Siamese Assnesia ft. KdOt & cOlE

[00:00:00] This podcast is powered by the plug

[00:00:31] I love that for you

[00:00:33] Didn't do it

[00:00:35] So guys got any new new funny stuff to talk about today

[00:00:38] Anything you want to get off your chest

[00:00:47] No, no, you got nothing lando. Nope, Kenny. I'm still laughing more

[00:00:52] Just here for the vibes man. What would you have I see?

[00:00:58] Should we for us that quality 21 are you really dead with that?

[00:01:01] Look fuck is that

[00:01:03] Move your mic closer to you when you do what I'm the fuck is

[00:01:08] Since the whole uh Drake 21 thing he said we have to stop calling him 21

[00:01:13] You can move a little bit further away. You're not to be honest

[00:01:23] Stop I mean, I'm just over here, you know you you you've done you're there playing a video game

[00:01:30] My ADD be kicking bro

[00:01:33] What you want me to do this what we're doing playing video games?

[00:01:36] Maybe everybody is look at this guy. He's over here

[00:01:39] Got some material right now. How large is your text?

[00:01:42] What is that time to do your new Roman 50?

[00:01:47] Makes it easy to read us he's so he doesn't need to use his bifocal pretty sure

[00:01:52] J-Archid read which are typing over there. Oh, yeah, like that

[00:01:57] You liked that

[00:02:00] Yeah

[00:02:04] Just Christ man, that's what I wanted you got a scroll like eight eight little fucking pages on it's found just a one

[00:02:14] Hi

[00:02:14] Well my name is you heard his reaction. That's you guys haven't heard to the

[00:02:19] Simus twins like I'm married

[00:02:21] Oh

[00:02:23] One of them did you all I did like it married to each other?

[00:02:26] No, they married a guy married a dude. She one of them one only one of them

[00:02:30] Mary yeah, and supposedly she reads a book during intercourse and they share

[00:02:36] I don't know awkward. I find that hard to hear you awkward so with the one

[00:02:40] He's so so many

[00:02:43] I don't want no landed the bitch reads the

[00:02:46] What's going on here at the fucking hit right in it so so sign these twins one body two heads

[00:02:54] Wow

[00:02:56] And one of the heads got married to a guy hi, Drew you know so awkward too because at the wedding he was just making out with one the whole time

[00:03:03] It's just like the other ones kind of just yeah, that's just there

[00:03:08] This long is mine

[00:03:10] She's like me and PCP man this wedding is bullshit

[00:03:15] This is a fucking shit storm

[00:03:19] Hey, everybody have jack

[00:03:22] She turns to where she's like no don't you do it

[00:03:25] Order fish also

[00:03:27] Also does one control the left side and one control the right side. How does that work?

[00:03:31] That I don't that's a good question. Yeah, I'm not sure is the is the one of them just along for the right

[00:03:40] Okay, so you get all those call when I can't sir

[00:03:42] Like

[00:03:48] So I'm so excited

[00:03:50] I mean shit if just walk for the fucking right now

[00:03:53] Yeah, no that was

[00:03:56] Digestive system

[00:03:58] You control your digestive system. Well yeah, but I don't have to you know you don't

[00:04:04] Who feels it it's fucking automatic feels it which hand is taking shit? That's my question

[00:04:10] I'm sure which one feels a pain inside

[00:04:17] And what I said was bad are you advocating for anal sex?

[00:04:24] What is that what is it?

[00:04:26] What if the one that you're not married to has the feeling in the lower regions is what I'm saying

[00:04:32] You like fucked up

[00:04:36] The one that like

[00:04:38] Doesn't like people is the one that gets all the feeling yeah

[00:04:41] That's what the one that likes like the intellectual part doesn't give a fucking about the feeling part

[00:04:46] That'd be like a win-win win if you think about it. Wow

[00:05:27] Do they have the same sleeves casual? Do you think like what it was a night owl and then ones are early birds?

[00:05:33] Can you imagine I'm not just working by the head sleeping

[00:05:37] I'm not going to bed yet doing manual labor so you're just

[00:05:51] Pull up shit

[00:05:55] A visual when you said that

[00:05:57] Fuck me up funny, right? Oh my god like does it this one have to wake the other one up for

[00:06:03] Hey, we're gonna do this

[00:06:06] I mean what if they both had like completely separate lives though like

[00:06:12] Day of night type shit like one work the day shift the other would work the night shift type

[00:06:20] So I would not fucking work

[00:06:23] If you're asleep does your body control it because the other one's not there like that was it?

[00:06:29] So I did read that they both kind of have the same job, but

[00:06:33] They only get paid as one person. I mean that's fucking kind of discriminating

[00:06:41] Back in the whole like it's a disability. That's a discrimination

[00:06:45] Do they give you six on a case right now? That's two different names with two different socials you paid them as one

[00:06:54] Like

[00:06:56] Maybe they're only one so full like how we gonna

[00:06:59] Cause you can't really explain it at one time. That's a crime if he said it

[00:07:08] Get away with murder

[00:07:10] Same name do have different names like like so they have different names

[00:07:15] When they were when they were birthed

[00:07:17] You know they had different they were given different names so then they have to have different socials

[00:07:24] They're the murder wait what country if they need somebody to represent them

[00:07:28] I got it. This is a man. I'm the one that thought of the case. I'm gonna get a first child's game beat up representation

[00:07:35] Okay, well

[00:07:40] Go back go back stay over the that's your area

[00:07:44] Hey, I got a

[00:07:45] What do you love yeah, he's in the penalty box stand that side of the garage

[00:07:55] He's put him a timeout

[00:07:57] I possibly I can't mute him. God sorry these penalty box now. That's great. No, it's good start great

[00:08:07] I got a question

[00:08:10] Do you think gots a Taylor Swift fan? No

[00:08:14] No actually no because Beyonce had a way better music video

[00:08:19] I

[00:08:23] I love that you

[00:08:27] Sam

[00:08:33] That was the song that's the point

[00:08:36] No way

[00:08:38] How deep do you want to get on this because you brought up Taylor Swift and I know a crazy conspiracy theory right now

[00:08:44] All right, let's go she's the she's the fucking clone of the chick who was

[00:08:51] The wife of the dude who was the Satan worshiper again what the fuck whoa what Satan worshiper guy

[00:08:59] Mother sisters brothers step uncle

[00:09:03] Almost it's almost like that. He's pick up sticks in his Google machine

[00:09:08] Yeah, the Google in they split across the river and now their uncle cousins

[00:09:12] That's my that chick that lived across the street uncle cousins sister brother that chick you remember her

[00:09:20] You remember

[00:09:23] Yeah, I think I do nobody fucking remember

[00:09:26] I don't remember okay. I'm a little you remember

[00:09:31] I mean, but you remember I mean, remember

[00:09:33] Okay, so here we go

[00:09:36] So yeah her name is Zina Leve

[00:09:39] Where are you print them what are we talking about again Taylor?

[00:09:43] That's her name no Taylor Swift looks like Zina Leve

[00:09:47] Let me see

[00:09:51] Holy fuck he's absolutely right

[00:09:53] So I think

[00:09:55] Yeah, I got one for you after this which is which let me see

[00:10:01] I got one probably just

[00:10:04] Altered Taylor Swift just a little bit just a little picture. I'm saying is this Photoshop

[00:10:09] Non-nigger that's Tate and Zina

[00:10:12] Hmm, and Zina is a real person. Yeah, she well she died. She died. How can you not and Taylor Swift?

[00:10:21] Looks exactly like time for the phone how can you right neat release the color

[00:10:28] Taylor Swift and Travis Kelsey

[00:10:32] I bought to have a baby and

[00:10:35] That's the entire Christ my nigga oh wow

[00:10:39] That's harsh they do say that everybody's gonna love it

[00:10:42] Yeah, and everybody loves on that

[00:10:44] Tate and Kelsey Kelsey has a way finer wife before this black and sexy

[00:10:51] Yeah, jump a fever well peers Morgan looks like the pigeon lady and home alone

[00:10:58] So

[00:11:03] Wow

[00:11:05] Good

[00:11:08] He said

[00:11:13] So so today so tonight we are brought to you by live audience

[00:11:20] We've got a live studio

[00:11:21] Fuck face on you

[00:11:23] Fuck face

[00:11:25] We love them. Well, what else we got?

[00:11:28] All right, we do

[00:11:31] A debate on

[00:11:33] When they decline of hip hop started

[00:11:36] So I'll wear it. We're going back to me. No, sorry is a good one

[00:11:40] As soon as soldier will make them say you that's when we start a following

[00:11:48] Well, I mean, that's our evil

[00:11:51] I would say but there's still some yeah, there's still some off-a-green that very industry

[00:11:58] Stow songs that

[00:12:00] We're going on away before that just some some fuckery

[00:12:04] You know Jane hang low

[00:12:06] Well, I have a the after soldier boy did it though. Yes really yeah, what about

[00:12:12] Tight whips we wrote tight whips every day

[00:12:16] That was that was all just on some industry bullshit

[00:12:19] Who was that it was pretty something and that was

[00:12:22] Way back it was substancey

[00:12:25] It was at least saying something. Yeah, that's debatable

[00:12:28] He really listen to it nowadays like what are they saying soldier boy telling tell him what exactly

[00:12:35] Nothing he so you were advocating for substance

[00:12:40] Yeah, that's why soldier boys was the decline

[00:12:44] I'm confused on your argument there

[00:12:46] No, when it really run started

[00:12:48] When it when it started going down

[00:12:51] Is when we let this nigga cameron slide with the computers we compute and then boop a new boop

[00:12:58] Oh

[00:13:00] Well, we let that nigga slide with that shit

[00:13:04] Yeah, cover from this nigga of all people in the game and we let this nigga slide with that everybody hurt that too

[00:13:13] Okay big ups, you know big ups to care money

[00:13:15] No, they're not gonna have to care no offense and not like that it was only a couple bars in the grand scheme

[00:13:21] It is a whole library

[00:13:23] But regardless of that

[00:13:25] People know what you talking about

[00:13:27] We know what you're talking about

[00:13:29] And then the further more prove my point

[00:13:34] Pump it the fuck up what the fuck it was because of everybody else in this squad that even had other lyricists like but no

[00:13:42] That but also he was confident when he was doing so. Oh my god that game at a woman that had some do it

[00:13:50] It was almost like it has tags swaggy but you know what it was almost like he's throwing it in our face as well like yannik

[00:13:58] It's gonna eat this I'm gonna put anything down yannik is gonna eat this

[00:14:03] You know what I mean hold on so you're gonna sit there. You're gonna sit bro that's Harlem absolutely that would be hard

[00:14:09] Let me finish can I finish can I finish?

