[00:00:00] Hey Reel Nerds, there's many ways to enjoy the Reel Nerds Podcast.
[00:00:04] You can listen to us on Stitcher, iTunes and now Spotify and iHeartRadio.
[00:00:08] You can see what we're up to around town by following us at Reel Nerds on Instagram.
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[00:00:17] or call us at 7206 Nerds 5 like us on Facebook at Reel Nerds Podcast or Tweet
[00:00:23] us at Reel Nerds.
[00:00:24] And now on with the show.
[00:01:51] Yeah.
[00:01:51] Brad, how are you?
[00:01:53] Uh, just rebuilding our website is making me lose my mind.
[00:01:57] Well, I think you're doing a great job.
[00:01:59] And if encouragement is worth money, then I just gave you a million dollars.
[00:02:05] Oh, I'm so rich in encouragement right now.
[00:02:06] Yeah, because that's all I can give you.
[00:02:09] I can't wait to pay my bills in encouragement.
[00:02:11] I could give you like, we're in a, you know, an RPG and I'm just giving you charisma
[00:02:16] and encouragement.
[00:02:17] Yeah.
[00:02:18] You're hanging back in the back of a line of fighters and I'm in the front
[00:02:22] just getting like pounded with encouragement and slaughtered immediately.
[00:02:28] Yes.
[00:02:29] That's all we got is, that's all I got to offer.
[00:02:33] And my love and adoration.
[00:02:38] Um, but yeah, like the new website, like I'm excited about how like you can
[00:02:43] go to a page and immediately play like all the, um, all the episodes, like an entire
[00:02:50] season that you can just like not like click and click and click to get something.
[00:02:53] It's just like immediately there.
[00:02:55] Um, but I'm worried that that kind of architecture when we try to like, Hey, here's the new
[00:03:00] episode when we posted on Facebook or X or whatever, it won't post like that.
[00:03:07] Yeah.
[00:03:08] That makes sense.
[00:03:09] Like I tried to post the film explosion.
[00:03:11] Like it didn't show like the thumbnail.
[00:03:13] It just like, Hey, here's the link and the text I wrote saying that's here and like,
[00:03:18] you know, visually there was like nothing there.
[00:03:22] So yeah, any, you know, it's been doing that on X lately.
[00:03:25] I know you're off X, but I still put our stuff out on there, um, which I'm a big
[00:03:30] fan of putting a picture accompanying what we're doing because just an X.
[00:03:36] I don't know what do you call them a tweet?
[00:03:38] They're not tweezing where they're at.
[00:03:40] Um, a fart.
[00:03:41] I don't know.
[00:03:42] Yeah.
[00:03:42] It's really boring when it's just, uh, you know, words.
[00:03:46] So I always try to add something to it.
[00:03:49] Um, but yeah, film explosion, it wouldn't do the capture of the poster you made.
[00:03:55] Yeah.
[00:03:55] So that's like great.
[00:03:57] I don't know how to fix that and it's going to make our postings terrible from now on.
[00:04:01] So well, if you can't do it, then I'll take a screen or I'll download the picture
[00:04:06] from Facebook and I'll post it with a picture on X.
[00:04:09] I'll figure it out.
[00:04:10] Well, it does it on threads though.
[00:04:11] When I put it on threads, it put it on there.
[00:04:14] Yeah.
[00:04:15] I don't know everything.
[00:04:16] So like all these different developers and their codes and like the only reason
[00:04:20] they were in this mess is because the people who make element or the,
[00:04:23] the architecture of our site decided, Hey, your little episode plugin is not
[00:04:28] going to go behind a paywall.
[00:04:30] So have fun posting only articles or paying us like $300 a year to use it.
[00:04:36] Holy shanay.
[00:04:37] Thank you.
[00:04:37] The uh, but uh, on top of all that though, I mean, obviously you're
[00:04:42] listening to this, but you can still find us in all the podcast platforms
[00:04:46] that we're on.
[00:04:48] Um, while the site is being redesigned and relaunched, um, which you
[00:04:54] can still see our articles on there right now.
