:17] like why are we
[01:48:18] here and what
[01:48:18] um how are we
[01:48:20] here why are we
[01:48:21] here in this uh
[01:48:22] trap and um
[01:48:23] yeah it's a
[01:48:25] refreshing to
[01:48:26] watch because
[01:48:27] yeah like the
[01:48:28] sequels have
[01:48:28] gotten so
[01:48:29] convoluted
[01:48:30] trying to like
[01:48:31] and they seem
[01:48:31] to sequels
[01:48:32] focus on the
[01:48:32] traps this one
[01:48:33] focused on i
[01:48:35] mean the traps
[01:48:35] are in it but
[01:48:36] it was more of
[01:48:36] you're right the
[01:48:37] suspense and the
[01:48:38] buildup of the
[01:48:39] detective story
[01:48:40] yeah and figuring
[01:48:41] out what was
[01:48:41] going on and
[01:48:42] how they've
[01:48:42] layered those
[01:48:43] characters to
[01:48:44] have the moral
[01:48:45] composition that
[01:48:46] they have and
[01:48:47] how to like you
[01:48:48] know they
[01:48:49] kill off john
[01:48:49] kramer in like
[01:48:50] the third one i
[01:48:51] think yeah uh
[01:48:52] so it's like
[01:48:52] okay well we
[01:48:53] want more but
[01:48:53] how do we tie
[01:48:54] it to that
[01:48:54] character so we
[01:48:55] have to like do
[01:48:55] all these like
[01:48:56] prequel tie-ins and
[01:48:57] the game is
[01:48:58] really tough to
[01:48:58] follow but it's
[01:48:59] also an admirable
[01:49:00] like how well
[01:49:03] like all those
[01:49:04] details actually
[01:49:06] still come together
[01:49:07] correctly yep
[01:49:08] like they've never
[01:49:09] said fuck it with
[01:49:10] the series yeah
[01:49:11] you always wait for
[01:49:12] like the last 20
[01:49:13] minutes with that
[01:49:13] yeah like yeah
[01:49:17] they're convoluted
[01:49:18] but like you know
[01:49:18] you think of other
[01:49:19] franchises that go
[01:49:20] that long like
[01:49:21] nightmare on elm
[01:49:22] street and friday
[01:49:23] the 13th and
[01:49:23] they're like you
[01:49:24] know tons of
[01:49:25] stuff doesn't
[01:49:26] match up or make
[01:49:27] sense oh yeah
[01:49:27] or connect but like
[01:49:29] sauce will do that
[01:49:29] but yeah this first
[01:49:30] one was great because
[01:49:31] it was like so
[01:49:32] self-contained
[01:49:32] this and scream have
[01:49:34] the best continuities
[01:49:35] yeah and it has like
[01:49:36] that gritty fincher
[01:49:37] look to it um and
[01:49:39] yeah it does a lot
[01:49:40] with very little like
[01:49:41] a small budget like
[01:49:42] you said like yeah
[01:49:43] the the hyper sped
[01:49:45] up stuff is goofy
[01:49:46] and kind of like a
[01:49:47] thing of the times
[01:49:49] but again it's like
[01:49:49] it's just a clever
[01:49:51] way of masking the
[01:49:51] fact that they
[01:49:52] can't do a lot with
[01:49:54] the bunch they have
[01:49:55] so um yeah i think
[01:49:57] it's great
[01:50:00] zach all right my
[01:50:02] number three is the
[01:50:02] movie my dad was
[01:50:03] supposed to take me
[01:50:04] to see for it not
[01:50:06] having read the
[01:50:08] showtimes wrong i
[01:50:09] would have seen it in
[01:50:10] a theater but alas
[01:50:11] still on dvd but
[01:50:13] great nonetheless
[01:50:13] here it is
[01:50:15] the incident that
[01:50:16] happened at the two
[01:50:17] pines wedding chapel
[01:50:18] that put this whole
[01:50:19] gory story into
[01:50:21] motion has since
[01:50:23] become legend
[01:50:34] that woman deserves
[01:50:35] her revenge and
[01:50:37] we deserve to die
[01:50:39] i've killed a hell of
[01:50:44] a lot of people to
[01:50:45] get to this point and
[01:50:46] i am gonna kill bill
[01:50:50] before this tale of
[01:50:52] bloody revenge reaches
[01:50:53] its climax there's a
[01:50:54] few unanswered
[01:50:56] questions if i may
[01:51:00] doesn't kill you he
[01:51:01] will make you
[01:51:02] stronger
[01:51:12] there are consequences
[01:51:14] to breaking the heart
[01:51:16] of a killer
[01:51:18] pretty cool huh
[01:51:19] you see cutter what he
[01:51:26] threw 88 bodyguards
[01:51:30] no it wasn't really
[01:51:31] 88 of them they
[01:51:33] just called themselves
[01:51:34] a crazy 88 how
[01:51:36] come i don't know i
[01:51:38] guess they thought it
[01:51:38] sounded cool i was a
[01:51:54] killer who killed for
[01:51:55] you i had to choose i
[01:51:57] chose her she must
[01:52:03] suffer to her last
[01:52:04] bread i'm sorry i
[01:52:27] you overreacted you
[01:52:30] overreacted all right
[01:52:34] so yeah my number three
[01:52:35] is kill bill volume two
[01:52:37] uh uh i think it was
[01:52:42] it's weird because the
[01:52:43] first quentin tarantino
[01:52:45] movie i saw was kill
[01:52:46] bill volume one so
[01:52:48] when i finally saw this
[01:52:49] one it was it was a
[01:52:52] strange adjustment where i
[01:52:55] accepted it but it was
[01:52:57] definitely more dialogue
[01:52:58] heavy and i think this
[01:52:59] was one of those
[01:52:59] transition pieces of me
[01:53:01] becoming more enamored
[01:53:02] with dialogue films was
[01:53:04] kill bill volume two
[01:53:05] because that first one is
[01:53:06] moving at a clip it's
[01:53:07] more action oriented its
[01:53:08] pace as such this one
[01:53:10] turns itself into a
[01:53:12] spaghetti western while
[01:53:13] still maintaining its
[01:53:14] asian influence um and
[01:53:17] i i don't i don't know
[01:53:20] why i didn't push back
[01:53:22] against this when i was
[01:53:23] younger because it felt
[01:53:24] like maybe i would have
[01:53:25] been as like less
[01:53:27] impressed with it but
[01:53:28] everything hit with me so
[01:53:30] wonderfully when watching
[01:53:31] it to the point when
[01:53:32] when you finally get to
[01:53:34] that confrontation with
[01:53:35] bill you're expecting
[01:53:37] this bloody fucking
[01:53:39] showdown and instead
[01:53:41] it's a breakdown of their
[01:53:42] relationship and then a
[01:53:43] very simple quote unquote
[01:53:47] martial arts act that
[01:53:49] takes him down and it's
[01:53:51] it kind of blew my hair
[01:53:52] back of like after all the
[01:53:54] blood-soaked insanity we've
[01:53:56] seen in that first volume and
[01:53:57] even at the top half of
[01:53:58] this for it to end so
[01:54:00] simply it like for i didn't
[01:54:03] question it i wasn't bored i
[01:54:04] was just enamored with it and
[01:54:06] i still can't explain it to
[01:54:07] this day i think it really
[01:54:09] boils down to the simplicity
[01:54:10] of it like he builds to a
[01:54:12] very impressive anti-climactic
[01:54:16] climax that works because he
[01:54:19] laid the emotional groundwork for
[01:54:21] this film to succeed um i would
[01:54:24] still love to watch the whole
[01:54:25] bloody affair cut i don't think
[01:54:27] we'll ever get it released but
[01:54:28] man if there's any hope in the
[01:54:31] world for that happening i would
[01:54:32] hope to god it could because i'd
[01:54:34] love to see it unfold as one
[01:54:35] without all the division up but
[01:54:37] it really is shocking that it
[01:54:38] isn't a thing i know well because
[01:54:41] of the company that owned it
[01:54:43] going through all the hands it
[01:54:44] has yeah but still like you think
[01:54:47] that now that it's changed hands
[01:54:49] like they've like they would try to
[01:54:50] double dip on and be like oh we
[01:54:51] can re-release this as a you know
[01:54:54] either a physical release or like a
[01:54:56] re-release in the theaters as a
[01:54:58] full thing my hope is that with
[01:55:01] criterion really going for the going
[01:55:03] for the gusto with a lot of titles
[01:55:05] recently like no country for old men's
[01:55:07] getting its release finally like maybe
[01:55:09] there's a world where the whole
[01:55:10] bloody affair happens um but i do think
[01:55:13] that these uh each of these kill bill
[01:55:15] films works on its own um in some
[01:55:18] respect granted the first one ends
[01:55:20] with a cliffhanger um but i do think
[01:55:23] that this second volume can work on
[01:55:25] its own just as the first one can if
[01:55:26] you really wanted to just pop on one
[01:55:28] or the other it's entirely possible
[01:55:30] um it's not how you how i would want
[01:55:32] to do it but it's entirely possible
[01:55:34] um and everybody's just knocking it
[01:55:37] out of the park david carradine's just
[01:55:38] so fucking brilliant in this movie like
[01:55:40] it's this is where i learned about
[01:55:42] quentin's reputation for resurrecting
[01:55:45] the grindhouse actors um or the actors
[01:55:47] that had been left for the waysides like
[01:55:50] this is before i've ever even laid eyes
[01:55:52] on pulp fiction or jackie brown um so
[01:55:55] yeah it's still a fantastic movie um i
[01:55:58] would watch them as a pair but if you
[01:56:01] just watch this one on its own it's
[01:56:02] still a good fun time i heard david
[01:56:04] carradine like hanging around on set
[01:56:07] oh brad oh brad
[01:56:11] yeah
[01:56:15] uh number two for me is uh sean of the
[01:56:18] dead
[01:56:18] so is mine hell yeah damn we're on fire
[01:56:22] today we're on the same page this year
[01:56:24] um i fucking love this movie um it's a
[01:56:29] movie i have seen so many times i know
[01:56:31] it beat for beats but i still find it
[01:56:36] so entertaining i um and it's just the
[01:56:40] subtle things i mean we've talked a lot
[01:56:42] about it but um you know that when they
[01:56:47] get to the winchester and sean lures all
[01:56:49] the zombies away and he tells them i gave
[01:56:51] him the slip and then he goes back out he
[01:56:53] sees how many followed him and he he
[01:56:55] confides to um his girlfriend he says
[01:56:59] they followed me and he said how many
[01:57:03] lots and it's uh it's just awesome um
[01:57:08] you know and and zach touched on the
[01:57:10] horror part you know that part where he's
[01:57:12] struggling with his mom um and david you
[01:57:16] know tries to shoot him and then david
[01:57:19] decides he's going to go out there and he
[01:57:20] gets ripped apart and his girlfriend
[01:57:23] follows him and yeah the tension there is
[01:57:25] just palpable and you don't know if
[01:57:28] they're going to make it you know in a
[01:57:29] lot of zombie movies no one survives
[01:57:32] and it has that same vibe but then it
[01:57:34] turns it on its head and it's how
[01:57:39] mundane some aspects of your life are
[01:57:41] that they can just put zombies in charge
[01:57:42] of it whether it's collecting carts or
[01:57:45] you know the reality tv of them doing
[01:57:48] like games against them uh it part of the
[01:57:52] success of that film is that it's not
[01:57:54] cynical towards its subject no it loves
[01:57:56] its subject like each of these movies are
[01:57:58] the in the cornetto trilogy are the
[01:58:00] genre they're doing they just happen to
[01:58:02] have jokes yeah and it's and this was i
[01:58:05] mean obviously my first exposure to edgar
[01:58:07] right and simon pegg and nick frost and
[01:58:10] it's just grown from there and i love the
[01:58:13] cornetto trilogy uh even you know you
[01:58:17] spaced and then when you see the blu-ray is