[00:14:12] You're gonna sit there with a straight face and tell me purple he is the album wasn't magnificent

[00:14:18] I did not say that I did not say that

[00:14:22] I said we let that nigger slide on those few bars because of purple he's the album

[00:14:28] The purple he's the album was the shit my nigga but yo, we hey come on now

[00:14:34] I know the boy

[00:14:36] You're saying scheme you talking about I know you feel when you talking about

[00:14:40] We let that nigger slide on his caliber a fucking way of

[00:14:46] Of hip hop

[00:14:48] We let that nigger slide bro. Do we already talk about this?

[00:14:52] I don't think so I don't think so

[00:14:55] I feel like hell I feel like punch line wise though

[00:15:00] J.R. writers the best and

[00:15:04] He's not the most known he didn't have like because he was a marketable but I feel like bar for bar or at least punch line wise

[00:15:11] He was the because he was he was a marketable person

[00:15:14] He's

[00:15:16] Not we see

[00:15:18] Jim Joe busy when Jim John in that era

[00:15:21] Well, hello, but see but ruin hip hop was in that era. Oh, up, but listen

[00:15:26] But when Jim Jones popped up

[00:15:28] He said it's my chance

[00:15:46] Oh, no, that's my love my friends man. That's fucking

[00:15:51] He's a part of it too

[00:15:52] I think you not try to call the number dead niggas part of it too everybody did you didn't call it at least once

[00:15:58] I called it yesterday

[00:16:01] He's still alive

[00:16:03] Disconnected

[00:16:04] Lamb lines

[00:16:05] Boo boo boo you know because because around those times it was like 2000s

[00:16:09] Like 2004 2005 2006

[00:16:13] You start seeing my fuckers like like I'm up him in my own fucking mind

[00:16:20] I'm up him in my own fucking mind

[00:16:23] That could have stayed a hood fucking album

[00:16:27] That did not need to rate reach mainstream you know saying like that could have been

[00:16:32] That area's anthem, you know, I'm saying that nobody else would have heard

[00:16:36] You know me but

[00:16:38] Should start it you know these a and r's just started letting all this shit in

[00:16:43] To try to change the game

[00:16:46] You know I'm saying instead of letting the fucking

[00:16:51] Well, not just let me know where he is

[00:16:54] You know I'm saying letting the areas letting the people speak for the fucking hip hop

[00:16:59] You know I'm saying because how big in him started go

[00:17:02] Niggas was talking about biggie. That was a fucking

[00:17:06] Talk about him around in the block you know what I mean well that's why they they're still trying to keep that same

[00:17:16] Like local

[00:17:18] Went over energy first like you you got to make waves you got to make no

[00:17:22] There's a difference between a gimmicks

[00:17:25] But and

[00:17:27] Different because you could

[00:17:29] They want to get some out there instantly

[00:17:31] We're gonna make some gimmicks man. They go on more for the gimmicks because the gimmicks is sellable well, okay when it comes to

[00:17:38] mainstream

[00:17:38] Rappinality yeah, they're they're they're looking for somebody that fits the image

[00:17:43] The market and it has the sound or this willing to the look

[00:17:48] Put out whatever sound that they want yeah

[00:17:55] I know it's terrible. I believe that and pump it up money

[00:17:58] As much as Joe Biden would have talked you shit

[00:18:01] We're so I'll never pump

[00:18:04] What so if you talking about what up my Nike pump you know I'm saying they get out of here stop it

[00:18:12] The wack is fucking let me ask those

[00:18:14] You all mentioned it

[00:18:17] Would you make a sellout track or a handful of sellout tracks

[00:18:23] to

[00:18:24] No, that's kind of get what you wanted per se no

[00:18:28] Our our version of a sellout track

[00:18:31] No, so what would that sound like no jazzy's big pimped?

[00:18:35] Wow, well, I mean, that's it's a sellout they played it on the radio

[00:18:40] I mean they play a lot of it. That's that's different

[00:18:44] It's that's not a stream song that's played on not a trash song

[00:18:49] All right, so what you do

[00:18:51] What you doing? I don't know what you talking about you might shouldn't be so now here's the thing though

[00:18:57] Out of every album that everybody puts out artists wise there's usually only one

[00:19:02] Maybe three

[00:19:04] Top songs that end up on the radio right

[00:19:09] Tops

[00:19:10] So you have to do that's what I'm saying you do she a freak she player part

[00:19:16] So I mean with that being not going on the radio still but with that with that being said though

[00:19:21] I don't know tip Joe was on the radio

[00:19:25] This is worse what were we talking about

[00:19:29] I don't know we're dumb just like the new grading scale in public schools

[00:19:35] No, okay, yes, but I mentioned you know maybe three songs max end up hitting the radio right

[00:19:44] And that's just because I feel like they were designed

[00:19:47] Like yeah like

[00:19:49] Ever signs dollars like you have to have

[00:19:52] So and so songs, you know it sounded like this or the new go like this there's some stipulation right?

[00:19:58] Yeah radio spin they they'd know what sells they know they have it down to a sign yeah

[00:20:04] So they know

[00:20:08] You know it's crazy even though numbers do lie now

[00:20:12] Yeah, you can buy yeah numbers do lie. Yeah lies

[00:20:16] Well and and then not only that like I was saying with the whole

[00:20:20] Social media internet interwebs everything do everything's connected

[00:20:24] You're touchable you know intertorts you you you get you get a good enough foothold

[00:20:29] You know your shit my blow up and

[00:20:33] If it's good enough people like it yeah good for you

[00:20:36] If not you know, it's like you're gonna be just in the poverty everybody else and then you could get famous

[00:20:43] Based on like how good you do and then however everybody likes your shit but the issue is

[00:20:50] When you actually get that deal what I'm quote like what are you gonna do? You know, what would you do?

[00:20:57] If they were like hey there's a lot of gray area to that

[00:21:02] You have full control over everything you say

[00:21:06] Well, then yeah, that's a big part of it. If I have full control. Yeah, that sounds like a

[00:21:11] Pretty good deal. But you have to yeah, but I've been through everybody to your shows

[00:21:17] That's easy for it

[00:21:19] You say that

[00:21:21] But poppy you gotta get the local following first, right?

[00:21:26] Yeah, because they got tickets on me. Yeah, you can't just

[00:21:29] Show up on social media or like it will YouTube blow up and then expect to do a show in the town that you live in and people know who the fuck you want right?

[00:21:38] I agree but at the same time you can still get

[00:21:41] Followers and listeners and subscribers from

[00:21:46] You know other states and countries or whatever because

[00:21:50] They don't actually have to be there. Well, you exactly my plan. So I mean you can still get a lot of

[00:21:56] I guess exposure regardless yeah, but I do see what you say

[00:22:00] But if you're

[00:22:03] First show yeah, I

[00:22:06] Witness and in her that it's still the same MMO that that

[00:22:12] Record companies and labels and wants you to do right get that local following sell local shows do this local do this

[00:22:19] You know, and then once like you reach a certain stage. You know we we we you talk about getting the other shows what whatever else

[00:22:28] Depending on like I said you're sound and then what your opportunities are

[00:22:33] But

[00:22:35] Everybody that I've talked to is pretty much the same story

[00:22:38] I mean full control though. I'm with it

[00:22:43] I mean if I have full control what else is going on in the background and like what what's the money situation look like

[00:22:54] Yeah, you basically gotta make your own yeah how how much I have to put out within a certain deadline

[00:23:01] So how are you helping me now?

[00:23:04] Sound like a lot of words

[00:23:06] Just like you just

[00:23:09] Basically giving me a job without getting paid

[00:23:12] Yeah, what's your percentage

[00:23:15] Call that's why that's why I wonder like what's how do they do that nowadays with a with the social media shit? You know all that shit

[00:23:27] You can literally buy subscribers so I heard they have like about but I get together

[00:23:34] There's with like hundreds of people and they would all just keep playing the fake the same song for like hours and they would get paid for that

[00:23:42] It would be people's job just to

[00:23:45] Keep playing someone shit on YouTube or Spotify or something and they'll have a whole fucking

[00:23:50] Conference room or building doing that shit. Yeah, you can pay for a local following so it looks like you have people in your area

[00:23:57] That fuck with you

[00:23:58] But then when nobody shows up at your show it's fucking obvious

[00:24:02] Exactly

[00:24:04] That's why people lost in

[00:24:06] Is that a gig spotlight awards to us because they had more followers but

[00:24:13] People weren't actually tuning in

[00:24:15] That might touch some sorry if people actually listen to us that might touch the feelings

[00:24:20] I mean, it's true. There's no hate well, you know

[00:24:24] I just said I gave him props. They have more followers what it is

[00:24:30] However it happened it happened is what it is

[00:24:34] I didn't even know it was happened until like

[00:24:38] January

[00:24:40] Only about a year

[00:24:42] Only been doing this for a year. Only about a year

[00:24:44] Not test if they end the January

[00:24:47] Everybody yesterday high score

[00:24:51] Record made a few announcements definition please

[00:24:55] No record. Did we break it? We almost didn't show up

[00:25:05] Because I got high

[00:25:15] Because I got what's today October

[00:25:21] Newly magazine day

[00:25:23] Anybody else got anything

[00:25:25] What's talking about the why you count on me for everything

[00:25:30] This guy's over here playing on his phone

[00:25:32] I mean look

[00:25:36] That that

[00:25:40] One first two fish

[00:25:43] Refish bluffing oh

[00:25:46] Nick neck paddy whack

[00:25:49] Give it everything the honorable

[00:25:52] Maliza

[00:25:54] I

[00:26:00] I mean

[00:26:03] You say onion we still know I said I mean you said he's a philosopher we have here working so philosopher

[00:26:12] Philosopher after

[00:26:14] The work but I say

[00:26:17] You were after dog philosopher rapture you were raptor I wrap about philosophies. I'm a philosopher

[00:26:23] Rappah yeah

[00:26:25] Meeting meeting

[00:26:27] Pat and pending hurry your first

[00:26:30] Every year is a loss of raptor used land in his line. I'm gonna fluck invite you for loss of raptor

[00:26:36] We're a philosopher rapper a philosopher fizzing philosopher raptor

[00:26:41] You guys remember per rappa the rapper

[00:26:43] You guys are a bit of a game?