[00:04:56] And, um, yeah, there's lots of fun stuff still on there.
[00:05:01] Um, just be patient with that because it's a team of Brad fixing it.
[00:05:05] So, um, it's, it's happening.
[00:05:08] It's just, you know, it's just you though.
[00:05:11] Yeah.
[00:05:13] That's what we, you know, and you do a great job.
[00:05:16] So I appreciate it.
[00:05:19] I feel bad for all the interview people that, you know, we've been
[00:05:22] waiting to get up and now like, yeah, I have to spend time doing that
[00:05:26] this instead of like, yeah, just getting their interviews up.
[00:05:29] So I know I did interviews with Brian's 13th alum and where the
[00:05:33] fuck are those?
[00:05:34] Yeah.
[00:05:35] I know.
[00:05:36] I know they're freaking, and you know, uh, how Matthew told me,
[00:05:40] he said, you know what, Ryan, I'm going to be your best friend.
[00:05:42] As long as this interview is up in one week, I said, don't
[00:05:45] worry about it, sir.
[00:05:46] It'll be up before you know it.
[00:05:48] And then he sent me a text message to tell me go fuck
[00:05:50] myself.
[00:05:51] So thanks for ruining my friendship with Tommy Jarvis.
[00:05:55] Um, yeah, it's doubly bad because you were going to be in the
[00:06:00] next Friday 13th movie.
[00:06:01] Thanks to that interview, but now it's not going to happen.
[00:06:03] Now I'm just totally fucked.
[00:06:06] But you know, life goes on.
[00:06:08] Yeah.
[00:06:09] This is your fault for being too cheap.
[00:06:10] Just hire a web guy, Ryan.
[00:06:12] Yeah.
[00:06:13] Oh, you're right.
[00:06:14] Fuck.
[00:06:15] Think about that part.
[00:06:16] You could have been paying like $120 an hour to just get
[00:06:20] this done.
[00:06:21] Fuck.
[00:06:27] Anyway, yeah.
[00:06:28] If you didn't know this is our hobby.
[00:06:31] So we don't have any money because we were working stiff.
[00:06:36] So that's the back you're going to get.
[00:06:38] Is it looking really nice?
[00:06:40] We are open to paid sponsorships, but we get to say
[00:06:42] whatever we want, including disparaging your product.
[00:06:46] Exactly.
[00:06:46] Especially if it's a movie.
[00:06:51] Speaking of movies, this week, we saw the South
[00:06:54] of the West.
[00:06:55] Brad, do you recommend the substance?
[00:06:58] Yeah, I think it's a we're seeing is definitely different.
[00:07:02] I kind of lost a little interest in the middle, but
[00:07:06] it has a wild ending that kind of brought me back.
[00:07:08] So yeah, I think it's we're seeing.
[00:07:11] Yeah.
[00:07:11] I really liked this movie.
[00:07:14] I thought it was really cool and at the end, all I could
[00:07:20] think of is like, oh, this is the kind of movie that Brad
[00:07:22] likes.
[00:07:23] Really?
[00:07:24] It was so fucking insane.
[00:07:28] And how it just took a huge left turn.
[00:07:32] I'm in.
[00:07:33] I wonder if Brad is going to like this movie because it
[00:07:36] seems like a movie that you would like just because
[00:07:39] the ending is so off the rails, you know, because
[00:07:43] you like those kind of not narratively structured
[00:07:50] movies that are the same.
[00:07:53] Unconventional.
[00:07:54] Yeah, conventional structure of film.
[00:07:57] Yeah.
[00:07:58] So yeah, so you should totally see it.
[00:08:01] It's one of my favorite movies of the year.
[00:08:03] Here's the trailer for the substance.
[00:08:11] People always ask for something new.
[00:08:14] It's inevitable.
[00:08:16] At 50.
[00:08:19] Well, it stops.
[00:09:15] You're hired.
[00:09:17] Let's go.
[00:09:22] A perfect balance of seven days each.