[01:58:20] great or the dvd whichever one you have
[01:58:21] and they have uh edgar and simon talking
[01:58:25] about how they wrote the movie through
[01:58:26] storyboards and how well planned it is um you
[01:58:30] realize you're dealing with people that not
[01:58:32] only understand movies but understand what
[01:58:34] makes them work i saw this movie before i
[01:58:36] ever saw romero's dawn of the dead so i loved
[01:58:39] like learning after the fact of all the
[01:58:41] music cues that he's laying in whether it's
[01:58:43] from dawn of the dead or from these like
[01:58:45] eclectic uh bands and whatnot like he's a
[01:58:47] really good he's similar to tarantino in the
[01:58:50] fact that he picks this music that you're
[01:58:52] not expecting but it works so well and
[01:58:54] flows so well yeah brad why is it so high
[01:58:57] on your list i can't remember if like this
[01:59:00] came out first this year versus dawn of
[01:59:03] the dead remake or the other way around
[01:59:05] but this might be it first i think is
[01:59:07] march yeah that came out i could be wrong
[01:59:09] though if you're wrong then this was like
[01:59:11] my first zombie movie ever i think wow um
[01:59:13] otherwise yeah the other one but um
[01:59:15] yeah that's my first exposure to um these
[01:59:19] talents and um yeah just like the humor
[01:59:23] like really connected with me even though i
[01:59:26] didn't you know have a lot of reference for
[01:59:28] zombie stuff uh and the genre at the time
[01:59:31] um and yeah it's like edgar wright's work is
[01:59:35] so dynamic like um while also retaining a lot
[01:59:40] of um emotion and like character development like
[01:59:45] uh like the other zombie movies i've seen like
[01:59:48] the characters are very not they're not deep you
[01:59:52] know like a lot of them are just archetypes
[01:59:54] um and fodder and uh he takes uh
[01:59:57] a lot of time to like give everyone you
[02:00:01] know a good backstory and like connection to the
[02:00:03] characters um you know like you're saying
[02:00:06] before like the thing with his mom and like
[02:00:07] trying to like you know sean being a character who's
[02:00:10] like uh like arrested development and trying to
[02:00:12] like move beyond uh his friend um like that's
[02:00:16] all like has like good themes rather than just
[02:00:18] like being like oh here's a bunch of people they
[02:00:20] just have to get out of you know like a mall without
[02:00:23] dying you know touched on it and i can't believe i
[02:00:24] glossed over it but his relationship with his
[02:00:26] stepdad evolves throughout the film when he
[02:00:30] realizes that his stepdad really just wanted to
[02:00:34] love him and take care of him and you're not you
[02:00:36] don't know what happened to sean's first father you don't know if his
[02:00:39] mother raised him or he died or whatever happened
[02:00:42] but um yeah stepdad seems like a dick but
[02:00:46] like really he's just like tough on him yeah and he wants him to succeed and
[02:00:49] uh it's just like any father and
[02:00:53] yeah everything just unfolds naturally in the characters you're right because
[02:00:57] you're just given a little bit of sean before you know the mayhem starts
[02:01:00] but you get early that he's a little irresponsible
[02:01:03] and with his girlfriend he takes her for granted
[02:01:06] and uh yeah it's just it's really well done it's it's a brilliant film
[02:01:11] i also love the side plot where uh ed is clearly like sexually attracted to sean's mom
[02:01:20] she's like but
[02:01:26] yeah ed's a brilliant character so yeah my number two sean of the dead
[02:01:30] zach number two all right i have to fucking clarify
[02:01:35] that no one took the original away from anybody
[02:01:40] having said that my number two is a film by two brothers who have never done anything wrong
[02:01:44] allow me to present myself formally goldthwaite higginson doer phd
[02:01:56] i saw the sign in your window advertising a room to let
[02:02:01] i'm looking for a quiet tenant
[02:02:03] madam you are addressing a man who is quiet and yet
[02:02:08] not quiet
[02:02:11] allow me to introduce you to my friends these devoted and passionate musicians
[02:02:17] y'all don't play no hippity hop songs with the titles felt all funny
[02:02:21] oh no no no we play church music
[02:02:26] but i don't propose to inflict our rehearsals on you
[02:02:30] do you have a root cellar
[02:02:34] this looks promising
[02:02:35] well gentlemen here you are let us make beautiful music
[02:02:42] this is the riverboat gambling and cash cow
[02:02:46] coway is our inside man damn skippy
[02:02:50] at the end of every ship all the cash should move down to the county
[02:02:53] and where is the counting room underground
[02:02:57] underground
[02:02:59] the general shall be directing our little tunnel operation
[02:03:03] lamp is a blunt instrument
[02:03:05] goth pancake will be doing demolition work
[02:03:08] by all means let us keep this to ourselves
[02:03:10] just thought i'd leave y'all with some cinnamon cookies
[02:03:14] there'll be no more
[02:03:17] unfortunately miss munson has complicated the situation
[02:03:20] why not it decomplicated
[02:03:22] what you doing
[02:03:23] i know your mama raised your belly
[02:03:30] what was that
[02:03:37] why i'm not even absolutely certain that i i heard anything at all
[02:03:41] oh my my my my my my my
[02:03:43] we must have waffles
[02:03:45] we must all have waffles forthwith
[02:03:48] damn
[02:03:49] this is a christian house boy
[02:03:52] no hippity hop language in here
[02:03:54] sometime it's the only way
[02:03:56] you ain't gonna hit
[02:03:57] i'm trying to help you boy
[02:03:59] better yourself
[02:04:00] and so you should
[02:04:01] madam so you should
[02:04:02] all right so my number two is uh
[02:04:11] the lady killers 2004
[02:04:13] uh
[02:04:14] i understand
[02:04:16] that that original
[02:04:17] film from eeling
[02:04:19] with alquidness
[02:04:20] is technically a better movie
[02:04:22] uh
[02:04:23] i have
[02:04:24] fond memories attached to this film
[02:04:26] why why is it better zach
[02:04:27] why is it better movie
[02:04:30] technically
[02:04:30] is
[02:04:31] is a little bit more tightly paced
[02:04:33] and it doesn't drag in places
[02:04:34] but that's it
[02:04:35] i think they're both equally fun
[02:04:37] but i'm
[02:04:38] in a very very small
[02:04:40] fucking minority
[02:04:41] um
[02:04:41] i i have people who raise their eyebrows
[02:04:43] when i tell them i love this film so much
[02:04:45] here's
[02:04:45] a couple of the reasons
[02:04:47] one
[02:04:47] my dad took me to see this as my first r-rated comedy
[02:04:50] in a theater
[02:04:51] um
[02:04:51] and we
[02:04:52] he had already introduced me to the coen brothers with our brother who art thou
[02:04:55] so we went to go see it on the basis of that
[02:04:58] and i
[02:04:59] was enamored by it
[02:05:00] like it was
[02:05:01] it was
[02:05:02] boisterous
[02:05:02] it was violent
[02:05:03] it was
[02:05:04] it had all the
[02:05:04] curse words you could want to hear at a young
[02:05:07] at a young teenage
[02:05:08] uh
[02:05:09] and
[02:05:09] then
[02:05:10] what i loved about it
[02:05:12] after the fact
[02:05:13] was getting it on dvd
[02:05:16] and
[02:05:16] re-watching it
[02:05:18] and becoming
[02:05:19] um
[02:05:21] familiar with the beats that the coen brothers use as filmmakers
[02:05:25] it was kind of like my coen brothers film school
[02:05:28] i didn't start with fargo
[02:05:30] i started with their comedies
[02:05:31] and you start learning their
[02:05:32] like the way they use a rule of three
[02:05:34] where they'll say the same phrase
[02:05:36] three times
[02:05:37] in this case
[02:05:38] it's you brought your bitch to the waffle hut
[02:05:40] um
[02:05:41] you have
[02:05:42] the idea of very
[02:05:44] stupid criminals
[02:05:46] who think they're
[02:05:47] intelligent about what they're pulling off
[02:05:49] and their
[02:05:50] hubris
[02:05:51] combined with their stupidity
[02:05:52] brings them down
[02:05:53] um
[02:05:54] these are just things that i learned from this film
[02:05:56] not intending to
[02:05:58] it's just stuff that i started picking up
[02:06:00] then when i start getting to other coen brothers movies
[02:06:02] i start seeing all the beats
[02:06:03] i'm like oh
[02:06:04] they're all there
[02:06:05] like here's everything
[02:06:06] that connects from point a to point c
[02:06:08] um
[02:06:09] and i also
[02:06:10] adore
[02:06:11] tom hanks playing a villain
[02:06:13] he doesn't do it that often
[02:06:15] uh
[02:06:15] i am a
[02:06:16] i'm one of the few proponents
[02:06:18] that in
[02:06:18] in the world that i inhabit
[02:06:20] that defends his
[02:06:21] elvis role
[02:06:22] as colonel tom parker
[02:06:24] because i'm like
[02:06:25] yeah he's supposed to sound like that
[02:06:26] he's a fucking con artist
[02:06:27] um
[02:06:27] in this film
[02:06:28] this is where my brain blew up
[02:06:30] i'm like
[02:06:31] i only knew
[02:06:31] tom hanks to play good guys
[02:06:33] so him playing a very
[02:06:35] like
[02:06:36] insidious
[02:06:37] swarthy con man
[02:06:39] was not
[02:06:39] in my expectation realm
[02:06:41] um
[02:06:42] and i love
[02:06:43] the way
[02:06:44] he ends up dying
[02:06:46] at the end
[02:06:46] it's a variation
[02:06:47] on the original
[02:06:48] um
[02:06:48] but
[02:06:49] combined with this
[02:06:50] edgar allen poe theme
[02:06:52] that's streaming throughout the movie
[02:06:53] it's just
[02:06:53] it was really funny
[02:06:55] in the theater
[02:06:55] um
[02:06:56] and
[02:06:57] i don't think
[02:06:58] my dad and i laughed
[02:07:00] louder
[02:07:00] together
[02:07:01] in a theater
[02:07:02] when
[02:07:03] ryan
[02:07:04] hearst's character
[02:07:06] accidentally
[02:07:06] shoots himself
[02:07:07] in the face
[02:07:08] because he looks
[02:07:08] at the gun
[02:07:09] after firing it
[02:07:10] and he
[02:07:10] it doesn't fire
[02:07:11] and he goes
[02:07:11] no bullets
[02:07:12] and then he pulls it again
[02:07:13] and just
[02:07:14] collapses off the bridge
[02:07:15] my dad and i thought
[02:07:16] that was fucking hilarious
[02:07:17] um
[02:07:18] and so
[02:07:19] uh
[02:07:20] those are the emotional
[02:07:21] reasons that i defend
[02:07:22] this film
[02:07:23] because i do think
[02:07:24] that there's something
[02:07:25] valuable to it
[02:07:25] despite the fact
[02:07:26] that that original
[02:07:27] eeling film
[02:07:28] is a little bit more
[02:07:29] tight in its
[02:07:29] construction
[02:07:30] and its execution
[02:07:31] um
[02:07:32] the other thing is
[02:07:33] i've learned
[02:07:34] over time
[02:07:35] how
[02:07:36] intelligent this film
[02:07:37] is from a historical
[02:07:38] perspective
[02:07:38] because
[02:07:39] the film in a weird way
[02:07:40] plays on irma p hall's
[02:07:42] character
[02:07:42] uh
[02:07:44] as
[02:07:44] being an african-american
[02:07:46] who
[02:07:47] uh
[02:07:47] knows that the world
[02:07:48] has changed
[02:07:49] but she doesn't fully
[02:07:50] understand that