[00:26:45] That was a game? Yeah, you had to like do beats and break dance and then you had to like time it

[00:26:50] We hit the button right when the button came up. I don't no so it's like guitar hero. Yeah, I was also saying

[00:26:57] But his parapod the rapper

[00:27:00] But double the but the but the

[00:27:04] They did it before they didn't have that uh that uh that rap game

[00:27:08] For one of them systems they had a rap game. I bet they did rap with the rapper

[00:27:14] You know

[00:27:18] That's it's not that would it's not

[00:27:21] I'll tell you it's not that

[00:27:25] Guys I'm here. I did that rap game guys. Not in the get you hilarious

[00:27:31] I don't think it was that bro. Oh, I was good. I don't think it was that I think it was that

[00:27:37] Where are you talking about it was it was more incorporated with um with uh

[00:27:44] The garage the the rock band shit

[00:27:48] Because they had like a DJ set with it too. Oh, I don't know what the fuck I'm talking about. I remember it vaguely

[00:27:55] twisted metal

[00:27:58] I remember that

[00:28:00] Not that's not the one oh was it twisted system and now you're in francy yeah

[00:28:05] That was not this one this one was like a a for real like PlayStation three game or some shit and it was like a online thing

[00:28:12] And you could like for real battle against other people online

[00:28:17] Type shit and then they had like a DJ battle with the fucking turntable set that you can go against each other

[00:28:23] It was not that my nigga. It was not that because there was no card to put a vote

[00:28:29] There was no card to an involved

[00:28:32] I don't remember that's what I'm trying to tell you bro

[00:28:35] I said PS3 yeah, oh no you rick as castle

[00:28:41] A leg was window

[00:28:43] Bobble bit buppies gulla gulla island

[00:28:47] Great great show

[00:28:49] The busy world of Richard scary we take one rap star

[00:28:54] Maybe fucking death jam see that said that's it. That's the one it has to be deaf jam

[00:29:01] See fly for New York

[00:29:04] No, Vendetta

[00:29:07] Sorry you got Mark I call was whack

[00:29:10] Let's just go ahead and say right now icon was whack how do you think Snoop fell about getting thrown out of window

[00:29:18] That's like story mode. I mean he care less I think it was the vampire Brooklyn, right?

[00:29:24] I think it could care less

[00:29:27] Okay, that's it

[00:29:31] Get your ass up

[00:29:35] See

[00:29:38] No, so unprofessional so we can't do shit around here. I thought so I'm telling you who's the who's the manager?

[00:29:46] Where's the manager where's the manager? Where's the Karen when you need her? I am the manager V

[00:30:05] You

[00:30:35] I'm gonna get him with the minimum lemon real.

[00:30:57] Watch it, get him a bit of a kid into the gym.

[00:31:01] Big pun!

[00:31:03] Legendary.

[00:31:05] Okay, you did that.

[00:31:08] What's your favorite rapper of the last decade?

[00:31:13] Last decade.

[00:31:14] So we're talking in 2014 to 2014 that just came out.

[00:31:20] Last decade.

[00:31:21] Does it have to be no or do they have to just be rapping still?

[00:31:27] And putting out shit in system.

[00:31:29] Yeah.

[00:31:30] And then just I've discovered some people that I can not just might not be doing shit.

[00:31:34] The dirty kids.

[00:31:39] Last decade.

[00:31:40] You got me here.

[00:31:41] You got me.

[00:31:43] Uh, Griseldah.

[00:31:45] Yeah, mine.

[00:31:47] That's what you're doing.

[00:31:49] That's about it right here.

[00:31:51] Griseldah.

[00:31:53] That is really about it.

[00:31:55] Oh, I see.

[00:31:57] I don't know.

[00:31:58] I don't know.

[00:32:01] Call me a prejudice rapper.

[00:32:03] And then do niggas.

[00:32:04] Too often.

[00:32:06] Cause if you just appointed.

[00:32:08] Mick Jenkins.

[00:32:09] Mick James.

[00:32:10] How you doing with a light?

[00:32:11] Uh, Nick Gray.

[00:32:12] There's a couple.

[00:32:13] Yeah.

[00:32:14] He's not bad.

[00:32:15] He's actually pretty dope.

[00:32:17] Uh, who's a coder?

[00:32:19] Co-op.

[00:32:20] Co-op.

[00:32:21] Co-op.

[00:32:22] Co-op.

[00:32:24] Um.

[00:32:29] Toby.

[00:32:30] Good.

[00:32:31] Toby.

[00:32:32] Tell me fire.

[00:32:33] Tell me fire.

[00:32:35] I said your name is Tobin.

[00:32:39] Co-op, King Tae.

[00:32:42] Damn.

[00:32:43] Steve.

[00:32:44] What I say about him so hard, man.

[00:32:48] So they've been around for a while,

[00:32:50] but they were formed around this time.

[00:32:52] What about run the jewels?

[00:32:54] There we are, TJ.

[00:32:55] Well, you guys don't have been around.

[00:32:57] Uh, flat bush.

[00:32:58] Yeah, right.

[00:32:59] That was a lot of sheets.

[00:33:00] I was like 20s.

[00:33:02] So where do you put like,

[00:33:04] that's new for me.

[00:33:06] Earl sweatshirt and McMiller and fence staples.

[00:33:10] They've been around though.

[00:33:12] Pretty funny.

[00:33:14] Yeah.

[00:33:15] Me and they were, yeah.

[00:33:17] They used to see for me the niggas is still a bit of snow killing.

[00:33:21] It's still killing.

[00:33:22] It's though.

[00:33:23] That's around that time.

[00:33:24] We'll see.

[00:33:25] Listen, in my prejudice, the niggas is still unknown to me.

[00:33:28] I only know like a couple of McMiller songs.

[00:33:31] You know, you know, you don't say anything.

[00:33:34] How's it?

[00:33:35] I'm going to be one right now.

[00:33:36] That's because I'm stuck in my, in my era, my way.

[00:33:39] Just off the top of my head.

[00:33:41] Listening and I don't want to listen to this new shit.

[00:33:44] Let me just drop one on you.

[00:33:45] You should bump aquarium.

[00:33:47] Yeah.

[00:33:48] Buy Mac Miller.

[00:33:50] Jeff, you.

[00:33:53] The end is near with him in absol.

[00:33:56] Abs.

[00:33:57] That's crazy.

[00:33:58] Some shout outs.

[00:34:00] I fucks with abs.

[00:34:01] What about big crab?

[00:34:02] Absolively.

[00:34:03] I mean, there's that.

[00:34:05] Anybody that can drink was talking about in 2013.

[00:34:09] Everybody.

[00:34:11] Pretty funny.

[00:34:12] We could talk about the whole jakele can drink shit.

[00:34:15] Ooh.

[00:34:16] Yeah.

[00:34:17] Is that, yeah.

[00:34:18] Was that played out yet?

[00:34:19] Let's do that.

[00:34:20] So look, were you guys as fans of hip hop upset when he dropped another challenge?

[00:34:27] I think Kendrick keeps sparking lyricists to do stuff.

[00:34:32] Which is cool.

[00:34:33] I'm not mad at that.

[00:34:34] I just don't think Drake is part of the big three like that.

[00:34:37] It's all, it's all opinion.

[00:34:39] He's not in my big three, but that's just,

[00:34:42] You're just, that's just off what I listen to.

[00:34:45] The Palmer Squares.

[00:34:46] The Palmer Squares.

[00:34:47] The Palmer Squares.

[00:34:49] Those were the muffins that came up over the last couple years.

[00:34:52] Consistent too.

[00:34:53] Yeah.

[00:34:54] Every single night.

[00:34:55] Answering the question.

[00:34:56] Young-wend-in.

[00:34:57] What question?

[00:34:58] What question?

[00:34:59] This, this new beef that is occurred.

[00:35:03] Who's side you taking?

[00:35:05] Oh, even who's side you?

[00:35:06] Did you guys answer?

[00:35:07] I don't even care about somebody.

[00:35:08] I'm letting y'all answer.

[00:35:10] I don't care either.

[00:35:11] Kung Fu Kenny.

[00:35:12] They're both legends.

[00:35:14] I know when they ask a question.

[00:35:15] I said what y'all think.

[00:35:17] I didn't ask who side you take.

[00:35:18] I said what you think.

[00:35:19] What did you think?

[00:35:20] You didn't say what you thought.

[00:35:21] That is true.

[00:35:22] So, so you want to know what I think?

[00:35:24] Yeah.

[00:35:25] All right.

[00:35:26] Well, here we go.

[00:35:27] I want to say what I think.

[00:35:28] You know, it's for somebody like Jay Cole

[00:35:33] to not only want, like sit there and kind of like,

[00:35:39] well, not kind of like, but for somebody like Jay Cole

[00:35:42] to sit there and bash somebody else for no particular reason.

[00:35:47] seemingly.

[00:35:48] I don't know if they had previous B for some

[00:35:50] spark that, but for him to do that,

[00:35:52] definitely seems out of character.

[00:35:53] He apologized.

[00:35:55] Which raises even more flags.

[00:35:57] But for him to do in the first place kind of raises

[00:36:00] questions, I mean, yeah, he and every rapper

[00:36:03] both in Brags and Tosh talk shit like on the best.

[00:36:06] No, nobody could ball a lot.

[00:36:07] It's a competitive sport.

[00:36:09] But for, you know, somebody to get that personal like

[00:36:13] something had to happen.