[00:09:25] The one and only thing not to forget.
[00:09:29] You are one.
[00:09:32] You can't escape from yourself.
[00:09:37] There's been a slight misuse of the substance.
[00:09:42] I like to stop.
[00:09:57] You like to stop.
[00:10:00] I'm fine.
[00:10:03] Everything's fine.
[00:10:04] The substance stirs to me more and she plays
[00:10:32] a woman who was a huge star in the 80s.
[00:10:37] And as time has gone on, just like Hollywood,
[00:10:42] you know, she starts to get old and
[00:10:46] she's looking to find a way to stay young.
[00:10:50] And her name is Elizabeth Sparkle.
[00:10:54] And the movie opens with her star on the Hollywood Walk of Fame.
[00:11:00] She's a really big deal.
[00:11:01] And then flash forwards, I guess 40 some years
[00:11:05] where she's making some sort of
[00:11:10] game-fond of workout video show.
[00:11:13] Tell them.
[00:11:14] It has a name on the billboard.
[00:11:18] It's like, yeah, like exercise show or something.
[00:11:20] Like very bland and generic just because it's not important.
[00:11:23] Yeah, it's funny because this is why I do think you would like this movie
[00:11:27] because it seems like it exists in a different world
[00:11:29] or a hyper-reality world.
[00:11:34] You seem to be gravate.
[00:11:36] You gravitate towards Sue as a film consumer.
[00:11:43] And so she gets this in this car accident
[00:11:47] on her way to home one day when she finds out
[00:11:51] she's getting let go from the show by Dennis Quaid,
[00:11:57] who plays a TV exec, but it's really, he's like really over the top.
[00:12:05] And basically says she's too old and so she's all, you know,
[00:12:09] browsled for that because she realizes maybe her star is fading.
[00:12:12] She gets in a car accident while she's at the doctor's office.
[00:12:15] The nurse, he slides her a thing, saying, call this.
[00:12:19] It can change your life.
[00:12:20] She does.
[00:12:22] And it's a stuff called the substance that you inject in yourself
[00:12:25] and it basically makes a young version that spawns out of you.
[00:12:31] And it can only be out for seven days
[00:12:34] and you have to come back for seven days.
[00:12:37] And the reason is basically has to,
[00:12:40] you have to regenerate your vinyl fluid or something.
[00:12:46] And of course, when she becomes the young, hot version of herself,
[00:12:53] she gets her old job back in a way.
[00:12:57] Her name Sue played wonderfully by Margaret Quaid.
[00:13:02] I mean, I think she was great in the film.
[00:13:06] Yeah.
[00:13:07] And then of course the young hot self is still to me more as a character,
[00:13:15] but not really.
[00:13:18] And she doesn't want to come back.
[00:13:20] She wants to keep the young body.
[00:13:21] And when she does this, it kind of spirals out of control from there.
[00:13:25] Yeah.
[00:13:26] The instructions say like, there aren't two of you.
[00:13:28] There's always just you.
[00:13:30] So don't.
[00:13:31] Yeah.
[00:13:32] What's the saying that they have?
[00:13:33] It's you are one or something.
[00:13:35] Fuck.
[00:13:36] Something like that.
[00:13:37] Yeah.
[00:13:38] But it's very important because yeah, as she, you know,
[00:13:42] starts to enjoy her new life as a young person,
[00:13:44] she doesn't follow the rules and it devolves into chaos.
[00:13:50] It does.
[00:13:52] Because I mean, it's a body horror film.
[00:13:55] And I looked up dude, I didn't know Demi Moore,
[00:13:57] which she's like in her 60s.
[00:13:59] I mean, it makes sense when you, you know,
[00:14:02] remove yourself and realize she's been making movies since the early 80s.
[00:14:05] But I thought she looked really good and they did a really cool
[00:14:13] devolution or devolved version of her as she stayed longer and longer
[00:14:18] as her younger self.
[00:14:21] Because it's basically sucking the life out of her.