[02:07:50] things around her
[02:07:51] that she supports
[02:07:52] were part of a
[02:07:53] a racist system
[02:07:54] from 40 years back
[02:07:56] and so they're
[02:07:56] playing a little bit
[02:07:57] with that
[02:07:58] without shoving it
[02:07:59] in your face
[02:07:59] but there's something
[02:08:00] underneath the surface
[02:08:01] like the the church
[02:08:02] that she touts
[02:08:03] as bob jones university
[02:08:04] was historically
[02:08:05] like racist
[02:08:06] and so but she
[02:08:08] but that's a kind
[02:08:09] of a part of her
[02:08:10] character because
[02:08:11] it's a bible school
[02:08:12] she supports it
[02:08:13] and sends them
[02:08:14] five dollars every
[02:08:15] month and they
[02:08:16] put her name in the
[02:08:17] newsletter
[02:08:18] um and playing around
[02:08:19] with this post
[02:08:20] civil rights south
[02:08:21] in a way that
[02:08:22] is intriguing
[02:08:23] um it's imperfect
[02:08:25] um it still relies
[02:08:26] on a lot of
[02:08:27] outdated
[02:08:29] 2000s tropes
[02:08:30] when it comes
[02:08:30] to black characters
[02:08:31] but i think
[02:08:32] it handles it
[02:08:33] better than
[02:08:33] other films
[02:08:34] are attempting
[02:08:35] to at this time
[02:08:36] um so yeah
[02:08:38] i think there's
[02:08:38] a lot more
[02:08:39] to dig into this
[02:08:39] and as ryan
[02:08:40] and i were
[02:08:40] talking about
[02:08:41] why hasn't
[02:08:42] this been put
[02:08:42] out on blu-ray
[02:08:43] like other
[02:08:44] terrible films
[02:08:45] from this decade
[02:08:46] have been put
[02:08:46] out on blu-ray
[02:08:47] there's no reason
[02:08:48] that this shouldn't
[02:08:48] have it
[02:08:49] especially when
[02:08:50] two of the
[02:08:52] greatest filmmakers
[02:08:52] of the last
[02:08:53] 20 to 30 years
[02:08:54] are at the helm
[02:08:55] of it
[02:08:55] doesn't matter
[02:08:56] if it's a remake
[02:08:57] or not
[02:08:57] so yeah
[02:08:58] lady killers
[02:08:59] check it out
[02:09:00] it's fun
[02:09:01] uh my number one
[02:09:03] film is not a
[02:09:03] surprise and it
[02:09:04] should be everybody's
[02:09:05] number one film
[02:09:06] of 2004
[02:09:06] it is my number
[02:09:07] one film ryan
[02:09:08] is it really
[02:09:09] yeah
[02:09:09] oh fuck yeah
[02:09:10] the lady killers
[02:09:11] four tag teams
[02:09:13] wow
[02:09:13] yeah
[02:09:14] yeah
[02:09:15] here's a trailer
[02:09:17] i believe there's
[02:09:19] a hero in all
[02:09:20] of us
[02:09:21] gives us strength
[02:09:23] makes us noble
[02:09:25] even though sometimes
[02:09:26] we have to give up
[02:09:28] the thing we want
[02:09:29] the most
[02:09:29] baka
[02:09:30] where you been
[02:09:31] looking for you
[02:09:31] all morning
[02:09:32] you're late
[02:09:32] always late
[02:09:33] you're fired
[02:09:34] look at your
[02:09:34] your grades
[02:09:35] have been declining
[02:09:36] you always appear
[02:09:37] exhausted
[02:09:41] i know i'm trying
[02:09:43] where you been pal
[02:09:44] you don't return my
[02:09:45] calls
[02:09:45] i've been kind of
[02:09:46] busy
[02:09:46] taking pictures of
[02:09:47] your friend
[02:09:48] spider-man
[02:09:49] killed my father
[02:09:51] no matter what i do
[02:09:52] do you love me or not
[02:09:55] no matter how hard i try
[02:09:56] i want spider-man dead
[02:09:58] it's the ones i love
[02:09:59] who will always be the
[02:10:00] ones who pay
[02:10:01] i can't keep thinking
[02:10:02] about you
[02:10:03] i'm getting married
[02:10:04] i want a life of my own
[02:10:08] i'm spider-man
[02:10:10] no more
[02:10:13] look different
[02:10:14] i let things get in the
[02:10:15] way before there was
[02:10:16] something i thought i had
[02:10:17] to do i don't have to
[02:10:18] i like seeing you tonight
[02:10:19] peter
[02:10:21] now on to the main
[02:10:21] event
[02:10:23] octavius is gonna put
[02:10:24] oscorp on the map in a
[02:10:25] way my father never even
[02:10:26] dreamed of
[02:10:29] crazy scientist turns
[02:10:30] himself into some kind
[02:10:31] of a monster
[02:10:32] four mechanical arms
[02:10:33] welded right onto his
[02:10:34] body
[02:10:34] you take spider-man's
[02:10:36] pictures
[02:10:36] where is he
[02:10:38] you're sick of me
[02:10:39] off your loyalty to
[02:10:39] spider-man and not your
[02:10:40] best friend
[02:10:43] bring spider-man to me
[02:10:45] how do i find him
[02:10:46] peter parker
[02:10:47] find spider-man
[02:10:48] or i'll peel the flesh
[02:10:50] off our bones
[02:10:53] there are bigger things
[02:10:55] happening here than me
[02:10:56] and you
[02:11:34] so yes brad you are
[02:11:36] right the only possible
[02:11:37] answer for number one is
[02:11:38] spider-man 2
[02:11:39] which is still hands
[02:11:42] down one of the greatest
[02:11:43] superhero movies ever
[02:11:45] it builds on the success
[02:11:47] of the first film
[02:11:48] by exploring the
[02:11:52] the weight of being
[02:11:54] spider-man
[02:11:55] and the toll it takes not
[02:11:57] only on him but the
[02:11:59] people around him and
[02:12:02] you have an existential
[02:12:03] crisis and you don't
[02:12:05] understand why you can't
[02:12:06] quote-unquote perform like
[02:12:08] like you did before you
[02:12:10] know there's scenes where
[02:12:10] he's going through the
[02:12:11] city and his webs don't
[02:12:13] shoot
[02:12:14] and
[02:12:16] at the same time
[02:12:19] the
[02:12:19] doctor octopus is a
[02:12:21] tragic villain where he
[02:12:22] is not really a bad guy
[02:12:24] he's just
[02:12:26] obsessed
[02:12:27] obsessed with yeah the
[02:12:28] power of the sun in the
[02:12:29] palm of his hand
[02:12:29] and
[02:12:30] obsessed with his work and
[02:12:31] obsessed with his wife
[02:12:32] and when he does that and
[02:12:33] when they when something
[02:12:35] goes wrong I mean obviously
[02:12:36] the arms take over and
[02:12:39] he loses some of his
[02:12:40] humanity and what Sam
[02:12:42] Raimi is such a great
[02:12:43] director at that you know
[02:12:47] you're watching a Sam
[02:12:48] Raimi film the scene where
[02:12:50] Doc Ock comes alive is a
[02:12:52] horror movie and the way he
[02:12:55] shoots it and the way
[02:12:56] because in other people's
[02:12:58] hands or someone who isn't
[02:12:59] as great of actors Alfred
[02:13:00] Molina the hand the arms
[02:13:02] talking to him would seem
[02:13:04] really cheesy but you
[02:13:05] believe it the way it's
[02:13:06] shot the way it's acted
[02:13:08] the arms don't talk in the
[02:13:09] comic books right no no
[02:13:12] it's definitely something
[02:13:13] that they did for the film
[02:13:14] and
[02:13:15] makes it more creepy it
[02:13:16] does and it
[02:13:17] yeah you're right he's
[02:13:19] obsessed with what's going
[02:13:20] on but
[02:13:20] you know also someone like
[02:13:22] Rosemary Harris who is so
[02:13:24] great
[02:13:24] as Aunt May
[02:13:28] you know
[02:13:28] the scene where she's trying
[02:13:30] to open up a savings
[02:13:32] account and you know
[02:13:33] Joel McHale is the bank
[02:13:35] teller
[02:13:37] and Doc Ock takes her
[02:13:39] and
[02:13:41] when Pete is talking to
[02:13:43] her you know she tells him
[02:13:44] that Spider-Man saved you
[02:13:47] know some old woman
[02:13:49] it's
[02:13:49] it's powerful stuff
[02:13:51] and
[02:13:52] they even have a fall down
[02:13:54] where you know he's done
[02:13:56] being Spider-Man and he's
[02:13:57] feels like he can get rid of
[02:13:58] this guilt and he tells May
[02:13:59] that Uncle Ben is dead
[02:14:02] because of him
[02:14:03] and
[02:14:04] such a great
[02:14:05] powerful scene
[02:14:06] and that's why it just
[02:14:08] builds on
[02:14:09] who Spider-Man is
[02:14:11] and it has one of the
[02:14:12] greatest action set pieces
[02:14:13] ever of Spider-Man on the
[02:14:14] the subway with
[02:14:16] Doctor Octopus
[02:14:17] and it still holds up
[02:14:18] incredibly well
[02:14:19] because Raimi
[02:14:20] balances
[02:14:21] practical
[02:14:22] with the CGI
[02:14:24] and that's why I think
[02:14:25] movies like Spider-Man 2
[02:14:27] and Jurassic Park
[02:14:28] the first one still works
[02:14:29] so well
[02:14:30] is because you have
[02:14:31] talented filmmakers
[02:14:32] blending the two
[02:14:33] they're not overly
[02:14:34] relying on it like
[02:14:35] something like Van Helsing
[02:14:36] where they rely on it so
[02:14:38] much that it becomes
[02:14:40] washed in
[02:14:41] computer animation
[02:14:44] and it
[02:14:44] it also has a
[02:14:46] good strength in
[02:14:47] making Peter put upon
[02:14:49] outside of his
[02:14:51] origin story
[02:14:52] like I love Bruce
[02:14:53] Campbell's cameo
[02:14:54] and just refusing to
[02:14:55] let him in that theater
[02:14:57] Brad why do you love
[02:14:58] Spider-Man 2
[02:14:59] you said a lot of it
[02:15:00] you know it's like
[02:15:02] Spider-Man 1 but like
[02:15:03] better
[02:15:03] you know
[02:15:07] the Green Goblin
[02:15:08] in that movie
[02:15:09] you know
[02:15:10] you're kind of like
[02:15:10] okay he's this military
[02:15:11] guy who's also
[02:15:13] obsessed with his work
[02:15:14] but he takes a serum
[02:15:15] that like makes him
[02:15:16] crazy
[02:15:17] and he like wears this
[02:15:19] like Power Rangers suit
[02:15:21] so it's a little
[02:15:22] fantastical like
[02:15:23] but with Doc Ock
[02:15:24] it's like very much
[02:15:25] like okay
[02:15:27] he's
[02:15:28] he's not taking a serum
[02:15:29] to make him crazy
[02:15:30] he's just like
[02:15:31] you know he's got
[02:15:32] these forearms
[02:15:33] to do
[02:15:33] like do the work
[02:15:35] and like it
[02:15:35] he doesn't seem
[02:15:37] like a bad guy
[02:15:38] whereas like
[02:15:39] Norman Osborn
[02:15:40] feels like he
[02:15:42] he's already
[02:15:43] inherently bad
[02:15:44] yeah
[02:15:45] and yeah you're right
[02:15:46] because Otto Octavius
[02:15:47] is not
[02:15:47] he loves his wife
[02:15:49] and he loves his work
[02:15:49] and when he loses
[02:15:50] his wife
[02:15:51] yeah
[02:15:51] he becomes obsessed
[02:15:52] with the work
[02:15:52] yeah
[02:15:53] Norman Osborn
[02:15:54] is just like
[02:15:54] I gotta get this contract
[02:15:55] we gotta make money
[02:15:56] just not a good person
[02:15:58] and I'm gonna like
[02:15:58] I'm gonna break the law
[02:15:59] to do it
[02:16:00] um
[02:16:01] yep
[02:16:02] before he gets crazy
[02:16:04] yeah
[02:16:04] that's some trick
[02:16:05] you got there
[02:16:06] that spider sense
[02:16:07] um
[02:16:08] and yeah
[02:16:08] like
[02:16:09] again
[02:16:09] like
[02:16:11] exploring deeper
[02:16:12] into like
[02:16:13] how tough it is
[02:16:14] to be
[02:16:15] spider-man
[02:16:15] you know the first one
[02:16:16] is about like
[02:16:17] discovering the powers
[02:16:18] and using them
[02:16:18] now it's like
[02:16:19] the responsibility
[02:16:20] of the powers
[02:16:20] um
[02:16:21] and then uh
[02:16:23] can I coin the term
[02:16:24] arachnid dysfunction
[02:16:25] oh
[02:16:27] like it
[02:16:28] are you suffering
[02:16:29] for arachnid dysfunction
[02:16:30] yep
[02:16:32] um
[02:16:32] yeah
[02:16:33] and that whole sequence
[02:16:33] uh