[00:36:14] And if nothing happened, what's the reason for it?

[00:36:17] And then on top of that, why do he apologize?

[00:36:19] Right.

[00:36:20] All of his fishy, right?

[00:36:22] Like I don't trust any of it.

[00:36:24] Kendrick made Jay Cole drop a 12 song like E.P.

[00:36:30] Ish.

[00:36:31] He made him.

[00:36:32] Yeah, yeah, literally.

[00:36:33] Yes.

[00:36:35] Jay Cole said the reason why he did the album was kind

[00:36:38] of in response to the Kendrick shit.

[00:36:40] Kendrick dropped his first.

[00:36:42] So that like fuel to him.

[00:36:43] And we're talking shit about Jay Cole.

[00:36:46] A little bit.

[00:36:47] You go a bit.

[00:36:48] Well, then why did Jay Cole apologize?

[00:36:51] That's like okay.

[00:36:53] That's like you were saying that's rabbit.

[00:36:54] That's right.

[00:36:55] He's out of his character.

[00:36:56] Okay.

[00:36:57] Kind of not who he is and he respects Kendrick's.

[00:37:01] And then, and then act not worth it, I guess.

[00:37:03] Only one of the songs was like kind of getting at Kendrick

[00:37:07] specifically.

[00:37:08] There was like one seven minutes drill.

[00:37:10] One through yeah, exactly.

[00:37:11] One through eleven was like all just kind of jade Cole doing his.

[00:37:14] I listened to the whole album sitting on top of a

[00:37:17] per listen to that song first because that songs put out first

[00:37:20] before the album.

[00:37:21] It's the battle.

[00:37:22] Yes.

[00:37:23] And I was like, oh yeah, he definitely went off.

[00:37:25] Like what happened there.

[00:37:26] So I assumed something happened.

[00:37:28] I don't follow Kendrick went first.

[00:37:30] Either way, I liked that it fueled him to make an album.

[00:37:33] That's like, well, that's pretty neat.

[00:37:36] So I don't know.

[00:37:41] I get, I guess I get where J. Cole's coming from and why he went

[00:37:51] throughout that he went because that is what I would kind of expect him to do.

[00:37:57] That's what you're saying.

[00:37:58] But why in the first place, right?

[00:38:01] But why going on in the first place?

[00:38:03] Because he can't look like a big.

[00:38:05] Maybe just to show that he can.

[00:38:06] But you made, like, I don't know if you did 12 songs.

[00:38:10] Actually, he did that.

[00:38:11] But like you definitely did that one song after he did it and

[00:38:15] you must have felt some type of way.

[00:38:17] And Kendrick put out a shit win.

[00:38:20] Like a week before the 12 came out.

[00:38:22] I know a date.

[00:38:24] March 20th.

[00:38:28] The thing is this year.

[00:38:32] Yeah, yeah.

[00:38:33] And then J. Cole went and did 12 songs just since then.

[00:38:38] He put it out together.

[00:38:40] So did he, do you think he had 12 songs?

[00:38:43] He probably had a couple songs already and he just threw like that one in there.

[00:38:48] Okay.

[00:38:49] Oh, this guy.

[00:38:50] So that's you got you see a J. opinion?

[00:38:53] All right, can I interject?

[00:38:56] No, no, yeah.

[00:38:57] So.

[00:38:58] Damn.

[00:38:59] It's going to help with this.

[00:39:01] No, I'm just fucking pushing.

[00:39:03] So originally it was the, it was the Drake shit with J. Cole that big three.

[00:39:10] It was that that sparked the whole thing.

[00:39:13] It's just big me.

[00:39:14] It's it's just a big three, because they were saying that it was just them three at

[00:39:18] the top of the game.

[00:39:19] Like Kendrick Drake and Cole.

[00:39:23] Oh, yes.

[00:39:24] So.

[00:39:25] But that's what you compliment.

[00:39:27] Right.

[00:39:28] But all your dogs getting buried.

[00:39:30] I don't understand what's going on.

[00:39:31] But Monday gets hip-hop.

[00:39:33] Okay, with all the money gets hip-hop.

[00:39:34] It's a shit.

[00:39:35] It's a shit.

[00:39:36] You don't share the top with nobody.

[00:39:37] There's a clear cut.

[00:39:38] Okay.

[00:39:39] The top.

[00:39:40] You know, Monday get there's no recognition for second Monday get you lost.

[00:39:44] First loser.

[00:39:45] I understand.

[00:39:46] So, hello.

[00:39:47] Some finish.

[00:39:48] Let me finish.

[00:39:49] You said your shit.

[00:39:50] Yeah.

[00:39:51] I wanted to say.

[00:39:52] He retaliated almost with his shit.

[00:39:56] Now, nigga, with that being said of this is hip-hop.

[00:40:01] This is a Tyler to sport.

[00:40:02] By the way, this is a blood sport.

[00:40:04] You know what I'm saying?

[00:40:05] Hip-hop was a blood sport by the, if you said something about somebody.

[00:40:10] You better have said it right and stand by it.

[00:40:13] Yeah.

[00:40:14] If you're going to put it out there or the boat's in a bragging about it.

[00:40:17] And then, you know, behind the scenes is whatever or.

[00:40:20] Where did it come from?

[00:40:22] Huh?

[00:40:23] Where did all that come from?

[00:40:25] What do you talk about?

[00:40:26] Initially, everything happened.

[00:40:28] Like, just because it was mostly, the rapper is mostly street niggas.

[00:40:32] It's a competitive sport.

[00:40:34] It was mostly street niggas.

[00:40:35] You're almost disin their street credibility.

[00:40:37] You're like hurting their business almost, which is the same thing of hurting

[00:40:42] fucking sales.

[00:40:43] And then if you disin-body to the main street music,

[00:40:46] got a hold of this.

[00:40:47] And they decided to avoid it.

[00:40:49] Hold on.

[00:40:50] Hold on.

[00:40:51] Yes.

[00:40:52] We're talking about this situation here.

[00:40:54] Probably.

[00:40:55] Hold on.

[00:40:56] Okay.

[00:40:57] So in essence, my nigga.

[00:41:02] K-dot is established in dominance.

[00:41:05] He's like, fuck no.

[00:41:07] Fuck a big three.

[00:41:08] It's just big me, which is exactly what he said in his shit.

[00:41:12] Okay?

[00:41:14] By Janko, retracting his fucking statement and retracting his track or taking down

[00:41:22] his track.

[00:41:24] Because he removed that shit too.

[00:41:25] No, he didn't.

[00:41:26] Oh, he just a lot.

[00:41:27] He said he was going to.

[00:41:29] Yeah.

[00:41:30] But he has yet to do it, which is fucking smart.

[00:41:32] Because nigga, don't fucking do it.

[00:41:33] No, yeah.

[00:41:34] If you don't fucking do it.

[00:41:35] That's like, okay.

[00:41:36] Like don't.

[00:41:37] Just leave it up.

[00:41:38] But anyway, you're conceding to the public.

[00:41:42] You're conceding with the apology and the fucking takedown even

[00:41:47] with the apology bro, you're conceding right off the bat.

[00:41:51] How are you already saying that you're a better artist than me?

[00:41:56] That's what that say in the real hip hop stance.

[00:42:00] You're saying, yeah, it's just big you.

[00:42:04] We just little niggas on the block.

[00:42:06] Maybe he said fuck up here.

[00:42:08] Maybe he said no, but I mean, I think he's not nigga in essence by apologizing

[00:42:13] that quick and not letting it right because Monday got the end of the day.

[00:42:18] These niggas could be homies.

[00:42:19] This is just fucking exactly.

[00:42:20] This is literally.

[00:42:21] He made.

[00:42:22] He made.

[00:42:23] This is literally back there.

[00:42:24] He made a dick.

[00:42:25] That was over too long.

[00:42:26] Okay.

[00:42:27] So what?

[00:42:28] So what?

[00:42:29] My nigga.

[00:42:30] Okay.

[00:42:31] My nigga.

[00:42:33] Just like in any argument between friends, sometimes you can get a little personal

[00:42:37] because you know that person and it just comes out off of the heat of the moment.

[00:42:41] But this is why I hate media because they make it seem like that they're not.

[00:42:46] I'm not seeing this.

[00:42:47] But we'll see that right.

[00:42:48] I'm talking about the real.

[00:42:50] I'm not talking about.

[00:42:51] I want to say.

[00:42:52] I'm talking about hip hop.

[00:42:53] Hold on.

[00:42:54] Let me.

[00:42:55] Let me drive this.

[00:42:56] I'm just.

[00:42:57] I'm driving into the hip hop public.

[00:42:59] Let me.

[00:43:00] That was the last point.

[00:43:01] But to the overall thing in the hip hop realm and that a competitive room.

[00:43:07] J. Cole just conceded the K dot.

[00:43:09] There's no way you can put K dot.

[00:43:12] I mean, I'm J. Cole over K dot now because he conceded himself.

[00:43:17] You didn't let the masses say, oh, yo, this was fire.

[00:43:20] That was fire.

[00:43:21] Did mother fucking Jay Z conced the fucking loss or the other way around?

[00:43:26] No, no, no.

[00:43:27] I said nothing.

[00:43:28] No, I can't just they just kept going or just disappeared.

[00:43:31] Exactly.

[00:43:32] Yeah, yeah.

[00:43:33] Fuck out of here.

[00:43:34] You don't do that in the rap world.

[00:43:35] You just lost sales now.

[00:43:36] You just lost belief in you now.

[00:43:38] Is that how you feel?

[00:43:39] I've, yeah, that's how I feel.

[00:43:41] I was a bitch move, Rowan.

[00:43:42] It's part of you wanted to big Jay Cole fan in the first place.

[00:43:44] I was.

[00:43:45] I am, bro.

[00:43:46] I am.

[00:43:47] I fucking never heard you once.

[00:43:48] Stop it.

[00:43:49] Stop it.

[00:43:50] Simply shit.

[00:43:51] So do you like him lessen now?

[00:43:53] Did you lose respect?

[00:43:56] It's not that I don't like his catalog less.