[00:14:23] And when she comes back and it's that, you know,
[00:14:27] a hunchback old woman is pretty fun.
[00:14:34] But then it takes like a really hardcore turn where they decide the young
[00:14:43] version of Elizabeth Sparkle decides to make another thing out of the substance
[00:14:50] and it becomes this hideous monster thing.
[00:14:54] Yeah, like I told you that the movie was over when she started fighting herself.
[00:14:57] Yeah, me too.
[00:14:58] I was like, oh, okay.
[00:15:00] This is where this is going.
[00:15:01] But then yeah, she creates, yeah, she really goes and like does her own
[00:15:07] science and creates like that horrible,
[00:15:11] misinformed version of herself combined with herself.
[00:15:16] Which is so weird because people are like, oh, there you are.
[00:15:18] Like they didn't notice her like backstage or anything just because
[00:15:21] you have to dress on.
[00:15:22] Yep.
[00:15:24] That's how oblivious those people are.
[00:15:25] Yeah.
[00:15:27] And then, you know, the blood's like spraying everywhere and it's just
[00:15:31] out of control.
[00:15:33] It's almost, you have to see this movie to appreciate what's going on in it.
[00:15:41] Because of, you know, the dying star and Demi Moore is really great in it
[00:15:47] and everything is so hybrid.
[00:15:51] Even they go the extra length to make Dennis Quaid's Harvey
[00:15:55] really gross, you know, when he's eating the shrimp and stuff.
[00:15:58] And, you know, it just thinks so hyper aware of what it is.
[00:16:04] But you're right.
[00:16:04] It's, you know, the fitness show is like fitness with Sue or something.
[00:16:10] And then I was thought they never asked for her social security
[00:16:13] number or anything.
[00:16:15] And she's just randomly there.
[00:16:18] And I'm like, okay, we're good with it.
[00:16:22] Yep.
[00:16:24] They, you know, they're creeps and they just want young women to like help
[00:16:29] them make money.
[00:16:31] Yeah.
[00:16:32] And that's, I mean, it's also like, you know, obviously a take on
[00:16:36] Hollywood and how they value looks and young stars over older
[00:16:42] stars and all they're looking for is, you know, someone with a hot body
[00:16:47] or something.
[00:16:48] And it's a really interesting thing where, you know, Demi Morse character
[00:16:54] where you expect her to learn her lesson.
[00:16:56] She just keeps on doubling down because she wants that life again.
[00:17:01] It's a really interesting take on the character because you think
[00:17:04] you would learn your lesson, you know, when her one finger
[00:17:09] starts kind of gets that necropsy and starts dying.
[00:17:12] Yep.
[00:17:13] But she doesn't.
[00:17:14] She instead doubles down.
[00:17:15] And even after she's like super hideous, she decides she's nothing
[00:17:20] more important than her hosting like Dick Clark's New Year's
[00:17:23] Eve or whatever the version of it is in this movie.
[00:17:30] Yeah.
[00:17:31] So if you like body horror like this movie is perfect.
[00:17:34] Yeah, it's gory and it's cool.
[00:17:36] I like his other movie or her other movie.
[00:17:39] I'm sorry, revenge.
[00:17:41] I thought that's a person.
[00:17:43] Okay.
[00:17:43] Wow.
[00:17:43] Yeah.
[00:17:44] That was a while ago.
[00:17:45] Yeah.
[00:17:51] It's a core live.
[00:17:53] I don't want to mispronounce her last name.
[00:17:55] It's definitely French.
[00:17:56] I think Farjeet.
[00:17:58] Farjeet.
[00:18:00] But yeah, she made revenge as well.
[00:18:02] And that's a cool movie and the substance is a cool movie.
[00:18:08] But a lot different from revenge.
[00:18:10] We should have more of a straight.
[00:18:13] It's not really home invasion.
[00:18:14] It's more of revenge.
[00:18:17] Yeah.
[00:18:17] Yeah.
[00:18:18] Revenge thriller.
[00:18:19] Sort of action revenge thriller.
[00:18:21] Yeah.