[02:16:34] on the subway
[02:16:35] it was like
[02:16:35] I remember going back
[02:16:36] to the theater
[02:16:36] just to like
[02:16:37] really watch that
[02:16:37] and everything
[02:16:38] it was like
[02:16:38] really intense
[02:16:39] it's pale in comparison
[02:16:40] now
[02:16:40] to a lot of
[02:16:41] like Marvel movies
[02:16:42] that come out
[02:16:43] but
[02:16:43] but it still works
[02:16:43] so well
[02:16:44] yeah
[02:16:44] cause I
[02:16:45] you know
[02:16:45] I watched it recently
[02:16:47] and that fight
[02:16:48] starts with him
[02:16:48] swinging up
[02:16:49] and Doc Ock
[02:16:50] breaking off
[02:16:51] uh
[02:16:51] hands of
[02:16:52] off a clock
[02:16:53] and throwing them
[02:16:53] at spider-man
[02:16:54] and it's so
[02:16:56] freaking good
[02:16:56] and I
[02:16:57] I still don't
[02:16:58] understand why
[02:16:58] Zach hates
[02:16:59] spider-man so much
[02:17:00] he hardly ever shows up
[02:17:01] on his list
[02:17:02] when it's one of the
[02:17:02] best movies of the year
[02:17:03] I mean
[02:17:03] he's not a Batman
[02:17:05] so we already have
[02:17:06] a problem
[02:17:07] does Batman show up
[02:17:07] on your list a lot
[02:17:08] either
[02:17:09] it has
[02:17:09] more often than not
[02:17:10] more often than
[02:17:11] spider-man has
[02:17:11] that's for sure
[02:17:12] cause he had
[02:17:12] Affleck on there
[02:17:13] yeah
[02:17:13] yeah
[02:17:14] fucking you love
[02:17:15] Affleck
[02:17:16] but yeah
[02:17:16] spider-man 2
[02:17:17] is hands down
[02:17:17] the best movie
[02:17:18] of 2004
[02:17:18] hey Ryan
[02:17:19] don't you dare
[02:17:19] Affleck was the bomb
[02:17:20] in Phantom CO
[02:17:23] um
[02:17:23] but yeah
[02:17:24] it's just
[02:17:24] yeah
[02:17:24] everything about
[02:17:25] spider-man 1
[02:17:26] but like
[02:17:27] take into the next level
[02:17:28] and better
[02:17:30] yep
[02:17:32] I always bring
[02:17:33] spider-man 1
[02:17:33] a little ahead
[02:17:34] just because of
[02:17:34] the personal
[02:17:35] experience with it
[02:17:36] but if I'm looking
[02:17:36] at it objectively
[02:17:37] in a true
[02:17:39] cinematic experience
[02:17:40] spider-man 2
[02:17:41] is
[02:17:42] before spider-man
[02:17:43] no way home
[02:17:43] was the best
[02:17:44] spider-man movie
[02:17:45] yeah
[02:17:46] like they
[02:17:46] you know
[02:17:47] we did a trial run
[02:17:48] with the first one
[02:17:49] we got the kinks
[02:17:50] worked out
[02:17:50] now we like
[02:17:50] know how to make
[02:17:51] like
[02:17:51] just like
[02:17:52] full speed ahead
[02:17:53] give me one more
[02:17:54] scene with
[02:17:54] Willem Dafoe
[02:17:55] and I'll put it
[02:17:55] on my list
[02:17:56] I mean he is
[02:17:57] in this movie
[02:17:57] yeah
[02:17:58] I remember
[02:17:59] seeing that
[02:17:59] in the theater
[02:17:59] and I was so
[02:18:00] excited
[02:18:00] because I think
[02:18:02] Harry Osborn
[02:18:03] is like the
[02:18:03] coolest villain
[02:18:04] in spider-man
[02:18:05] Harry Osborn
[02:18:06] yeah
[02:18:06] because I think
[02:18:07] Harry's more
[02:18:08] dynamic
[02:18:08] because he
[02:18:10] doesn't really
[02:18:11] want to be
[02:18:11] a bad guy
[02:18:12] but he feels
[02:18:13] like it's his
[02:18:13] legacy to be
[02:18:14] one and
[02:18:15] avenge his
[02:18:16] father
[02:18:17] and they touch
[02:18:18] on it in
[02:18:19] the movies
[02:18:19] not as
[02:18:20] psychologically
[02:18:21] deep as they
[02:18:21] do in the
[02:18:22] comics
[02:18:22] but
[02:18:23] that's where
[02:18:23] I would
[02:18:24] ding these
[02:18:24] movies
[02:18:24] is I think
[02:18:25] his storyline
[02:18:26] is cheesy
[02:18:27] like the
[02:18:28] way
[02:18:29] he
[02:18:29] it feels
[02:18:31] like it
[02:18:31] should be
[02:18:32] more serious
[02:18:33] than it is
[02:18:34] because it's
[02:18:35] so dumb
[02:18:35] that he
[02:18:36] like
[02:18:37] without any
[02:18:38] evidence
[02:18:38] and just
[02:18:39] like seeing
[02:18:39] his like
[02:18:39] spider-man drop
[02:18:40] off his dad
[02:18:41] that he's just
[02:18:41] like full speed
[02:18:42] ahead on
[02:18:42] like spider-man
[02:18:43] killed my dad
[02:18:44] like
[02:18:45] yeah
[02:18:46] and the
[02:18:46] butler
[02:18:47] never tells
[02:18:47] him the
[02:18:48] stuff
[02:18:48] he tells
[02:18:48] him
[02:18:48] in
[02:18:49] three
[02:18:50] because
[02:18:50] I mean
[02:18:50] I still
[02:18:51] like
[02:18:51] spider-man
[02:18:52] three
[02:18:52] it'll never
[02:18:53] be one of
[02:18:53] my favorites
[02:18:54] but I think
[02:18:55] that's where
[02:18:55] they made
[02:18:55] the misstep
[02:18:56] because they
[02:18:57] set it up
[02:18:57] so well
[02:18:58] in the
[02:18:58] second
[02:18:58] one
[02:18:59] of Harry
[02:19:00] being this
[02:19:01] diabolical
[02:19:02] villain
[02:19:03] and I
[02:19:03] thought it
[02:19:03] would have
[02:19:04] been a
[02:19:04] great
[02:19:06] cap
[02:19:06] of him
[02:19:07] being
[02:19:07] conflicted
[02:19:08] instead
[02:19:09] of him
[02:19:09] just getting
[02:19:09] amnesia
[02:19:10] in the
[02:19:10] last one
[02:19:10] I
[02:19:10] wanted
[02:19:11] him
[02:19:11] to be
[02:19:11] conflicted
[02:19:12] about
[02:19:12] being a
[02:19:12] bad guy
[02:19:12] and recruiting
[02:19:13] the sandman
[02:19:14] and then
[02:19:15] he realizes
[02:19:16] that the
[02:19:16] sandman
[02:19:17] and killing
[02:19:18] Peter
[02:19:18] or Mary Jane
[02:19:19] or whatever
[02:19:20] the sandman
[02:19:20] does
[02:19:21] makes him
[02:19:21] flip
[02:19:22] which he
[02:19:22] does
[02:19:22] in the
[02:19:23] comics
[02:19:23] and
[02:19:24] they never
[02:19:25] touched
[02:19:25] on it
[02:19:26] though
[02:19:26] and I
[02:19:26] agree
[02:19:27] because
[02:19:27] you know
[02:19:28] the setup
[02:19:28] is awesome
[02:19:28] where he
[02:19:29] realizes
[02:19:30] Peter
[02:19:30] is
[02:19:30] spider-man
[02:19:31] and the
[02:19:31] man
[02:19:31] he's been
[02:19:32] hating
[02:19:32] so long
[02:19:32] is his
[02:19:33] best
[02:19:33] friend
[02:19:34] and the
[02:19:35] discovery
[02:19:35] of the
[02:19:36] green
[02:19:36] goblin
[02:19:36] stuff
[02:19:36] for him
[02:19:37] to show
[02:19:37] up
[02:19:37] as
[02:19:37] you
[02:19:43] as
[02:19:43] too
[02:19:43] many
[02:19:44] cooks
[02:19:44] in
[02:19:44] the
[02:19:44] kitchen
[02:19:44] for
[02:19:45] spider-man
[02:19:45] oh
[02:19:45] yeah
[02:19:46] it's
[02:19:46] there's
[02:19:46] a
[02:19:47] great
[02:19:48] spider-man
[02:19:49] book
[02:19:49] called
[02:19:50] with
[02:19:50] great
[02:19:51] power
[02:19:51] and they
[02:19:51] talk
[02:19:51] about
[02:19:52] how
[02:19:52] Sam
[02:19:52] Ramey
[02:19:53] and there's
[02:19:54] a podcast
[02:19:55] with him
[02:19:55] I think
[02:19:56] it was on
[02:19:56] the
[02:19:56] Nerdist
[02:19:56] years ago
[02:19:58] where he
[02:19:58] talks about
[02:19:59] that he
[02:20:00] still thinks
[02:20:01] spider-man
[02:20:02] 3 is a
[02:20:03] fun movie
[02:20:03] but
[02:20:04] it
[02:20:05] he
[02:20:06] wasn't
[02:20:06] invested
[02:20:06] into
[02:20:07] venom
[02:20:07] like he
[02:20:08] was
[02:20:08] the
[02:20:09] sandman
[02:20:09] and
[02:20:10] the
[02:20:10] green
[02:20:10] goblin
[02:20:11] so
[02:20:12] yeah
[02:20:13] but
[02:20:14] this movie
[02:20:14] is fantastic
[02:20:15] and
[02:20:16] it deserves
[02:20:17] to be
[02:20:18] number one
[02:20:18] Zach
[02:20:18] your number
[02:20:19] one better
[02:20:20] blow me
[02:20:20] away
[02:20:21] well
[02:20:22] given what
[02:20:22] your
[02:20:23] number
[02:20:23] one is
[02:20:24] my
[02:20:25] number
[02:20:25] one's
[02:20:26] gonna feel
[02:20:27] like a
[02:20:27] pretty
[02:20:27] harsh
[02:20:28] slap in
[02:20:29] the face
[02:20:29] but
[02:20:31] it's
[02:20:31] what it
[02:20:32] is
[02:20:32] I care
[02:20:44] very much
[02:20:44] about
[02:20:45] aviation
[02:20:48] fastest
[02:20:48] man on
[02:20:49] the
[02:20:49] planet
[02:20:51] he saw
[02:20:52] the future
[02:20:52] I can
[02:20:53] believe this
[02:20:54] Howard Hughes
[02:20:54] has bought
[02:20:55] TWA
[02:20:56] let's build
[02:20:57] a plane
[02:20:57] that flies
[02:20:58] above the
[02:20:58] weather
[02:20:58] across the
[02:20:59] country
[02:20:59] across the
[02:21:00] world
[02:21:00] if you do
[02:21:01] that you
[02:21:01] could lose
[02:21:01] everything
[02:21:02] well I won't
[02:21:02] he lived
[02:21:04] the dream
[02:21:05] welcome to
[02:21:05] Hollywood
[02:21:06] feel like a
[02:21:07] little adventure
[02:21:07] Miss Hepburn
[02:21:08] do y'all
[02:21:08] worse
[02:21:09] Mr. Hughes
[02:21:10] I have heard
[02:21:11] some disquieting
[02:21:12] rumors about
[02:21:12] Mr. Hughes
[02:21:13] I'd like to
[02:21:14] know everything
[02:21:14] there is to
[02:21:15] know
[02:21:15] see I want
[02:21:15] to learn
[02:21:16] what
[02:21:16] places
[02:21:16] here
[02:21:17] how
[02:21:17] have
[02:21:17] you mad
[02:21:18] man
[02:21:18] he thought
[02:21:19] nothing
[02:21:19] could
[02:21:20] stop him
[02:21:20] you have
[02:21:21] to be
[02:21:21] very careful
[02:21:25] my investigators
[02:21:26] have turned up
[02:21:26] a lot of
[02:21:27] dirt
[02:21:27] you want
[02:21:27] to go
[02:21:27] to war
[02:21:28] with me
[02:21:30] you know
[02:21:31] sometimes
[02:21:31] I get
[02:21:32] these crazy
[02:21:32] ideas about
[02:21:33] things that
[02:21:34] may not
[02:21:34] really be
[02:21:34] there
[02:21:36] I'll have
[02:21:37] him dragged
[02:21:37] here to
[02:21:38] Washington
[02:21:38] I want to
[02:21:38] see the
[02:21:39] whites of
[02:21:39] his life
[02:21:40] we are
[02:21:41] in a
[02:21:41] street
[02:21:41] fight
[02:21:42] and I'm
[02:21:42] not
[02:21:42] going to
[02:21:42] lose
[02:21:43] he owns
[02:21:43] pan-am
[02:21:44] he owns
[02:21:44] commerce
[02:21:45] but he
[02:21:45] does not
[02:21:46] own
[02:21:46] the sky
[02:21:48] beyond the
[02:21:48] wealth
[02:21:49] you want me
[02:21:49] to bribe
[02:21:50] senators
[02:21:50] I don't
[02:21:51] want them
[02:21:51] bribe jack
[02:21:51] I want
[02:21:52] them
[02:21:52] boss
[02:21:53] something
[02:21:53] drove him
[02:21:54] you have
[02:21:54] called me
[02:21:55] a liar
[02:21:55] and a
[02:21:56] thief
[02:21:56] and a
[02:21:56] war
[02:21:56] property
[02:21:57] beyond
[02:21:58] the
[02:21:58] legend
[02:21:59] federal
[02:21:59] warrant
[02:21:59] everything
[02:22:00] in these
[02:22:00] offices
[02:22:00] is the
[02:22:01] private
[02:22:01] property
[02:22:02] of
[02:22:02] Hughes
[02:22:02] production
[02:22:03] something
[02:22:03] consumed
[02:22:04] him
[02:22:05] we are
[02:22:05] touching
[02:22:05] things
[02:22:07] beyond
[02:22:07] the
[02:22:08] genius
[02:22:08] the deadline
[02:22:09] is now
[02:22:09] completely
[02:22:10] unrealistic
[02:22:10] I want
[02:22:11] to see
[02:22:11] the blueprints
[02:22:11] again
[02:22:12] show me all
[02:22:12] the blueprints
[02:22:13] show me all
[02:22:13] the blueprints
[02:22:13] show me all
[02:22:14] the blueprints
[02:22:14] is the truth
[02:22:15] behind the man
[02:22:17] I'll get a doctor
[02:22:18] no one sees him
[02:22:18] like this
[02:22:20] sometimes I truly
[02:22:21] fear that I'm