[00:43:58] Right, you still don't.

[00:43:59] You still don't.

[00:44:00] I just think of him a little differently now.

[00:44:05] Why?

[00:44:06] Because my nigga on any track, regardless of if it's a track together,

[00:44:10] it's a feature with whoever.

[00:44:12] You're still looking to kill the track and be better than everybody else, right?

[00:44:15] Yeah, but you still don't know that.

[00:44:17] So it's a game beef.

[00:44:19] You know, it's not even about that.

[00:44:21] It's just the, it's just the fucking knowing that.

[00:44:24] It's just us three.

[00:44:25] We're going to go back and forth between the three of us.

[00:44:28] That's made a great fucking music also with that.

[00:44:30] And it's for the fucking culture.

[00:44:32] Shroom.

[00:44:33] You backed out on that.

[00:44:34] You bitched up on that.

[00:44:36] Can I retort you?

[00:44:37] Wouldn't be don't to see, but can I retort him?

[00:44:39] No, he bitched up on it.

[00:44:40] But he's always said that he's not that guy.

[00:44:43] It's not even about being that guy.

[00:44:45] I understand where the apology came from.

[00:44:48] He's always, I understand what it was for, okay?

[00:44:52] They make another fucking track after his shit explaining or put your apology in that.

[00:45:01] Subliminally instead of saying it out loud like that.

[00:45:04] Okay, so all of this is just a play to keep us fighting each other.

[00:45:09] No, it's no, it's a play to keep us fighting each other because they don't want us to fucking band together.

[00:45:14] They want to keep us fucking divided.

[00:45:17] Right?

[00:45:19] Like the whole reason why the battle rap, though they spit it.

[00:45:23] They're already the fucking competition.

[00:45:25] The whole reason why the battle rap became popular is because it was,

[00:45:29] It was causing turmoil and separating and they knew it would cause,

[00:45:33] It would cause, you know, later on, they could control shit.

[00:45:37] It goes overboard.

[00:45:39] There was a plan in place, right?

[00:45:41] Like they don't do this shit on fucking accident.

[00:45:44] They don't just produce music just to fucking,

[00:45:49] they think it's good.

[00:45:50] You think they think it's good?

[00:45:52] It's kind of unneeded energy to do the people,

[00:45:55] the companies that put this music out don't even listen to it.

[00:45:58] No, that should tell you something, right?

[00:46:00] Oh fucker.

[00:46:01] That should tell you something.

[00:46:03] Controversy sells though.

[00:46:05] I mean, that is a fake.

[00:46:06] That's why they just want to be found in that battle rap shit.

[00:46:12] You could disain to exes.

[00:46:14] I like the art of that shit.

[00:46:16] I just don't like when it becomes real beef.

[00:46:19] I'd rather it just be, if must sport.

[00:46:23] Just a sport and people kind of, you know,

[00:46:27] outwitting each other or doesn't even have to be going at each other.

[00:46:31] But just challenging each other to be like better lyricist.

[00:46:35] It doesn't have to be like, you know, you getting shot over this type shit.

[00:46:39] That's what I was escalated.

[00:46:41] That's my point.

[00:46:43] That's not escalated.

[00:46:44] I don't think so.

[00:46:45] Yes, that's what really the apology.

[00:46:47] Really?

[00:46:48] That's how it escalated?

[00:46:49] Yeah.

[00:46:50] I don't see it as that.

[00:46:52] I don't see it.

[00:46:53] I did not see J.C.

[00:46:55] J.C.

[00:46:56] Seven-minute track as some escalation.

[00:46:59] Yes, some deep escalation shit because number one,

[00:47:02] that's not J.C.

[00:47:03] I'm not saying that track in particular.

[00:47:06] And this is more of a, uh, uh,

[00:47:08] I got a w-

[00:47:10] Can you guys say it?

[00:47:11] Yeah, listen.

[00:47:12] Just tracking and we're just going on.

[00:47:14] Let's just because you feel that way, Emma.

[00:47:16] Bro, I'm sure a lot about fucking felt to say,

[00:47:18] Wait, bro.

[00:47:19] What I would say.

[00:47:20] J.C.C.

[00:47:21] Was not the type to be like, yo, clip up,

[00:47:22] nigga, let's go and ride it now for the real.

[00:47:24] That's no fucking way.

[00:47:25] There's no fucking way.

[00:47:26] That's not okay.

[00:47:27] There's no fucking way.

[00:47:28] That's not okay.

[00:47:29] No, no.

[00:47:30] He's, any time he talking about clip up,

[00:47:32] killer, dig a blower or an artist,

[00:47:34] he's talking about literally smoking a nigga.

[00:47:37] Right.

[00:47:38] You know what I'm saying?

[00:47:39] That's already known, but that's not even a different interpretation.

[00:47:43] Yeah, but that's not how cold moves.

[00:47:45] Yeah, that's not that good.

[00:47:46] So when he went at, um,

[00:47:50] with that jab, it's just,

[00:47:52] it's not even a jab.

[00:47:53] It was almost like us, uh,

[00:47:56] noticed to everybody else in the game

[00:47:58] that it's just the us three at the top.

[00:48:01] Y'all niggas is fighting for force and fit.

[00:48:04] You know what I'm saying?

[00:48:05] In the rest of the spots.

[00:48:06] Yeah, yeah.

[00:48:07] So then when you got K dot taking the fucking dominance

[00:48:10] of the number one, you know what I'm saying?

[00:48:12] What I was trying to say was that divide that that cause

[00:48:17] is that people that works,

[00:48:19] bloing that they, they were trying to cause

[00:48:22] out on purpose because, you know,

[00:48:24] they don't want us to band together.

[00:48:26] You know, they, they want us to remain divided.

[00:48:29] They don't want us to preach about a similar cause

[00:48:32] because in the 90s, it was a lot about,

[00:48:34] oh, hey, um, this is the man.

[00:48:37] They're holding us down.

[00:48:39] You know, we're trying to work and get back.

[00:48:41] If you listen to any like 90s hit,

[00:48:43] yes, if you listen to any 90s hit,

[00:48:45] it was all, not all.

[00:48:49] Let's get free.

[00:48:50] It was either love.

[00:48:51] It was either love or against the government

[00:48:54] and the system.

[00:48:55] You don't hear that anymore.

[00:48:58] That's my point.

[00:48:59] It's because they're going after shit that just distracts people

[00:49:03] and it just entertains the masses or make some numb.

[00:49:07] The, the, the, the wrap that they have it all,

[00:49:10] all, all you can say this,

[00:49:11] it was hip hop back then.

[00:49:13] Right.

[00:49:14] Now it's something different.

[00:49:15] Hey, hold on.

[00:49:16] Back then, they were wrapping about shit that actually

[00:49:18] mattered, but they had to shut that shit down.

[00:49:20] They got popular and they realized it was too popular.

[00:49:22] Wait a minute.

[00:49:23] Wait a minute.

[00:49:24] You guys are taking it a little bit too far here.

[00:49:26] I'm taking it to the hip hop.

[00:49:28] Just to the competitive competitive.

[00:49:30] Yeah, because that's not true.

[00:49:35] Because even back in the day,

[00:49:37] should the hell gang had a beef with a,

[00:49:41] uh, uh, uh, the, uh, furious five.

[00:49:44] Canterr S1.

[00:49:45] You know what I'm saying?

[00:49:46] Keras 1 had beef.

[00:49:48] No Vaseline.

[00:49:49] African Bobbata and Namedigas.

[00:49:51] You know,

[00:49:53] I'm saying, and then cannabis rocket, you know,

[00:49:55] I'm saying they were beef all throughout hip hop's history.

[00:49:59] And they were just lyrical beef.

[00:50:01] It was just on our style is better than yours.

[00:50:05] And that's how it gets better.

[00:50:07] Chicks than y'all from the competition.

[00:50:09] Rock the, uh, the show is we rock.

[00:50:12] You know, can't get the venues we get.

[00:50:14] Talk to us.

[00:50:15] You know, I'm saying your lyrics ain't like this.

[00:50:17] They're not as versatile as you know.

[00:50:19] You're saying, you're lyrics ain't like this.

[00:50:21] They're not as versatile.

[00:50:23] I like me.

[00:50:24] Your DJ can't spin like this.

[00:50:26] You know, I'm saying it's a competitiveness between skill and style.

[00:50:31] And present.

[00:50:32] And present, you know, I'm saying presentation.

[00:50:34] Yeah.

[00:50:35] That's what I mean.

[00:50:36] And I'm what I'm, what cut it before the fucking,

[00:50:40] Before the competition even started.

[00:50:43] I feel you.

[00:50:44] Ken Drake started to cooking up.

[00:50:46] What his response saying no fuck that.

[00:50:48] I'm not sharing the top.

[00:50:50] It's just me.

[00:50:51] Nigger, you can't jump on it and say what you say.

[00:50:56] Yeah.

[00:50:57] He took it too far in his flow.

[00:50:59] It got it.

[00:51:00] He was filling himself at the time and got into it and said something.

[00:51:05] Yeah.

[00:51:06] Because he's close with the nigga knows the nigga.

[00:51:09] That's how hip hop is bro.

[00:51:11] I'm not gonna deny it.

[00:51:13] I'm not gonna deny it.

[00:51:15] I'm not gonna deny it.

[00:51:16] So I'm not gonna deny it.

[00:51:17] Fucking ride.

[00:51:18] I feel you.

[00:51:19] I got to say something on that way.

[00:51:21] I agree.

[00:51:22] Let it fucking ride.

[00:51:23] Why are you apologizing for saying no.

[00:51:26] I'm number one.

[00:51:27] Why do you want to share the top?

[00:51:30] This ain't no fucking share the game, nigga.

[00:51:33] Bro, it's not 1990.

[00:51:34] You don't say it.

[00:51:35] No, no, but nigga, but hold up.

[00:51:37] Do we do they not fight for charts?

[00:51:40] Number one on Billboard charts.

[00:51:42] Do they not fight for a number one spot at the end of the day?

[00:51:45] Most dreams.

[00:51:46] Some fucking, in all that shit.

[00:51:48] No, nigga.