[00:18:22] Yeah, this is like body horror for sure.
[00:18:26] Yeah.
[00:18:27] Part at the end where the monster just starts exploding.
[00:18:32] It's out of control then to me more space is all that's left.
[00:18:36] It goes to her Hollywood star and then she just gets absorbed in it
[00:18:40] and then she gets cleaned up like the street cleaner.
[00:18:43] And that's the end of the movie.
[00:18:44] That's great how they did the book ends of like the movie starts with her star
[00:18:49] and then yeah, ends with her star.
[00:18:51] Yeah, it's just a really cool movie.
[00:18:53] I says one of my favorite of the year just because it was so bizarre
[00:18:56] but I had a really fun time watching it.
[00:19:00] If it wasn't for that ending, like I probably would have been like,
[00:19:02] oh, okay, I got it.
[00:19:03] But yeah, they went for it in that fourth act, I guess.
[00:19:07] Yeah, because it is a long movie too.
[00:19:09] Maybe that's my one critique of it is it seems it's a little too long
[00:19:16] but it works and it's fun.
[00:19:19] And I had, like I said, I had a lot of fun watching it.
[00:19:23] Cool.
[00:19:26] Yeah.
[00:19:28] Movie news is slow again this week.
[00:19:30] I don't know what's going on lately
[00:19:33] but it doesn't seem like a lot of big things are happening.
[00:19:40] So we can skip it.
[00:19:41] Yeah, no, it's about to.
[00:19:43] So let's dive into what we've been watching
[00:19:46] in a segment I call what we've been watching.
[00:19:51] So yeah, this is the stuff we've been watching.
[00:19:55] Brad, what you watch this week?
[00:19:56] That's a pretty good name for it.
[00:19:58] I don't even know how I come up with this shit.
[00:20:03] I don't remember the last thing I said on the episode
[00:20:07] or what I said in the last episode was the last thing I watched
[00:20:10] so I'm going to guess I haven't talked about whiplash yet.
[00:20:14] No, you have not.
[00:20:17] Yeah, so I watched whiplash like three times in theaters this week
[00:20:22] because there wasn't a lot going on at 1030 plus
[00:20:27] except for that movie which is being re-released
[00:20:31] for its 10th anniversary.
[00:20:33] Wow, I can't believe it's 10 years old.
[00:20:35] And I only watched it once in the theater when it came out.
[00:20:40] That's a great movie.
[00:20:41] Yeah, I forgot how good it is.
[00:20:44] It's pretty standard up until the final scene which is just amazing
[00:20:49] and it reminds me of Amadeus where
[00:20:56] genius collides at the end
[00:20:57] and people who are at odds with each other
[00:21:01] were just like, oh, we'd work together.
[00:21:05] And yeah, set to music and it's pretty awesome.
[00:21:08] So you haven't seen whiplash.
[00:21:09] It was like the short film with the expanded...
[00:21:13] Well, I recently found out it was a...
[00:21:15] Damage is All Like Wrote a Feature film
[00:21:17] but then had to prove that it was worth doing
[00:21:19] so he made the short film which got traction
[00:21:20] and then they took the short film and made it the full length feature.
[00:21:25] And yeah, Miles Teller plays this student at,
[00:21:28] I forget the university and it's the best music college in the world
[00:21:33] and he just wants to be the best drummer
[00:21:35] and he has to learn from
[00:21:39] J.K. Simmons, this character who is a super hard ass
[00:21:43] but later on you find out he's rude and mean
[00:21:50] and yet he just wants to also make students great
[00:21:55] and I don't approve his methods
[00:21:57] but the conversation late in the movie
[00:22:00] where he explains what he was trying to do,
[00:22:02] I get it and there maybe is some truth to that
[00:22:07] pushing people that hard but I don't know.
[00:22:13] Yeah, so...
[00:22:14] But yeah, I found a scene like I just go back to see it
[00:22:17] like that every time, like that's the part where he's just like...