[02:22:22] losing my mind
[02:22:24] there's nothing
[02:22:25] there Howard
[02:22:26] you marry me
[02:22:29] you're too crazy
[02:22:31] for me
[02:22:55] she'll go
[02:22:56] faster
[02:22:57] the aviator
[02:23:03] yeah my number
[02:23:04] one is
[02:23:05] Martin Scorsese's
[02:23:06] film the aviator
[02:23:07] wow here's my
[02:23:08] shocked face
[02:23:10] can I tell you
[02:23:11] a heartfelt
[02:23:12] story about this
[02:23:13] better than
[02:23:14] spider-man
[02:23:15] and shine the
[02:23:15] dead
[02:23:16] let that sink
[02:23:17] in
[02:23:17] he did put
[02:23:18] spider-man on
[02:23:19] his list
[02:23:19] he thought
[02:23:19] Van Helsing
[02:23:20] is better
[02:23:20] than spider-man
[02:23:20] anyways
[02:23:21] the aviator
[02:23:22] I'm sorry
[02:23:23] that four-eyed
[02:23:24] genius told me
[02:23:25] that marvel
[02:23:26] is the devil
[02:23:26] or something
[02:23:27] I don't fucking
[02:23:27] know
[02:23:29] no I have
[02:23:30] more movie
[02:23:31] going memories
[02:23:32] with my dad
[02:23:32] and not as many
[02:23:33] with my mom
[02:23:34] this is one of
[02:23:35] the best movie
[02:23:37] memories with my
[02:23:37] mom because my
[02:23:38] mom just didn't
[02:23:39] go to the theaters
[02:23:39] as often as my
[02:23:40] dad took me
[02:23:41] all I remember
[02:23:42] from this movie
[02:23:42] is falling asleep
[02:23:43] in it
[02:23:43] oh I don't know
[02:23:45] how my eyes
[02:23:46] were wide fucking
[02:23:46] open she took
[02:23:47] me on a school
[02:23:48] night weren't
[02:23:49] supposed to
[02:23:50] only reason we
[02:23:51] went to it was
[02:23:52] because I knew
[02:23:52] it was nominated
[02:23:53] for best picture
[02:23:53] and I was trying
[02:23:54] to like see
[02:23:55] all the best
[02:23:56] picture stuff
[02:23:56] I never got
[02:23:57] to Million Dollar
[02:23:58] Baby which would
[02:23:59] explain what's
[02:23:59] to follow but
[02:24:00] I got into
[02:24:01] this film
[02:24:02] and I was
[02:24:04] transfixed
[02:24:04] the color
[02:24:06] correction
[02:24:07] moving through
[02:24:08] the decades
[02:24:08] the performances
[02:24:09] the story
[02:24:11] of Hughes
[02:24:12] it was one
[02:24:13] of those first
[02:24:14] films that
[02:24:14] challenged me
[02:24:15] as a film
[02:24:16] goer
[02:24:17] it's not
[02:24:18] an easy
[02:24:19] film to watch
[02:24:20] it's long
[02:24:20] it deals
[02:24:23] with mental
[02:24:23] illness
[02:24:24] and my
[02:24:25] brain wasn't
[02:24:25] necessarily
[02:24:26] predisposed
[02:24:27] to accept
[02:24:27] dramas
[02:24:27] it's so weird
[02:24:28] that Scorsese
[02:24:29] makes long
[02:24:29] films
[02:24:30] I know
[02:24:30] it is very
[02:24:31] weird right
[02:24:31] you know
[02:24:32] fun fact
[02:24:32] he makes
[02:24:32] really good
[02:24:33] long movies
[02:24:33] that are on
[02:24:34] Netflix
[02:24:35] but so
[02:24:36] it was one
[02:24:37] of those
[02:24:37] films
[02:24:38] in this year
[02:24:39] kind of like
[02:24:39] Kill Bill
[02:24:40] volume 2
[02:24:40] where
[02:24:41] its choices
[02:24:42] and its
[02:24:43] approach
[02:24:43] capture my
[02:24:44] attention
[02:24:45] in a way
[02:24:45] that normally
[02:24:46] action
[02:24:47] or comedy
[02:24:48] would attract
[02:24:49] somebody
[02:24:49] around my
[02:24:50] age
[02:24:50] being a teenager
[02:24:51] like I
[02:24:52] started
[02:24:52] drawing
[02:24:53] feeling
[02:24:54] myself
[02:24:54] drawn more
[02:24:55] to these
[02:24:55] intense
[02:24:56] dramas
[02:24:56] the scenes
[02:24:58] where
[02:24:59] Howard
[02:24:59] is losing
[02:25:00] his mind
[02:25:01] in the
[02:25:01] screening
[02:25:01] room
[02:25:02] and peeing
[02:25:02] in jars
[02:25:03] and what
[02:25:03] not
[02:25:03] I didn't
[02:25:04] know about
[02:25:05] all the
[02:25:05] stereotypes
[02:25:05] surrounding
[02:25:06] Hugh
[02:25:06] so this
[02:25:07] was all
[02:25:07] like fucking
[02:25:07] shocking
[02:25:08] like what
[02:25:08] are you
[02:25:08] talking about
[02:25:09] he was so
[02:25:09] successful
[02:25:09] at the
[02:25:10] beginning
[02:25:10] of the
[02:25:10] movie
[02:25:10] what the
[02:25:10] fuck's
[02:25:11] happening
[02:25:12] and the
[02:25:13] final moments
[02:25:14] of the
[02:25:14] film
[02:25:14] were one of
[02:25:15] those early
[02:25:16] challenge my
[02:25:17] mind
[02:25:17] of like
[02:25:18] is this a
[02:25:19] happy ending
[02:25:20] is this not
[02:25:20] and it
[02:25:22] kind of
[02:25:23] kicked me
[02:25:23] off from
[02:25:23] there
[02:25:24] it's not
[02:25:24] my favorite
[02:25:25] Scorsese
[02:25:26] movie
[02:25:26] Scorsese
[02:25:27] your famous
[02:25:27] favorite
[02:25:28] filmmaker
[02:25:28] he's one
[02:25:29] of them
[02:25:29] you always
[02:25:31] pick his
[02:25:31] stuff
[02:25:31] I'm just
[02:25:32] curious
[02:25:32] I know
[02:25:32] I really
[02:25:33] like him
[02:25:33] he's really
[02:25:34] good
[02:25:34] Scorsese
[02:25:34] Guillermo
[02:25:35] del Toro
[02:25:36] the Coen
[02:25:36] brothers
[02:25:37] and
[02:25:39] Tarantino
[02:25:41] yeah
[02:25:41] I'm a
[02:25:43] walking
[02:25:43] stereotype
[02:25:45] I'm just
[02:25:46] curious
[02:25:46] I don't
[02:25:47] think
[02:25:47] you've
[02:25:47] ever
[02:25:47] said
[02:25:48] who
[02:25:48] is
[02:25:48] your
[02:25:48] actual
[02:25:48] favorite
[02:25:49] filmmaker
[02:25:49] I don't
[02:25:50] really
[02:25:50] have
[02:25:51] specific
[02:25:51] favorites
[02:25:52] except for
[02:25:53] Jack Benny
[02:25:53] he's the
[02:25:54] eternal
[02:25:54] favorite
[02:25:56] but yeah
[02:25:57] no
[02:25:58] I
[02:25:59] so I
[02:26:00] walked out
[02:26:00] of this
[02:26:00] very
[02:26:01] transformed
[02:26:01] in a way
[02:26:02] that
[02:26:03] I
[02:26:04] in a
[02:26:05] weird
[02:26:05] way
[02:26:05] when I
[02:26:05] learned
[02:26:06] years
[02:26:06] later
[02:26:06] that
[02:26:07] Scorsese
[02:26:07] is only
[02:26:08] really
[02:26:08] known
[02:26:08] for
[02:26:08] gangster
[02:26:08] movies
[02:26:09] I'm
[02:26:09] like
[02:26:09] why
[02:26:09] he makes
[02:26:10] all
[02:26:10] kinds
[02:26:10] of
[02:26:14] movies
[02:26:15] he
[02:26:15] makes
[02:26:15] movies
[02:26:16] like
[02:26:16] the
[02:26:16] aviator
[02:26:16] so
[02:26:17] my
[02:26:17] introduction
[02:26:18] to
[02:26:18] Scorsese
[02:26:18] had
[02:26:18] nothing
[02:26:19] to do
[02:26:19] with
[02:26:20] you know
[02:26:21] go fuck
[02:26:21] yourself
[02:26:21] fuck
[02:26:21] you pay
[02:26:22] me
[02:26:22] like
[02:26:22] it
[02:26:22] had
[02:26:23] to do
[02:26:23] with
[02:26:23] movies
[02:26:23] like
[02:26:23] this
[02:26:24] and
[02:26:25] it's
[02:26:25] one
[02:26:25] of
[02:26:25] the
[02:26:25] reasons
[02:26:26] why
[02:26:26] I'll
[02:26:26] still
[02:26:26] give
[02:26:26] him
[02:26:26] a
[02:26:26] chance
[02:26:27] and
[02:26:27] my
[02:26:27] mom
[02:26:27] loved
[02:26:28] it
[02:26:28] too
[02:26:28] and
[02:26:29] we
[02:26:29] really
[02:26:30] enjoyed
[02:26:30] ourselves
[02:26:30] with
[02:26:31] it
[02:26:31] like
[02:26:31] it's
[02:26:31] it's
[02:26:32] weird
[02:26:32] that
[02:26:32] that
[02:26:33] movie
[02:26:33] would
[02:26:33] work
[02:26:33] and
[02:26:34] like
[02:26:35] cut
[02:26:35] all
[02:26:35] those
[02:26:35] years
[02:26:35] later
[02:26:36] I
[02:26:36] take
[02:26:36] my
[02:26:36] mom
[02:26:36] and
[02:26:37] my
[02:26:37] dad
[02:26:37] to
[02:26:37] go
[02:26:37] see
[02:26:37] killers
[02:26:38] of
[02:26:38] the
[02:26:38] flower
[02:26:38] moon
[02:26:39] my
[02:26:39] dad
[02:26:39] falls
[02:26:40] asleep
[02:26:40] my mom's
[02:26:41] wide awake
[02:26:41] and keen
[02:26:42] eyeed
[02:26:42] interest
[02:26:42] like
[02:26:43] she's
[02:26:43] following
[02:26:43] everything
[02:26:44] fucking
[02:26:44] snap
[02:26:45] like
[02:26:45] she's
[02:26:45] she's
[02:26:46] on point
[02:26:46] with it
[02:26:46] and I'm
[02:26:46] like
[02:26:47] this is
[02:26:47] why
[02:26:47] I love
[02:26:48] these
[02:26:48] kind
[02:26:48] of
[02:26:48] movies
[02:26:49] like
[02:26:49] they're
[02:26:49] good
[02:26:49] movies
[02:26:49] to watch
[02:26:50] with my
[02:26:50] mom
[02:26:51] you know
[02:26:51] so
[02:26:52] yeah
[02:26:52] and
[02:26:54] the one
[02:26:55] thing I will
[02:26:55] note is that
[02:26:55] it is kind of
[02:26:56] rough to watch
[02:26:57] some parts
[02:26:58] because I'm
[02:26:58] just like
[02:26:58] there's more
[02:26:59] of this Howard
[02:26:59] Hughes story
[02:27:00] you should
[02:27:00] be exploring
[02:27:01] because he's
[02:27:02] not a great
[02:27:02] guy
[02:27:03] but
[02:27:04] and also
[02:27:05] that
[02:27:05] the idea
[02:27:06] of moving
[02:27:07] from
[02:27:07] two strip
[02:27:08] to three strip
[02:27:09] technicolor
[02:27:10] down to more
[02:27:10] brighter
[02:27:12] color vistas
[02:27:13] in the movie
[02:27:14] is such a
[02:27:14] great
[02:27:14] intelligent
[02:27:15] choice
[02:27:16] it's fantastic
[02:27:17] so yeah
[02:27:18] The Aviator
[02:27:19] y'all should
[02:27:20] check it out
[02:27:20] really good
[02:27:21] it's definitely
[02:27:22] on my watch
[02:27:22] list because
[02:27:23] you know
[02:27:23] I have
[02:27:23] Cate Blanchett
[02:27:24] films that I
[02:27:25] still need to
[02:27:25] watch
[02:27:25] that's another
[02:27:26] thing
[02:27:26] she's really
[02:27:27] she plays
[02:27:28] Catherine Hepburn
[02:27:29] so intelligently
[02:27:30] because she
[02:27:31] sounds like
[02:27:31] Hepburn but
[02:27:32] she's not
[02:27:32] making fun
[02:27:32] of Hepburn
[02:27:33] like she
[02:27:34] is really
[02:27:35] towing that
[02:27:35] line beautifully
[02:27:36] there's a
[02:27:36] that's the
[02:27:37] reason she
[02:27:37] wins that
[02:27:38] Oscar
[02:27:38] she doesn't
[02:27:38] make it
[02:27:39] make it
[02:27:39] a walking
[02:27:40] joke
[02:27:40] kind of like
[02:27:41] Martin Landau
[02:27:41] winning for
[02:27:42] playing
[02:27:42] Bela Lugosi
[02:27:45] nice
[02:27:45] so we did
[02:27:46] get some
[02:27:46] emails
[02:27:48] Brad
[02:27:49] one of our
[02:27:50] nerds is
[02:27:51] missing and
[02:27:52] Corinne sent
[02:27:52] you one
[02:27:54] I don't know
[02:27:54] why she has
[02:27:55] some marble
[02:27:55] mouth here to
[02:27:56] read her
[02:27:56] with the list
[02:27:57] but here we
[02:27:57] go
[02:27:58] I did she
[02:27:59] says I'm
[02:27:59] too stupid
[02:28:00] to read it
[02:28:00] so
[02:28:00] oh wow
[02:28:02] uh
[02:28:04] rude
[02:28:04] I know
[02:28:05] that's what
[02:28:05] I said
[02:28:05] hey nerds
[02:28:07] oh we tried
[02:28:08] to lick her
[02:28:08] hey nerds
[02:28:09] sorry I wasn't
[02:28:10] able to join
[02:28:11] you for the
[02:28:11] recording today
[02:28:12] but I'm on
[02:28:13] vacation for
[02:28:14] the next few
[02:28:14] weeks
[02:28:14] hope to see
[02:28:15] you next month
[02:28:16] for film
[02:28:16] explosion
[02:28:17] 2014
[02:28:18] but for
[02:28:18] now I
[02:28:19] want to
[02:28:19] send in
[02:28:19] my top 10
[02:28:20] movies of
[02:28:21] 2004
[02:28:22] this was a
[02:28:23] big year
[02:28:23] for me
[02:28:23] I was in
[02:28:24] junior high
[02:28:25] school and
[02:28:25] many of these