[00:51:49] Some people.

[00:51:50] Everybody fights for that.

[00:51:51] Number one spot on a fucking Billboard on a chart or on a streaming list.

[00:51:55] There's an argument because that's a money value for them and a pocket.

[00:51:58] If you're talking about just the industry and also recognition is well in the

[00:52:02] fucking hip hop community, nigga yo, my shit got number one over Yoshi.

[00:52:09] You know, back in the day, nigga's that's how it was.

[00:52:13] If yo album got number one, yo, yo shit.

[00:52:16] You don't mean you got cloud.

[00:52:18] Nobody can say shit about yo shit.

[00:52:20] Well, shit's changing now.

[00:52:22] That way before the internet.

[00:52:23] Yeah, there's people that do have hell of fucking shit.

[00:52:26] So it means less and streams and views that aren't dope.

[00:52:30] But at the end of the day, the hood talks.

[00:52:32] You know what I'm saying?

[00:52:34] These niggas in the rap game, they, they go, no, they go, no.

[00:52:38] They don't feel who was hot when they dropped a shit.

[00:52:42] They go, no, regardless of streams and spins now and all that shit.

[00:52:46] They're going to know exactly who's feeling what?

[00:52:50] Okay, nigga's just going to talk about it.

[00:52:53] This is going to be podcast.

[00:52:54] There's going to be reviews.

[00:52:56] There's going to be all that actually we are talking about right now.

[00:52:59] Exactly. That's what I'm saying.

[00:53:01] But that's the essence of the hip hop though bro.

[00:53:03] That's why you, that's why he's here.

[00:53:06] That's very, that's what makes this so fucking great.

[00:53:10] And that's why I'm so disappointed at the same time.

[00:53:13] I feel you because he didn't let that shit rot.

[00:53:15] Okay. So let's take it.

[00:53:16] I get disappointed.

[00:53:17] Absolutely.

[00:53:18] How do you feel, sir?

[00:53:19] I see your point.

[00:53:21] I get that whole side.

[00:53:23] It's good for the culture.

[00:53:24] It's competitive.

[00:53:25] But at the same time, what if he simply just doesn't want to engage in that?

[00:53:30] And he still keeps putting out fire ass music.

[00:53:33] Does it even matter then?

[00:53:34] They might make it go through it.

[00:53:36] Go do it.

[00:53:37] I can shit that everyone likes any smell.

[00:53:39] You can do it in the first bite.

[00:53:40] Exactly.

[00:53:41] Exactly.

[00:53:42] That's why I was saying, that's a low key.

[00:53:44] That's a bit too much.

[00:53:45] I get that.

[00:53:46] That's a bit too much.

[00:53:47] Maybe just to show that like he can't go there.

[00:53:49] But it's not he did.

[00:53:50] Fucking apologize for it.

[00:53:52] And then don't respond after that.

[00:53:53] Yeah.

[00:53:54] No, he's very, very, very cold on.

[00:53:55] The apology makes you look fucking weak.

[00:53:57] Well, he just has to chew that his mom, right?

[00:54:00] Regardless, my nigga, that's like Mama Jokes on a black dude.

[00:54:03] He's really mean that when they say fuck it.

[00:54:05] Yeah, but like, come on.

[00:54:09] And then especially if he hears the other thing because especially if there was like some form of truth or something that rubbed them the wrong way.

[00:54:18] I don't know you offer to any text items like, yo, what the fuck was that?

[00:54:22] But here's the other thing.

[00:54:23] They don't make it public.

[00:54:24] If they are, if they are that good a friend.

[00:54:27] Don't make it public.

[00:54:28] Apologize to him.

[00:54:29] He would have shown and then make good music after it.

[00:54:31] He would have shown.

[00:54:32] He would have showed Kendrick that track before he even released it if they were that good a friend.

[00:54:37] Look, all I'm saying is, all I'm saying is as an artist, the apology makes him look weak and less credible.

[00:54:45] I'm serious.

[00:54:46] So can I say this?

[00:54:47] So if he ever comes on the track talk about he'll smoke a nigga if he's on his bike.

[00:54:52] I'm going to look at that nigga twice and be like, nigga, lirically, you might do it, but you're going to turn around and write this nigga in the apology note.

[00:55:00] He never said that.

[00:55:01] He's never said that.

[00:55:02] Did you get up there?

[00:55:03] So what you're going to do?

[00:55:04] But he said, lirically, he's always referenced him being better than certain rappers or better

[00:55:13] than assertion, kind of that way.

[00:55:15] You know what I'm saying?

[00:55:16] J. Cole has always said that.

[00:55:17] Don't you don't know that.

[00:55:18] Bro, he's always said that.

[00:55:20] Okay.

[00:55:21] Okay.

[00:55:22] Hold on.

[00:55:23] That's okay.

[00:55:24] Absolutely.

[00:55:25] Can I finish?

[00:55:26] Go ahead.

[00:55:27] He also did a whole song where he said, I'm not.

[00:55:29] I feel like I'm the middle child because I'm looking out for the younger ones and encourage

[00:55:33] him to do better and then rapping with the legends on the other side of it.

[00:55:37] Right, but he's talking about, hold on.

[00:55:39] I'll see how I'm not done.

[00:55:40] Go ahead.

[00:55:41] Go ahead.

[00:55:42] He did theville and Symbushit and literally never said nothing about killing anybody, bro.

[00:55:49] And I respect that.

[00:55:50] Don't say if she don't want to be saved.

[00:55:55] He comes fast like 911 in white neighborhoods.

[00:55:58] So the fact that we live in this telephone tough guy, fucking screen-watching shit talking

[00:56:09] in world, bro.

[00:56:10] Everybody feels like they're opinion counts.

[00:56:12] He put a fire out before it became a fire, bro.

[00:56:17] Like Drake versus XTencione and that tension where Niggas and Streets felt like they could

[00:56:24] use that as something where you don't like this nigga.

[00:56:27] I don't like this nigga, so we're beefing about it.

[00:56:31] He put that shit out before it became a big thing because for real Niggas, J. Cole versus

[00:56:36] Kendrick is almost fight material.

[00:56:40] That's okay.

[00:56:41] Going back then why I put it out in the first place?

[00:56:43] Because I put it out as a single before the whole album even dropped because I'm not a bitch

[00:56:49] because of what you said, the healthy competition if I didn't get it.

[00:56:52] Then let it respond.

[00:56:55] If I didn't respond, if I didn't respond, J. I would be pissed about that.

[00:56:58] They saw that competition from the get-go because it drew a crowd of meat and then

[00:57:04] it exploded into a lot of other things.

[00:57:07] There was already turf turmoil with gangs and then this just attitude.

[00:57:12] It's helped.

[00:57:13] It helped make it more dangerous.

[00:57:15] And then the California Kendrick Niggas and then the fucking meat.

[00:57:19] We need to be joining it together.

[00:57:21] We're not biggie in part.

[00:57:23] We need to be joining the gas.

[00:57:25] This is not being linked up.

[00:57:27] That's what J. Cole was supposed to perform was this even close.

[00:57:30] I did.

[00:57:31] Hey, bro, first on Nobody Set It.

[00:57:33] You said it.

[00:57:35] But this is what he said.

[00:57:36] This is what he's making it out to be how it's people in LA, Kendrick's people

[00:57:41] who is ready to clip.

[00:57:43] That's what you make in his sound like.

[00:57:45] He put out a coastal beef before it started.

[00:57:49] He's a type shit.

[00:57:50] You know what I'm saying on that caliber?

[00:57:51] Especially with the meat.

[00:57:52] Fucking literally nice.

[00:57:54] When was, you know, besides these females beefing back in forfe and hip hop, when

[00:57:59] was the last time Niggas was actually excited to hear, yo, I can't wait to hear what

[00:58:05] this Niggas bought to drop.

[00:58:08] When was the last time Niggas was excited about fucking hip hop?

[00:58:11] 96.

[00:58:12] Yeah, I don't know.

[00:58:15] I don't know.

[00:58:16] When we thought, okay, so.

[00:58:17] Okay, so.

[00:58:18] So, hello.

[00:58:19] Yeah, that's a big wave in hip hop.

[00:58:21] That's a good argument.

[00:58:22] You know what I mean?

[00:58:23] So, besides these Niggas down south, and it should kind of befing through a fucking

[00:58:27] rapson or that shit.

[00:58:28] That's different.

[00:58:29] That's that young man bullshit.

[00:58:31] You know, that they got going on.

[00:58:33] When was it like really like some lyrical shit?

[00:58:36] Like somebody was on somebody's neck, TV, lyrical or like album type shit to where we

[00:58:43] was like yo, I can't wait to this drop.

[00:58:45] Yo, for me personally, I know it's not numbers wise like you know Drake or some shit,

[00:58:53] but no, it's a brawler for me.

[00:58:56] Okay, but that's the person person.

[00:58:57] That's one person.

[00:58:58] Yeah, this is person person.

[00:58:59] But that's one person.

[00:59:00] I'm the one group.

[00:59:02] That's like waiting for the locks to drop.

[00:59:05] You don't say that's not fair.

[00:59:07] That's what that's.

[00:59:08] Yeah.

[00:59:09] You know what I'm saying?

[00:59:10] TV.

[00:59:11] But when was the last time that was really excited about hip hop?

[00:59:15] Really excited about hip hop other than some trashy ass fucking blue face.

[00:59:22] Dude, yeah, but I said, Jake hold Jocelyn.

[00:59:25] I was like, oh, you know what I'm saying?

[00:59:27] And then oh shit, there's a Kendrick, Jake hold this regardless of his efforts to

[00:59:32] just not.

[00:59:33] I didn't even know there.

[00:59:34] It's it's jabs and competition as good dude.

[00:59:38] You got tight.

[00:59:39] That's like fucking Jay Z and not going at it, bro.

[00:59:43] Yeah, that shit was a little bit different.

[00:59:45] That did not start a burrow beef.

[00:59:49] That was between two.

[00:59:50] Which is shit.

[00:59:51] It did not start a burrow beef.

[00:59:52] It shouldn't.

[00:59:53] Not at all because nigga, let's get it straight.