[00:22:21] J.K. Simmons is like, well, it's so messed up
[00:22:24] because when Miles Teller goes to the...
[00:22:27] After J.K. Simmons has been fired
[00:22:28] he takes a job as like just a club musician
[00:22:31] and then Miles Teller just watches him do...
[00:22:34] Just play the piano and then they have a conversation
[00:22:37] explaining like why things went they did
[00:22:39] and then J.K. Simmons tricks him into going to...
[00:22:42] Being the drummer at this like festival performance
[00:22:46] and switches the set on him so he can't play well at all
[00:22:50] and then Miles Teller gives up
[00:22:53] but then comes back shortly later
[00:22:54] and just like takes over the concert
[00:22:58] and then Simmons is like, okay, he's doing good.
[00:23:03] How far can we take this?
[00:23:06] And then finally they're like on the same...
[00:23:08] He's finally got his tempo so to speak.
[00:23:12] Yeah.
[00:23:13] So it's just like great.
[00:23:16] Anyway.
[00:23:18] It's a really great movie
[00:23:21] and you just talking about it makes me want to watch it again.
[00:23:25] I was first exposed to J.K. Simmons in Sam Raimi movies
[00:23:29] whether it's The Gift or Sider Man
[00:23:31] and he is so great in this
[00:23:35] and you kind of appreciate him so much as an actor
[00:23:38] when you see these ones.
[00:23:43] Yeah.
[00:23:44] It's like, why don't I own this movie?
[00:23:46] I should own this movie so I immediately got it.
[00:23:48] Oh, you don't own it?
[00:23:49] I didn't yeah.
[00:23:51] Thankfully because it's on 4K now
[00:23:53] so if I bought it like 10 years ago
[00:23:55] when I had to buy it again.
[00:23:57] I'm annoyed because everywhere I've tried to buy it
[00:23:59] they don't give the slip cover with it so.
[00:24:01] Yeah, I know.
[00:24:05] Yeah, I think that's it for this week.
[00:24:09] Anyway, what did you watch?
[00:24:11] So I went and saw the documentary, Casa Benita, Mia Moore.
[00:24:16] Nice.
[00:24:17] Which was really fun.
[00:24:19] I mean, my favorite part was when Trey was being all the voices of the puppets.
[00:24:26] Yeah.
[00:24:27] Hey, everybody.
[00:24:28] Same with Chance DeVos.
[00:24:31] And I mean his level of detail which I already knew
[00:24:34] which was really interesting because if you've seen the South Park documentary
[00:24:37] Six Days to Air
[00:24:39] they have a lot of the same vibes with Trey and Matt.
[00:24:44] Trey, and they even mentioned I think in both of the documentaries
[00:24:49] Trey is so creative and always pushing
[00:24:51] and Matt worries about the money and basically the business.
[00:24:57] And this documentary is really fun.
[00:25:01] But I mean, I guess it's not really a spoiler but it kind of is.
[00:25:05] So I mean, I don't care.
[00:25:07] At the end where Trey realizes he can't love Casa Benita
[00:25:12] and go back after all the hard work he did
[00:25:14] because he's a distraction of what Casa Benita is.
[00:25:17] It's kind of heartbreaking.
[00:25:20] Yeah.
[00:25:21] And those shots of him just wandering around and
[00:25:27] being by himself, it kind of hit me in my heart.
[00:25:31] I was like, oh man.
[00:25:32] And a weird recreation of the episode of South Park where Cartman is like,
[00:25:39] he ruins the place but he's like, was it worth it?
[00:25:42] Totally.
[00:25:42] Yeah.
[00:25:43] I mean, and when Matt and Trey are the skeletons talking is great.
[00:25:48] Yeah.
[00:25:50] It's just that when you saw it see what they did to preserve this Denver icon.
[00:25:56] I mean, how can you not respect those guys?
[00:25:59] Oh yeah.
[00:26:00] No one could have gone through that.
[00:26:03] Yeah.
[00:26:05] They talk about how if we can't fix it, I don't know who else would.
[00:26:10] You know, like anyone else.