[02:28:26] movies definitely
[02:28:26] left an impression
[02:28:27] on my teenage
[02:28:28] brain
[02:28:29] so while I
[02:28:30] had a list of
[02:28:31] about 15 to
[02:28:32] 20 movies on
[02:28:33] my list that I
[02:28:33] consider my
[02:28:34] favorites I
[02:28:35] ordered my top
[02:28:35] 10 by the ones
[02:28:36] that had the
[02:28:37] greatest impact
[02:28:37] on me from
[02:28:38] 2004 to the
[02:28:39] present day
[02:28:41] much like we
[02:28:41] all do
[02:28:43] number 10
[02:28:44] Van Helsing
[02:28:45] right in line
[02:28:45] with Zach here
[02:28:47] one of my guilty
[02:28:48] pleasures it's not
[02:28:49] a good movie by
[02:28:50] any means but
[02:28:51] it is entertaining
[02:28:52] I feel like it was
[02:28:53] on cable a lot
[02:28:54] when I was younger
[02:28:55] and when I
[02:28:56] still watch
[02:28:57] cable
[02:28:58] I remember it
[02:28:59] had this kick-ass
[02:29:00] monster hunting
[02:29:00] theme music for
[02:29:01] Van Helsing
[02:29:02] and the fight
[02:29:03] scenes were pretty
[02:29:03] well done
[02:29:04] I also love the
[02:29:05] imagery of Kate
[02:29:06] Beckinsale's
[02:29:07] character at the
[02:29:07] vampire ball
[02:29:08] and the reveal via
[02:29:09] the mirror that
[02:29:10] she's the only
[02:29:11] human there
[02:29:12] I haven't seen
[02:29:13] it in ages but
[02:29:14] it left a better
[02:29:15] impression than it
[02:29:15] probably deserves
[02:29:18] number nine
[02:29:19] bride and
[02:29:20] prejudice
[02:29:20] yeah you shouldn't
[02:29:22] be surprised if
[02:29:23] Jane Austen
[02:29:23] adaptation made
[02:29:24] my list especially
[02:29:25] because it's a
[02:29:25] musical it's
[02:29:27] definitely not a
[02:29:27] my favorite
[02:29:28] pride and
[02:29:28] prejudice adaptation
[02:29:29] but it is very
[02:29:31] distinct and because
[02:29:32] it is a modern
[02:29:32] adaptation with a
[02:29:34] Bollywood flair
[02:29:34] this version's
[02:29:36] equivalent of the
[02:29:37] Bennett family
[02:29:37] lives in India
[02:29:38] which I think
[02:29:39] adds to Austin's
[02:29:40] message about
[02:29:41] social classes and
[02:29:42] the expectation for
[02:29:43] women to marry
[02:29:44] well it also
[02:29:45] stays surprisingly
[02:29:46] true to the
[02:29:46] original story while
[02:29:47] updating the
[02:29:48] characters and
[02:29:49] plot to fit the
[02:29:50] modern day and the
[02:29:51] new setting if
[02:29:52] you've never seen
[02:29:53] it I highly
[02:29:54] recommend it I
[02:29:55] think I'm gonna
[02:29:55] have to revisit it
[02:29:56] soon myself
[02:29:58] number eight
[02:29:58] King Arthur
[02:30:00] I don't think I've
[02:30:01] ever talked about
[02:30:02] it before but as a
[02:30:03] kid I had a King
[02:30:04] Arthur slash
[02:30:05] Excalibur phase
[02:30:06] where I watched as
[02:30:06] many versions of
[02:30:07] the story as I
[02:30:08] could get my
[02:30:09] hands on this was
[02:30:11] one of them and I
[02:30:12] still own this movie
[02:30:13] today although I
[02:30:14] haven't watched it
[02:30:14] in ages I
[02:30:15] couldn't tell you
[02:30:16] why but this
[02:30:17] movie's trailer is
[02:30:17] burned into my
[02:30:18] brain I must have
[02:30:19] rewatched a lot but
[02:30:21] I can't for the life
[02:30:21] of me think of
[02:30:22] what DVD it was
[02:30:23] on or whether I
[02:30:24] just watched it a
[02:30:25] lot on YouTube
[02:30:26] honestly I think the
[02:30:27] trailer makes the
[02:30:28] movie look a lot
[02:30:29] better than it
[02:30:29] really is but I
[02:30:30] still appreciate the
[02:30:31] movie as I
[02:30:32] appreciate the movie
[02:30:33] a lot it's set in a
[02:30:34] unique time period for
[02:30:35] an Arthurian
[02:30:37] Arthurian
[02:30:37] adaptation as
[02:30:38] Arthur in this
[02:30:39] version is like a
[02:30:40] Roman centurion or
[02:30:41] something posted in
[02:30:42] England around the
[02:30:44] time of the Roman
[02:30:44] Empire fell his
[02:30:46] knights are his
[02:30:47] fellow soldiers and
[02:30:48] they end up battling
[02:30:49] like early Vikings
[02:30:50] led by Stellan
[02:30:52] Skarsgård and
[02:30:53] they end up battling
[02:30:54] like early Vikings
[02:30:55] led by Stellan
[02:30:56] Skarsgård of
[02:30:58] course it's also a
[02:30:58] British movie so I
[02:31:00] pretty much recognize
[02:31:00] everyone in the cast
[02:31:01] by now even if I
[02:31:02] didn't then anyway
[02:31:04] from what I remember
[02:31:05] it's a typical good
[02:31:06] movie even if it's
[02:31:07] not your typical
[02:31:07] King Arthur and
[02:31:08] Knights roundtable
[02:31:09] adaptation but
[02:31:10] honestly that's kind
[02:31:11] of what I like about
[02:31:12] it's a bit unusual
[02:31:14] number seven national
[02:31:16] treasure this was a
[02:31:17] family favorite growing
[02:31:18] up I remember watching
[02:31:19] this with my parents
[02:31:21] and step siblings a
[02:31:22] lot and I'm pretty
[02:31:23] sure we had it on
[02:31:24] DVD I'm more of a
[02:31:25] film explosion protector
[02:31:27] I recognize national
[02:31:28] treasure is very
[02:31:29] ridiculous and doesn't
[02:31:30] hold up under the
[02:31:32] slightest scrutiny
[02:31:32] the treasure
[02:31:33] the national treasure
[02:31:36] I'm going to steal
[02:31:37] it I'm going to
[02:31:37] steal Corinne's list
[02:31:38] for film explosion
[02:31:39] but as a teenager I
[02:31:41] didn't care it was a
[02:31:43] lot of fun and it
[02:31:44] at least based it's
[02:31:46] at least based on
[02:31:47] historical figures events
[02:31:48] and documents that I
[02:31:49] was familiar with like
[02:31:51] a Carmen Sandiego video
[02:31:52] game but a movie it
[02:31:54] it doesn't make my list
[02:31:55] because Sean Bean
[02:31:56] doesn't die at the end
[02:31:57] of it he just gets
[02:31:58] sent to prison more
[02:31:59] entertaining than
[02:32:00] educational but still
[02:32:01] educational too I wish
[02:32:05] we had more movies
[02:32:05] like this nowadays
[02:32:07] simple action adventure
[02:32:08] flicks that weren't too
[02:32:09] full of themselves what
[02:32:10] does that mean that's a
[02:32:12] fair point yeah just
[02:32:13] light floofy fun like
[02:32:14] when movies come out
[02:32:15] like people are like
[02:32:15] they're so smug
[02:32:17] making this movie
[02:32:18] like the jungle cruise
[02:32:19] fits that bill for her
[02:32:21] it was just a fun family
[02:32:23] film that we could all
[02:32:24] sit down and watch
[02:32:24] together and
[02:32:26] considering we were a
[02:32:26] house full of three
[02:32:27] moody teenagers it was
[02:32:29] always difficult to agree
[02:32:30] on something but we
[02:32:31] usually enjoyed this one
[02:32:32] that's a good answer
[02:32:33] number six
[02:32:35] Shrek 2
[02:32:36] oh boy
[02:32:36] honestly while I love my
[02:32:38] 10 through 7 films it
[02:32:40] was easier to put them
[02:32:41] lower on the list but
[02:32:42] damn I really had a
[02:32:43] hard time ordering six
[02:32:44] through one really
[02:32:45] Shrek 2 that beat
[02:32:47] spider-man at the box
[02:32:47] office bullshit
[02:32:50] come on donkey
[02:32:51] they are all such good
[02:32:53] movies and mean a lot
[02:32:54] to me until Puss in
[02:32:55] Boots the last wish
[02:32:56] Shrek 2 was definitely
[02:32:58] my favorite movie in
[02:32:58] the franchise
[02:33:02] yeah great stuff
[02:33:03] I have a distinct
[02:33:05] memory of watching
[02:33:06] this at my aunt and
[02:33:07] uncle's house in Omaha
[02:33:08] one summer I had their
[02:33:10] huge basement all to
[02:33:11] myself and then this
[02:33:12] must have been on cable
[02:33:13] or something because I
[02:33:14] watched the heck out of
[02:33:15] it the entire story is so
[02:33:17] much fun and I love all
[02:33:18] the new characters we meet
[02:33:20] in Far Far Away of
[02:33:21] course the I need a hero
[02:33:23] sequence is fabulous but
[02:33:24] the entire movie has much
[02:33:25] more heart and emotion
[02:33:27] than I think most people
[02:33:28] would expect from a
[02:33:29] Shrek sequel
[02:33:29] you know that's right
[02:33:29] not very many DreamWorks
[02:33:30] animated films have a
[02:33:32] popular song that's
[02:33:34] montaged
[02:33:36] I know the first Shrek has
[02:33:37] its moments too but I
[02:33:38] think Shrek 2 had more
[02:33:39] and they were better
[02:33:40] executed the movie is
[02:33:42] also freaking hilarious
[02:33:42] and has mostly stood the
[02:33:44] test of time the cops
[02:33:45] parody and quote nights
[02:33:48] is almost funnier now
[02:33:49] that I'm an adult and can
[02:33:51] appreciate all the jokes
[02:33:52] it's so weird that the
[02:33:53] kids are gonna remember
[02:33:54] Larry King for Shrek and
[02:33:55] not for his talk show
[02:33:57] and I can appreciate all
[02:33:58] the little jokes like the
[02:33:59] pepper grinder instead of
[02:34:00] pepper spray the only part
[02:34:03] that doesn't hold up is
[02:34:04] the animation I know it
[02:34:05] was impressive at the
[02:34:06] time and some sequences
[02:34:07] are better than others but
[02:34:08] goodness compared to
[02:34:10] Puss in Boots the Last
[02:34:10] Wish Shrek 2 looks like
[02:34:12] ass I'm kind of on the
[02:34:15] fence about Shrek 5
[02:34:16] because I don't think I
[02:34:17] ever saw Shrek 3 or
[02:34:18] Shrek 4 all the way
[02:34:19] through but if they keep
[02:34:20] the Puss in Boots
[02:34:21] animation style I'm in
[02:34:22] she always trips me out
[02:34:24] with stuff like that she
[02:34:24] loves things and she
[02:34:25] won't oh by the way it's
[02:34:27] ass yeah but you know
[02:34:31] what she does she she is
[02:34:33] in line with Tarantino
[02:34:34] Tarantino has not seen
[02:34:35] Toy Story 4 because he
[02:34:36] doesn't think it's
[02:34:36] necessary it's that yeah
[02:34:38] that was a strange
[02:34:39] answer I also like I'm
[02:34:40] in a minority on my end
[02:34:42] but like I mean like I
[02:34:44] need to do I need to give
[02:34:44] Shrek another fucking
[02:34:45] watch because like the
[02:34:46] nostalgia is booming for
[02:34:48] and I'm like what am I
[02:34:49] missing here nothing okay
[02:34:51] you're missing nothing it's
[02:34:53] a donkey
[02:34:55] number five Harry Potter and
[02:34:57] the Prisoner of Azkaban
[02:34:58] was that your number five
[02:34:59] that was my number five
[02:35:00] too look at that we're all
[02:35:01] lining up today you guys
[02:35:03] know I'm a huge very you
[02:35:05] guys know I'm a huge Harry
[02:35:06] Potter fan well I did not
[02:35:08] know that what and now
[02:35:10] only is the Prisoner of
[02:35:11] Azkaban my favorite of the
[02:35:12] seven books it's but it's
[02:35:15] my favorite of the eight
[02:35:16] movies as well I just love
[02:35:18] the story of Harry learning
[02:35:19] about the Marauders how his
[02:35:20] parents really died and
[02:35:21] which of their friends really
[02:35:23] betrayed the Potters to
[02:35:25] Voldemort reading it as a
[02:35:26] kid I think I was just as
[02:35:28] shocked as Harry and company
[02:35:29] when all the revelations and
[02:35:31] the Shrieking Shack it also
[02:35:33] made for a poignant 180 as