[00:59:57] Let's get straight at that time.

[00:59:59] Brave hearts would have ran through Rockefeller because Dominic is his brother at the

[01:00:05] time, bro before he died.

[01:00:06] Did you hear that inflection?

[01:00:08] Listen, listen here.

[01:00:09] Listen here, the big up to Rockefeller.

[01:00:12] The big up to Rockefeller at the time, you know, it's Brooklyn till I die but nigga,

[01:00:20] everybody in the hood know new in New York.

[01:00:23] Yeah, right.

[01:00:24] Y'all nigga's as hotly would right now.

[01:00:26] Yeah, right.

[01:00:27] You mean Esco Noss?

[01:00:31] That's one hot album every 10 year average.

[01:00:34] And you think it could occupy?

[01:00:36] You know what I'm saying?

[01:00:38] That type of shit.

[01:00:40] It's good for the fucking culture.

[01:00:44] It definitely is healthy.

[01:00:45] It's good for the fans.

[01:00:47] It's good for the media too because it gets them talking who was better.

[01:00:52] What was your opinion?

[01:00:53] You know what I'm saying?

[01:00:54] We kill you motherfucking ants with a sledgehammer.

[01:00:58] Don't let them come on to you, Danny.

[01:01:01] Because I would do it.

[01:01:02] You remember, you remember Jay Z on on Summer Jam talking about a talking about my deep.

[01:01:11] Yeah.

[01:01:12] Talk about last year you was dancing in ballet.

[01:01:16] I even got the pictures too.

[01:01:18] That don't match your style nigga.

[01:01:20] We don't believe in you.

[01:01:22] Believe in you.

[01:01:23] Live bro.

[01:01:24] You know what I'm saying?

[01:01:26] That's shit cause drama.

[01:01:31] That's not as bad as saying that's why I fucked your bitch.

[01:01:35] You fed one other fucker.

[01:01:38] That's exactly why the East Coast of West Coast we've had.

[01:01:42] That's why nigga's not shot.

[01:01:44] Was harsh.

[01:01:45] You know who shot shit?

[01:01:47] What was that?

[01:01:48] Separate the wheat from the obsolete.

[01:01:50] I can see why he apologized to that.

[01:01:52] No, that's what Shania Twain said.

[01:01:54] Look, then, then send a party to the party.

[01:01:57] Then send a party to the party to the party to the party.

[01:01:59] That nigga's not Twain got bored.

[01:02:02] Then send the apology to that nigga and let the fucking media speculate how the beef got

[01:02:07] squashed allegedly.

[01:02:09] Right.

[01:02:10] Don't fucking put it out publicly like that.

[01:02:12] You look in suspect, my nigga.

[01:02:15] You look in scared of Kendrick.

[01:02:17] You don't say why are you so scared of Kendrick?

[01:02:20] Why are you apologizing to Kendrick?

[01:02:22] I can't understand if he put it out.

[01:02:25] And then he took a eighth of mushrooms.

[01:02:28] And then listen to the track and it's like a fly.

[01:02:31] It's hip hop, bro.

[01:02:32] Why did I do this?

[01:02:34] That's a bit slow, bro.

[01:02:36] That's a bit slow, bro.

[01:02:38] You would do it.

[01:02:39] I just wrong.

[01:02:40] If you have to.

[01:02:41] Some eye opening experience.

[01:02:42] So that's like you drunk texting all night.

[01:02:45] And you tell your ex bitch, I missed you.

[01:02:47] That's exactly what he did.

[01:02:50] Right.

[01:02:51] That's a solution.

[01:02:52] That's a solution.

[01:02:53] That's a piece of a disappear.

[01:02:55] That's a man out.

[01:02:57] That's a piece of a piece of a book.

[01:02:59] You need some peace, bro.

[01:03:00] You need some peace.

[01:03:01] That's a bit skinny.

[01:03:02] That's the best move because I don't tell you.

[01:03:04] You're getting a throw.

[01:03:05] Thank you.

[01:03:06] I drunk texted my ex.

[01:03:08] You're fucking faggot.

[01:03:10] You're a bitch.

[01:03:11] Why did you do that?

[01:03:12] You won't do it.

[01:03:14] You don't get what I'm trying to say.

[01:03:15] No, I don't.

[01:03:16] Because this is not where we're talking about.

[01:03:18] No, you took a two.

[01:03:19] Better all.

[01:03:20] You didn't go away to literal.

[01:03:22] I just, I mean, I think he.

[01:03:25] From the bottom on it from where what I'm explaining.

[01:03:28] If what what you guys are accepting,

[01:03:30] I got a different view of what hip hop was or is.

[01:03:33] I mean, I understand.

[01:03:35] You're a definitely.

[01:03:36] I see you're sorry.

[01:03:37] You stuck in 1995.

[01:03:39] Everybody's got to ask.

[01:03:40] I see you're sorry.

[01:03:42] You feel like.

[01:03:45] However, we, we tend to.

[01:03:47] Agreed.

[01:03:48] Most of time.

[01:03:49] I'm on mute.

[01:03:50] I'm okay.

[01:03:51] I'm okay with disagreeing.

[01:03:52] I'm okay with having.

[01:03:54] And yeah, I like that.

[01:03:55] Yeah, I might listen to some shit.

[01:03:57] You guys don't like the advisors.

[01:03:59] But at the same time.

[01:04:01] This is a opinion.

[01:04:02] I like the other side.

[01:04:03] Because turmoil between us.

[01:04:05] You know, so why should it cause turmoil?

[01:04:07] Now, but the next time I see you.

[01:04:09] If fucking if you're a brim for jaco,

[01:04:11] I might.

[01:04:12] I'm late.

[01:04:13] She whip up.

[01:04:14] Now I'm just kidding.

[01:04:15] But I'm just kidding.

[01:04:16] Now I was going to say,

[01:04:17] Kenny Lothdon's is open.

[01:04:18] I'm just kidding.

[01:04:19] So even though you're in East Coast,

[01:04:21] you've got a nice one.

[01:04:23] You go for Kendrick?

[01:04:25] Um, yes.

[01:04:28] In this dance.

[01:04:29] I'm going back back to Kassie.

[01:04:33] You're going back to Kassie.

[01:04:34] I apologize.

[01:04:35] Absolutely.

[01:04:36] Didn't even apologize.

[01:04:38] He said he felt out of his own person.

[01:04:41] That was the character.

[01:04:42] He said he felt out of character.

[01:04:44] That's not where he wants to put his energy.

[01:04:46] That's not what he's about.

[01:04:47] And then that's what you respond when when when when.

[01:04:50] And then you respond when you respond.

[01:04:52] He says his bros were hyping him up and right.

[01:04:54] You got a response.

[01:04:55] You're argument.

[01:04:56] Are you?

[01:04:57] I think I'm a jaco.

[01:04:58] Hey, hey, hold on.

[01:04:59] Hold on.

[01:05:00] Can't say something.

[01:05:01] That's not that.

[01:05:02] Jay Cole, can you reach out to us?

[01:05:03] Let us know right now.

[01:05:04] Paulion the Porsche.com.

[01:05:05] 72051259.

[01:05:08] Paulion the Porsche Gmail.com.

[01:05:10] Let us know where your home is hyping you up because we want to know.

[01:05:15] Like, Nick, because I feel like that was.

[01:05:17] I feel like that was a real argument.

[01:05:20] You're argument.

[01:05:21] But at that point, my, if you argue me,

[01:05:24] you got to get a coin.

[01:05:25] But then at that point,

[01:05:27] I'm going to get him all the respect code.

[01:05:29] You should have stood on business after you crumbled under fucking pressure like that.

[01:05:34] I mean, he's like, he didn't get no you apologize.

[01:05:38] He put that apologize.

[01:05:39] He might be in.

[01:05:40] He, he could die.

[01:05:41] Is that right?

[01:05:42] No apology.

[01:05:43] What you said?

[01:05:44] He never said, I'm sorry.

[01:05:46] He, he, I don't care.

[01:05:48] He apologized, bro.

[01:05:49] That was five years.

[01:05:50] That was the layman shit.

[01:05:51] He apologized.

[01:05:52] He felt bad about doing it.

[01:05:54] He apologized.

[01:05:55] Eminem said he felt bad about, uh,

[01:05:57] uh, I'm sorry, Mama.

[01:05:59] 20 fucking years later.

[01:06:02] Do you say that to his mom?

[01:06:04] He said it.

[01:06:05] He said it.

[01:06:06] He said it.

[01:06:07] He said it.

[01:06:08] He said it.

[01:06:09] He said it.

[01:06:10] He said it.

[01:06:11] He said it.

[01:06:12] He said it.

[01:06:13] He said it.

[01:06:14] He said, he said it.

[01:06:15] He said it.

[01:06:16] He said it.

[01:06:18] You know what?

[01:06:19] I know what you're talking about?

[01:06:20] You're talking about.

[01:06:21] They didn't interview you to ask him.

[01:06:22] He said he said he said that.

[01:06:23] He said I love her.

[01:06:24] He said, he said, yes.

[01:06:25] He said, yes.

[01:06:26] He's fucking way to 20, 40 years damn near to respond.

[01:06:28] And to say that and he said, you know what?

[01:06:30] I know what you're talking about.

[01:06:31] What do you talking about?

[01:06:32] He didn't interview you to ask him.

[01:06:33] He said, you know what?

[01:06:34] To be honest.

[01:06:35] I really felt bad about it.

[01:06:38] Thinking about it.

[01:06:39] You know, after, to, to but during the fucking fact, my nick or he stood on business because

[01:06:43] because he put it out and that's what the fuck he was trying to put out.

[01:06:47] Eminem also made a song. He's through.

[01:06:49] Did on fucking business, my nigga. That's what I'm saying, bro.

[01:06:52] You recorded it.

[01:06:54] Well, he did feel that way at some point.

[01:06:55] Exactly.

[01:06:56] Yes.

[01:06:57] Exactly. Whether it was out of character for you or not like you,

[01:07:01] something moved you to fucking put that out and fucking say what you said.

[01:07:07] Like you stand on it.