[00:26:13] No one would have.
[00:26:13] I mean, it would have just been torn down.
[00:26:16] Yeah.
[00:26:17] These days no one just loves a thing.
[00:26:20] Like it has to be profitable.
[00:26:22] Yeah.
[00:26:22] And I did the math and based on like they've been on for a year
[00:26:26] and what it costs for a table or per dinner
[00:26:30] and how many people are removed through there.
[00:26:32] I think they've made their 40 million back now.
[00:26:34] It's just about keeping it going.
[00:26:36] Yeah.
[00:26:37] And it's, you know, yeah.
[00:26:42] It's really keeping it going and keeping the standards of what he wants for it to be.
[00:26:48] You know, because I didn't realize how dangerous it was to be a cliff diver there.
[00:26:53] Yeah.
[00:26:54] And we had friends in high school that were cliff divers.
[00:26:57] Yeah.
[00:26:59] That place is gross.
[00:27:00] Oh my God.
[00:27:02] I drank that soda.
[00:27:05] Oh dude.
[00:27:07] That's soda.
[00:27:08] And I was talking to my little guy.
[00:27:10] I took my buddy with it to it too.
[00:27:13] And he said, daddy, was that what cost of it?
[00:27:15] He was like when you were a kid.
[00:27:17] I said, yeah, but I didn't know it was that fucking gross.
[00:27:20] Yeah.
[00:27:23] So yeah.
[00:27:24] So yeah, it was really fun.
[00:27:26] It was a really cool documentary and I, you know, it touches probably people in Denver a little more.
[00:27:32] For sure.
[00:27:32] But I had a lot of fun with it.
[00:27:36] And so the other thing I watch is my little guy has been, he's been wanting to watch slasher movies and it's been hard for me because I mean, I don't really care.
[00:27:46] And I don't believe in censorship, but at the same time, I don't want to be that parent, you know.
[00:27:53] So I'm trying to think of slasher movies he can watch that aren't overly violent and they're just kind of silly.
[00:28:00] So we watched Child's Play 2 on this week and that one's pretty silly.
[00:28:06] You know, the first child's play was darker than I remembered it when I rewatched it recently.
[00:28:11] But I remember Child's Play 2 is a little more goofy, you know, where the eye guy, I always remember the dude getting the doll eye stuck in his gourd at the doll factory.
[00:28:22] And I go, you know, this movie is pretty silly.
[00:28:24] He can handle it.
[00:28:25] And so he laughed at it.
[00:28:27] And he had fun when Chuckie's like, women drivers, am I right?
[00:28:32] You know, silly things like that.
[00:28:35] I mean, if you don't know and I still don't know why they did it.
[00:28:39] At the end of the first Child's Play, you know, Chuckie is melted in a fireplace.
[00:28:44] And for some reason, the good guys factory decides to like bring him back and make him brand new.
[00:28:53] And he comes back to torment Andy.
[00:28:55] So, you know, pretty, pretty deep movie.
[00:29:02] Yeah, I like the idea of Chuckie, but like, I don't remember the movies that well.
[00:29:07] And I did watch them recently and yeah, they're, I wouldn't be scared by Chuckie.
[00:29:13] So I could just like kick the fuck out of him.
[00:29:15] Exactly. Like just pun across the room.
[00:29:17] Like even if he stabs you in the leg, like you're not going to die.
[00:29:19] Exactly. He's a little plastic toy to fucking pick him.
[00:29:23] Yeah.
[00:29:23] But, you know, it's not being scared of Chuckie.
[00:29:27] It's his personality that is fun as all I fall back on.
[00:29:30] Yeah.
[00:29:32] And that's all I watched this week.
[00:29:35] Cool.
[00:29:36] Next week we're seeing the Wild Robot, which looks great.
[00:29:41] Stay tuned for that.
[00:29:43] You can, like we said, you can follow us everywhere.
[00:29:49] So yeah, thanks for listening and we'll see you at the movies.
[00:30:48] And that's how you fucking do it.