[02:35:35] Harry and the audience go
[02:35:36] from hating Sirius Black and
[02:35:38] wanting to see him dead to
[02:35:39] loving him and wanting Harry
[02:35:40] to go live with him in the
[02:35:42] span of like four chapters or
[02:35:44] 15 minutes in movie time I
[02:35:46] also think this story is the
[02:35:47] perfect blend of the
[02:35:48] lightheartedness and wonder of
[02:35:50] the first two installments but
[02:35:52] has enough of the darker
[02:35:52] elements that it feels like
[02:35:53] the story has weight and
[02:35:55] intensity Alfonso Cuaron is a
[02:35:58] wonderful director and I wish
[02:35:59] they'd brought him back to direct
[02:36:00] the Goblet of Fire and or the
[02:36:02] Order of the Phoenix too I
[02:36:04] could talk all about I could
[02:36:06] talk about this one all day and
[02:36:08] this is my only number and this
[02:36:10] is my yeah and this is only my
[02:36:13] number five hmm do you get a
[02:36:16] break for some water Brad maybe
[02:36:18] number four Howl's Moving
[02:36:19] Castle I mean it's on there
[02:36:22] surprise surprise a Miyazaki film at
[02:36:25] number four see this is what I
[02:36:27] mean and House Moving Castle is
[02:36:29] one of my favorite Miyazaki films
[02:36:30] although in my more recent
[02:36:32] rewatches I've started to see
[02:36:34] the cracks in it the first half
[02:36:36] is so completely charming we get
[02:36:38] introduced to this world these
[02:36:39] characters and their plights in
[02:36:40] such a succinct and engaging way
[02:36:42] but the minute that Sophie leaves
[02:36:44] to confront Madame Solomon and
[02:36:47] runs into the witch of the waste
[02:36:48] again yeah that's where the movie
[02:36:50] starts to lose me I haven't seen
[02:36:51] this movie since it came out
[02:36:52] Lauren Bacall that's just my
[02:36:54] hot take but I do like it yeah
[02:36:57] that's where the they cram so
[02:36:59] much in the last 45 minutes or
[02:37:00] so and some of it doesn't really
[02:37:01] make sense how is suddenly cool
[02:37:03] with the witch of the waste joining
[02:37:05] the gang he gives Sophie the meadow
[02:37:07] of flowers and goes off to war
[02:37:09] again they introduce time travel
[02:37:11] they reveal the scarecrow as a
[02:37:13] missing prince I love the movie to
[02:37:15] pieces but it's a lot but damn the
[02:37:18] first half is just so well done plus
[02:37:20] I know the voice actors for studio
[02:37:21] Ghibli's English dubs are always
[02:37:23] fantastic but the house moving
[02:37:25] castle English casts really are
[02:37:27] just perfect I've tried watching
[02:37:30] the sub version and I just can't do
[02:37:31] it I miss the English VAs too much
[02:37:34] I won't say anything else because
[02:37:35] I've talked about it extensively for
[02:37:37] catching the Miyazaki classics a few
[02:37:39] years back so go read more on the
[02:37:41] real nerds website if you're
[02:37:42] interested number three mean girls
[02:37:47] I know everyone loves super bad that
[02:37:49] is so fetch I know everyone trying to
[02:37:52] make fetch happen Ryan I know
[02:37:54] everyone loves super bad and other
[02:37:55] high school coming of age movie
[02:37:57] comedies of the 2000s but I
[02:37:58] generally don't think any of them
[02:38:00] have the same cultural impact as
[02:38:02] mean girls what fuck out of here
[02:38:05] with that nonsense yeah no one made a
[02:38:07] super bad musical but still if you say
[02:38:10] McLovin people know exactly what
[02:38:11] you're talking about yeah but I think
[02:38:13] mean girls probably has more broader
[02:38:15] appeal because it is PG-13 like not as
[02:38:19] inaccessible what I know what you're
[02:38:22] talking about maybe she says maybe
[02:38:24] maybe Napoleon Dynamite but that's
[02:38:26] debatable I feel like people quote
[02:38:31] mean girls all the time true what
[02:38:33] people I don't know these people and
[02:38:36] there's a whole bunch of memes based
[02:38:37] on its iconic lines now Napoleon
[02:38:39] Dynamite maybe it does too and I just
[02:38:42] don't see them anyway even 20 years
[02:38:45] later this movie holds up shockingly
[02:38:47] well with a message that is still
[02:38:48] relevant about I saw the remake earlier
[02:38:51] this year and I do think the original
[02:38:53] is better but honestly other than
[02:38:55] updating the technology and shuffling
[02:38:57] the order of a few of a few scenes the
[02:38:59] biggest change between the 2004 and
[02:39:01] 2024 versions is that it's that this
[02:39:03] year it's a musical and that's it the
[02:39:06] plot is the same the characters are
[02:39:07] mostly the same and all the drama
[02:39:09] pretty much plays out in the exact same
[02:39:11] way I think that just shows how airtight
[02:39:13] the original was and that when they
[02:39:16] had a chance to remake it they
[02:39:17] basically just copy and paste it and
[02:39:19] added in some song numbers I haven't
[02:39:21] seen the stage version but I imagine
[02:39:22] it's essentially the same I'm glad I
[02:39:24] pestered Ryan into watching it a few
[02:39:25] years ago it's so fetch I don't get it
[02:39:32] but you know what that's why movies are
[02:39:34] interpretive art and you can love
[02:39:35] whatever you want I do get it it's a
[02:39:37] fun movie it's okay but it's fun it's
[02:39:39] okay number two the passion of the
[02:39:43] Christ Wow there's a lot I could say
[02:39:46] about this movie but I'll be brief so
[02:39:48] she doesn't like let's before you get
[02:39:50] into that I'm sorry she doesn't like
[02:39:53] saw and she makes fun of us for liking
[02:39:55] ring and saw but man passion the Christ
[02:39:58] right up there that is more fucking
[02:40:00] hardcore than saw anyways continue
[02:40:04] yes Mel Gibson is a jackass no I don't
[02:40:08] think this movie really needs a sequel
[02:40:11] so you don't want to see the second
[02:40:12] coming of Christ Wow cool and no I
[02:40:20] don't think everyone would like or
[02:40:21] appreciate this movie whether from a
[02:40:23] religious standpoint or just a
[02:40:24] filmmaking standpoint it is brutal and
[02:40:27] rough and when I've rewatched it every
[02:40:29] year around Easter really Wow I've
[02:40:32] sometimes opt I sometimes opt to fast
[02:40:35] forward through a few scenes get
[02:40:37] straight to the Jesus beating all that
[02:40:41] being said this is the part where he's
[02:40:44] walking around giving out the message
[02:40:46] so boring all that being said this is a
[02:40:50] powerful and well-made movie if this
[02:40:52] is a story that means a lot to you I
[02:40:54] appreciate that it's the I appreciate
[02:40:57] that it's in the original languages that
[02:40:59] would have been spoken at the time as it
[02:41:01] helps immerse the audience in that place
[02:41:03] and time period I love how it uses
[02:41:05] flashbacks to emphasize the spiritual
[02:41:07] meaning of the certain scenes and Mary's
[02:41:09] flashback when she is sees young Jesus
[02:41:12] fall as adult Jesus also falls man it
[02:41:15] just gets me every time I honestly could
[02:41:18] do a commentary about this maybe I'll
[02:41:20] have to rope Jerry into it this Easter
[02:41:22] but one final thought I'll leave you with
[02:41:25] is how Jesus makes eye contact with
[02:41:26] people throughout the movie even if he
[02:41:29] doesn't talk to them you can tell by the
[02:41:32] way he looks at them they look at him
[02:41:34] and they how they react to him that they
[02:41:36] feel seen and understood maybe they
[02:41:39] recognize who he really is or begin to
[02:41:41] believe if you watch this movie every
[02:41:43] year like I do it's something to keep in
[02:41:45] mind on your next rewatch wait he's
[02:41:48] fucking dead he's not coming back I'm
[02:41:51] waiting for him to come back you know
[02:41:52] the only thing I do feel bad about Corinne is
[02:41:55] she's not here to defend it and you're
[02:41:57] she's in a bunch of heathens and atheists
[02:42:00] are reading her love of Jesus and like
[02:42:03] fuck that yeah your love is stupid yeah
[02:42:07] well I'm glad you like that movie and
[02:42:09] not saw even though that movie is super
[02:42:11] brutal she just gives something like saw a
[02:42:15] chance you know I'm saying yeah or at least
[02:42:18] Friday the 13th part six yeah all those
[02:42:20] Romans did was like nail him to a cross and
[02:42:21] whip him like yeah saw has like cool
[02:42:23] contraptions exactly wait so the only
[02:42:28] thing that's standing in the way of
[02:42:31] passion of the Christ being amazing is if
[02:42:34] it had the engineering skills you know
[02:42:39] what the Romans were great engineers they
[02:42:41] create aqueducts yeah I'm not calling
[02:42:43] you create better death traps they
[02:42:45] shouldn't call it saw 11 they should just
[02:42:46] call it the passion of the saw and then
[02:42:48] we're good to go I want to play a game
[02:42:52] you have many followers and each one of
[02:42:54] them loves you there is a traitor
[02:42:57] amongst you you know though I don't
[02:42:59] want to I certainly don't want to like
[02:43:00] this discount her appreciation of the
[02:43:03] film if she likes it you know well you
[02:43:06] can because she's not here so you know
[02:43:08] the story of John Kramer but there's a
[02:43:10] new savior Jesus is back to teach you've
[02:43:17] spent your whole life stealing from
[02:43:19] people now it's time for me to dish out
[02:43:24] the punishment we go to heaven or will
[02:43:28] you go to hell you decide
[02:43:32] Zach's so nice I'm a fucking asshole
[02:43:34] like you know you really should appreciate
[02:43:35] it's like no fuck that that movie sucks
[02:43:37] ass you heard it here the passion of the
[02:43:40] Christ sucks ass these 10 commandments
[02:43:42] will teach you to appreciate life more
[02:43:44] you deviate from these commandments my life
[02:43:46] was taken from me and now you learn to
[02:43:49] love yours and others did it Glover to
[02:43:53] Jesus you're a sick asshole in front of
[02:43:59] you as many false idols
[02:44:06] I'm not laughing at Corrine but the idea of
[02:44:08] Jesus in a saw movie is really fucking
[02:44:11] I mean it kind of works you know the
[02:44:12] robe
[02:44:14] the glutton for punishment this is Amanda
[02:44:18] one of my many apostles Hoffman Amanda and
[02:44:23] here's Mark Hoffman he's the one who will
[02:44:25] betray me for 30 shekels
[02:44:29] Costas Mandalore you sick asshole so
[02:44:34] number one current number one film of
[02:44:35] 2004 is the Phantom of the Opera so
[02:44:39] again how is spider-man to not on these
[02:44:42] two people's films but I have to deal with
[02:44:44] Van Helsing and Andrew Lloyd Webber what
[02:44:47] the fuck I had a feeling her Phantom of
[02:44:49] Opera would be her number one because
[02:44:50] she when I posted that Laura wanted to
[02:44:53] watch it she was all giddy about it and
[02:44:56] that's cool I mean it's beautiful yeah
[02:44:57] it's definitely like I'm Joe Schumacher
[02:44:59] I have so much money I'm gonna put
[02:45:01] whatever I want in it I like your
[02:45:03] imitation of Joe Schumacher like
[02:45:05] color yes I like it fine I just I like
[02:45:10] that Lon Chaney one better so it feels a
[02:45:14] little weird to put the Phantom of the
[02:45:15] uh to put the Phantom above Jesus sorry
[02:45:18] Lord but this is the only this is only
[02:45:20] based on the films themselves and not the
[02:45:21] subject matter depicted right on well
[02:45:23] they're both works of fiction so you're
[02:45:24] good
[02:45:26] okay okay let's let's let's tone it down
[02:45:29] this movie was my very first introduction
[02:45:31] to the family of the opera story and in
[02:45:33] the years since I've seen and read
[02:45:35] probably dozens of other adaptations
[02:45:37] adaptations this one isn't perfect and I
[02:45:39] know other people criticize how terrible
[02:45:41] it is as a film adaptation of the
[02:45:42] original Broadway musical but I don't
[02:45:45] care
[02:45:46] um I don't I don't I don't like this
[02:45:48] movie yeah it's not my top 10 but like
[02:45:50] no but it's like I found the opera
[02:45:52] goes when I watched it recently I think
[02:45:54] it's just too long but I mean the set
[02:45:57] design the acting I mean it's all
[02:45:58] incredible in this movie yeah I remember
[02:46:00] my mom actually went to the see the
[02:46:02] movie without me first but the next
[02:46:04] time I saw her she loved it so much and
[02:46:07] bought the soundtrack we actually
[02:46:08] listened to it on a car ride so I
[02:46:11] actually heard the movie before I saw
[02:46:12] it but once I did I loved it too if
[02:46:15] you've never seen any adaptation of the
[02:46:17] family of the opera even the Lon Chaney
[02:46:19] version this is probably a weird entry
[02:46:21] point but it worked for me I rewatched
[02:46:24] it and revisited the soundtrack every
[02:46:25] chance I could I even rupt a few friends
[02:46:28] into watching it with me in eighth grade
[02:46:29] and high school and it became the basis
[02:46:31] for several inside jokes even watching
[02:46:34] it in recent years I still enjoy all the
[02:46:36] costumes sets and chemistry between the
[02:46:38] actors it really has an atmosphere to it
[02:46:40] that doesn't always come through in the
[02:46:42] stage version on its own it's not the
[02:46:44] best movie or even the best family of the
[02:46:46] opera adaptation but while any of my top
[02:46:49] six were contenders for number one I
[02:46:51] gave this one the edge just because I
[02:46:53] have such a long history with it and
[02:46:55] all the doors that opened for me so I
[02:46:57] felt it earned the top spot sorry that
[02:46:59] was such a long one but I had to try to
[02:47:01] do justice to these movies because they
[02:47:03] meant so much to me growing up and still
[02:47:05] do thanks for reading this and until
[02:47:07] next time keep it real nerds love
[02:47:09] Corinne that's never gonna catch on
[02:47:12] Corinne quit saying it no but I
[02:47:13] appreciate her her sentence like we
[02:47:16] like hearing all the all of your
[02:47:18] descriptions Corinne we did and like
[02:47:20] and again like Zach you don't have to be
[02:47:22] so nice well here's the thing on the
[02:47:24] phantom thing though I think it really is
[02:47:26] boils down to like what was your first
[02:47:29] exposure with Phantom of the Opera
[02:47:30] maybe that might set the tone for like
[02:47:32] like if I watched the Claude Rains one
[02:47:34] first and I'd be like well that's the
[02:47:35] best one ever because Claude Rains such
[02:47:37] a great actor like no it's not good at
[02:47:39] all you know what I tell people if you
[02:47:41] like family opera you want to see a
[02:47:43] weird one see Phantom of the Paradise
[02:47:44] because that is sneakily a good movie
[02:47:47] yeah or watch Robert Englund's one that
[02:47:49] one's fucking weird that one is weird
[02:47:51] but yeah you want to watch a bad one
[02:47:54] watch the Claude Rains one I will put the
[02:47:56] 2004 Phantom of the Opera above that
[02:47:59] Claude Rains one
[02:48:00] Claude Rains is okay
[02:48:02] it's too much fucking opera not enough
[02:48:04] horror shit happening
[02:48:06] so Carol sent me one
[02:48:10] hello talk about last minute yikes I'm
[02:48:13] doing this while you are recording so
[02:48:14] yes I was talking to Carol while we were
[02:48:16] recording
[02:48:17] life has been very busy this summer I've
[02:48:19] been meaning to work on my list this
[02:48:21] week but here we are let's see what I
[02:48:24] can put together fast not enough time to
[02:48:26] think about order and I hate that part
[02:48:28] anyway so she's broken them up in
[02:48:31] romance the notebook yes I know 13
[02:48:37] going on 30 cute and sweet love the
[02:48:39] thriller scene 50 first dates a bit
[02:48:43] silly but I like Drew Barrymore and
[02:48:44] Adam Sandler hell yeah Carol drama the
[02:48:48] village Ryan I know how you feel about
[02:48:51] this but I love this movie the trailer
[02:48:53] made me think that I wouldn't like it
[02:48:55] James saw it first and told me that it
[02:48:57] was really a love story and he thought I
[02:48:59] would love it the scene on the front
[02:49:02] porch and the scene when the father
[02:49:03] explains why he let his daughter go are
[02:49:05] so beautiful the story has a great
[02:49:07] message the terminal Tom Hanks in his
[02:49:11] usual talented self Napoleon Dynamite just
[02:49:15] shaking my head and smiling thinking about
[02:49:17] the first time we saw this and we were
[02:49:19] stunned to have I how goofy and funny it
[02:49:21] was I agree action I robot fun love the
[02:49:27] wink the Bourne supremacy which is a great
[02:49:30] film I'm a fan of all the Bourne films
[02:49:33] national treasure see Corinne there you go
[02:49:35] fun with a bit of adventure and Hidalgo
[02:49:39] it's just beautiful Hidalgo is an
[02:49:41] underrated film yeah the passion of the
[02:49:45] Christ this probably should be number one
[02:49:47] because it is amazing it is difficult to
[02:49:49] explain the experience here we saw it
[02:49:51] together on Good Friday and had a good
[02:49:53] conversation about debriefing all the
[02:49:56] feelings that it ignited but this is not a
[02:49:59] movie that you should watch for pleasure
[02:50:00] in fact I own it but I have not watched it
[02:50:03] since and sorry miss 1994 I heard from Ryan
[02:50:09] the day you were recording we were in
[02:50:11] Michigan for a family reunion with some of
[02:50:13] Rich's family and James and Brooks were
[02:50:15] there too I had looked at 1994 but no way
[02:50:19] could I get the list together this is my
[02:50:20] top 10 in no particular order the
[02:50:23] Shawshank Redemption yes Forrest Gump the
[02:50:27] Lion King speed Stargate nice true lies
[02:50:34] the client clear present danger IQ Star Trek
[02:50:42] generations and by the way I have never
[02:50:45] seen Pulp Fiction I can't believe I pulled
[02:50:49] this list together this fast not that it's
[02:50:51] all that great but it's still two lists I'll
[02:50:54] try to do better on 2014 love you all Carol
[02:50:57] Carol if you ever watch Pulp Fiction please
[02:51:00] actively like reach out to me and tell me
[02:51:02] what you think I'm curious about what you
[02:51:04] think of Pulp Fiction yeah it's so Carol
[02:51:06] thank you so much I know it was last
[02:51:08] minute and you know sometimes real life
[02:51:10] always gets in the way please don't hate
[02:51:12] me for all my blasphemy I was spewing
[02:51:14] earlier yeah no we I respect everybody's
[02:51:20] opinion Brad we got some on Facebook is
[02:51:24] that what you pulled up that's what I did
[02:51:25] perfect Jamal Phipps hang on a second
[02:51:31] totally closed on me I think they suggested
[02:51:35] DMX is never die alone huh which I know it
[02:51:41] came out I always remember the cover art
[02:51:42] for it yeah put a question mark as though
[02:51:45] he didn't know that was like one but yeah
[02:51:49] thanks Jamal Alex Augusta Weimers submitted
[02:51:55] Dawn of the Dead and Lemony Snicket's series
[02:51:58] of unfortunate events hmm maybe Manchurian
[02:52:01] Candidate the remake I do like that that's a
[02:52:04] good remake it's hard to always bet against
[02:52:06] Denzel yeah he said rather uninspired
[02:52:08] otherwise yeah Kirk Anderson said born
[02:52:12] supremacy anchorman and a guilty vote for a
[02:52:15] national treasure hmm national treasure seems
[02:52:17] to be the guilty pleasure one that people
[02:52:19] like board supremacy is great but I do
[02:52:21] pinpoint it as like Paul Greengrass saying
[02:52:23] like say what if we took this Doug Lyman movie
[02:52:25] and shook it around physically and then a
[02:52:28] Corinne admitted saw is definitely number
[02:52:30] one nice yeah good for Corinne what else I
[02:52:35] feel you had one more maybe not that's
[02:52:38] like Bynes did one but no I don't think so
[02:52:44] let me help you out with that perhaps another
[02:52:46] year hold please do do do do yeah that's
[02:52:49] it do do do do do do do do very cool thank
[02:52:53] you for everybody for sending stuff in I
[02:52:55] always know when it's a popular year we
[02:52:56] actually get people to actively respond to
[02:52:59] us yeah yeah so if you're thinking about
[02:53:01] 2014 please let us know that one's
[02:53:04] actually gonna happen really soon because
[02:53:06] we have the year and one is coming up in
[02:53:10] less than two months this year is just
[02:53:13] flying by need to go to the movies more
[02:53:16] otherwise unfrosted will be on my top 10
[02:53:20] but why would you get it without frosting
[02:53:22] what's the deal with it um next week what are
[02:53:25] we seeing Brad I don't know I well I ask
[02:53:29] you because I don't know wicked no no that's
[02:53:33] not next week I think that's I mean we
[02:53:34] missed uh smile too you know what it is
[02:53:37] it's venom the last dance right yeah
[02:53:41] um so yeah we'll be uh seeing venom the
[02:53:47] last dance um it looks like all sorts of
[02:53:50] kind of crazy so you know what I I
[02:53:54] somewhat respect them and like you know
[02:53:56] what we're gonna make one last movie
[02:53:57] fuck it we're gonna have a venom horse
[02:54:00] why not um so yeah stay tuned for that
[02:54:05] um thanks for everybody who participated I
[02:54:07] hope you enjoyed our latest installment of
[02:54:09] film splosion until next time we'll see
[02:54:12] you at the movies and keep it real nerds
[02:54:15] you sons of bitches she paid me five bucks
[02:54:18] to say it she better have paid you for
[02:54:19] that bullshit no she didn't I just wanted
[02:54:21] to say that you fucker
[02:54:33] thanks for listening to real nerds
[02:54:36] podcast a nebulous visions production
[02:54:38] stream or download episodes read articles
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[02:55:04] thank you to sparks mandrill mike at plan
[02:55:06] nine studios and bologna for all of our
[02:55:09] groovy theme songs and that's how you
[02:55:11] fucking do it
[02:55:12] you
[02:55:13] you