[01:07:08] Do you think maybe he said something that was a little bit too deep of a cut?

[01:07:12] Yes. And then, and then, and then, can you just like,

[01:07:15] Hey, man.

[01:07:15] My nigga, that's not coming tomorrow.

[01:07:17] Day pause. That was me.

[01:07:19] My nigga.

[01:07:20] So that's like saying, okay, I'm going to touch the stove, no one is hot.

[01:07:24] But because I'm only going to tap it,

[01:07:26] I'm only going to get burned a little bit.

[01:07:29] You know what I'm saying? My nigga, that's, you said how you said that with the iron is ready.

[01:07:35] My nigga.

[01:07:36] Did you say just the tip analogy?

[01:07:39] Exactly.

[01:07:39] Yeah.

[01:07:41] Can I have a response?

[01:07:42] Not that. But you said,

[01:07:43] by the way, you said what you said.

[01:07:44] Tip of the thing. He got like I said.

[01:07:47] Tip of the tongue.

[01:07:48] The emotions got in.

[01:07:49] So he got carried away and because he knows shit about that nigga, it got put in.

[01:07:55] Niggas is hip hop.

[01:07:57] Bro, Niggas have said worse

[01:08:00] that have known each other in these fucking rap circuits, nigga.

[01:08:05] These niggas know each other in the fucking daily.

[01:08:09] And they be talking about the kids today, fucking face.

[01:08:13] I love how much he is in this because it's fucking hip hop.

[01:08:17] My nigga, like, and I like that you like the hip hop.

[01:08:19] At the end of the day. At the end of the day.

[01:08:21] But I really like fucking words.

[01:08:22] I really, I really, words of word play.

[01:08:24] I think I needed to attach a little bit though.

[01:08:26] Can I ask your question?

[01:08:28] Oh, no why?

[01:08:29] My nigga, why is that the kid?

[01:08:30] Because you're eating too much into what is being said about it?

[01:08:36] For sure.

[01:08:38] Did the culture itself, and that's what's been said about it.

[01:08:40] What I'm mad about is the culture effect, bro.

[01:08:42] Because you're going to have a multitude of motherfuckers now.

[01:08:49] Getting into beefs or getting into fucking hip hop squabbles or whatever back and forth.

[01:08:54] Good old fist of cuffs.

[01:08:56] No, no, not even. Not even.

[01:08:57] Oh, joke it.

[01:08:58] And you're trying to get around and turn around.

[01:09:01] Fucking pussy.

[01:09:02] And turn around and using an apology or like a big man moment

[01:09:07] as a move to be like, oh, I won this because I took the high road and been

[01:09:13] and said, yo, let's stop. Let's not do this now.

[01:09:18] Okay, that's fine in Dandy.

[01:09:20] That's fine in Dandy.

[01:09:21] But the way he's doing it, you're setting a precedent for hip hop now.

[01:09:25] It's a pretty conscious reference.

[01:09:27] That's just kind of his name because you're not looking at it.

[01:09:31] Okay, you can disconnect really fine.

[01:09:33] You can disagree.

[01:09:34] You know why I did it to make you mad because

[01:09:40] because the fuck did he did it?

[01:09:42] Oh shit.

[01:09:44] But should not have anything to do with it, please.

[01:09:46] He's like, you know what?

[01:09:48] Not my patience.

[01:09:49] I don't know why he did it.

[01:09:50] I don't know why he did it.

[01:09:51] I don't know why he did it.

[01:09:52] We do.

[01:09:53] I mean, I understand.

[01:09:55] No, we don't.

[01:09:55] Tell me, yes, can we?

[01:09:56] I understand the move.

[01:09:57] I understand the under way.

[01:10:00] I understand the mentality in doing it.

[01:10:03] Okay.

[01:10:04] Nick, don't see my business.

[01:10:05] The NAs Nick is his dangerous and you know, you don't never know.

[01:10:08] I understand.

[01:10:09] Do you know how bad Jack this would be?

[01:10:11] I'm not sure why.

[01:10:12] Listen, I listened to that fucking seven minute song and fucking K-D I shit.

[01:10:18] Back to back for hours.

[01:10:20] Even off.

[01:10:22] Okay.

[01:10:22] They both do.

[01:10:24] Yeah.

[01:10:24] I mean, they both do.

[01:10:26] Not in the end.

[01:10:27] And you were in that fucking seven minute track that I feel like was this

[01:10:33] Nick was really talking about running up on K-Dot.

[01:10:39] Not with violence.

[01:10:40] That's what I'm saying.

[01:10:42] That's what you should.

[01:10:43] You're argument.

[01:10:44] Regardless of regardless of whatever reference you talk about was a low

[01:10:48] people making out the low, below or whatever.

[01:10:50] Is it called them a double crossing mud muncher?

[01:10:54] And now he's angry.

[01:10:55] Oh, so now we have some context.

[01:10:56] Do that.

[01:10:57] Okay.

[01:10:57] Here we go.

[01:10:58] Here we go.

[01:10:58] Here we go.

[01:10:58] Now we got some context.

[01:10:59] He said, Martin, Wim, double crossing.

[01:11:02] My mind muncher.

[01:11:03] He said it clearly.

[01:11:04] So let them maybe they are friends.

[01:11:07] They're just feelings.

[01:11:08] Maybe maybe maybe, you know, there's a reason why he put that out.

[01:11:12] So look, Nick, because we're so close.

[01:11:14] There's certain shit that I expect jobs to know that you shouldn't say.

[01:11:17] Okay. So K-Dot put a shit out first.

[01:11:19] So I had a question.

[01:11:20] What did he say?

[01:11:21] Hold on, hold on.

[01:11:22] He might have put something out there.

[01:11:23] Let him go because he said I haven't let him talk.

[01:11:26] The big three shit in a big three is big me.

[01:11:29] That's just a dope line.

[01:11:30] K9's, Nicka for you.

[01:11:32] Yeah.

[01:11:33] Dog like he dope was fucked.

[01:11:34] He just basically said I'm the best and I hope you guys respond to this.

[01:11:37] I want everybody to hear it.

[01:11:39] And if you baiting him, he was doing a jab on the edge of the burger.

[01:11:44] A burger.

[01:11:45] A burger.

[01:11:45] And cool.

[01:11:46] Yeah, yeah.

[01:11:47] Drake was like, nigga, I'm not saying anything.

[01:11:50] Because he's an R&B singer because he needs 21 to do something.

[01:11:54] Yeah.

[01:11:54] He's R&B singer.

[01:11:56] That's why.

[01:11:57] You know, I know you're not talking about me, but I still feel

[01:12:00] not.

[01:12:01] I still feel this is a record.

[01:12:02] And then Drake stepped aside, J. Cole instead of.

[01:12:07] Yeah, because he can completely get a kid from the world.

[01:12:10] He made a fucking LP and EP bro.

[01:12:13] He released 11 songs and then one response because it was that inspired by it.

[01:12:19] Hold on, but because of what?

[01:12:21] What is it?

[01:12:22] Because of what?

[01:12:24] And I see because of your argument because he probably had all those.

[01:12:28] He doesn't want to look like or appear like he's afraid of Kendrick or bitch.

[01:12:33] He can release a whole track or I mean, a whole album.

[01:12:36] Yes, my nigga.

[01:12:37] Sort of just one track.

[01:12:38] Sort of.

[01:12:39] So like it was the first song on the album that's about to come out.

[01:12:42] Type shit.

[01:12:43] So in the, how about, like, fuck you, I'm going to do one song and then right now.

[01:12:49] Do the whole album.

[01:12:50] Kendrick's shit was just one.

[01:12:53] Kendrick just dropped the one.

[01:12:54] Yeah, okay.

[01:12:55] That's why I'm asking him.

[01:12:56] He said, oh, came out with the fucking, the whole album.

[01:13:00] But then put the risk.

[01:13:01] Look on, I'm not going for fucking facts.

[01:13:03] We need talking.

[01:13:04] This is the facts.

[01:13:06] It was the big three shit with Drake in fucking J.O.

[01:13:09] And then K dot came out with his fuck, fuck the big three is just big me.

[01:13:15] And then it was just the one.

[01:13:18] Okay?

[01:13:19] Then J.O. came out with the seven minute track.

[01:13:24] But the seven minute track was attached to the fucking album.

[01:13:27] But he put out the seven minute shit first as a single.

[01:13:31] Yes, it did because I didn't see anything else.

[01:13:34] But then it was on.

[01:13:36] It was on.

[01:13:37] It was like, it was on purpose.

[01:13:39] It was like, fuck that.

[01:13:40] He did that.

[01:13:41] Why did he do that?

[01:13:42] Because it was back to back.

[01:13:43] Yeah, he did the seven minute track and then I went to bed.

[01:13:47] It was that one.

[01:13:48] It was Wednesday.

[01:13:49] He dropped that and then tried.

[01:13:51] It wasn't even that.

[01:13:52] It wasn't even that.

[01:13:53] I feel like.

[01:13:54] I just got I listened to the seven minute track.

[01:13:59] Whatever night that was went to bed woke up and then there's a whole hour.

[01:14:04] Then you listen to it on Thursday night and then Friday morning.

[01:14:08] That might be no, because I heard it on Wednesday.

[01:14:10] Yeah.

[01:14:11] I heard it on Wednesday and then you're trying to make it.

[01:14:14] You're trying to make it on your sleeping.

[01:14:16] Fuck yeah.

[01:14:17] You're gonna drink.

[01:14:18] Jank call.

[01:14:19] You know, it's Jank call.

[01:14:20] I was saying he the one we're gonna bed.

[01:14:24] Songs are only three minutes.

[01:14:25] Okay, so then explain the the retraction then.

[01:14:29] Because of his personality when you're hyped up, when your homies were like,

[01:14:32] Niggas, did you hear that?

[01:14:34] Can't trick shit?

[01:14:35] What you bought to do bro, what are you going to do?

[01:14:37] Did you hear that shit?

[01:14:38] And you hear that continuously?

[01:14:40] Hold on.

[01:14:41] I got a question.

[01:14:43] I had a question for like 30 minutes.

[01:14:45] Why are songs only three minutes?

[01:14:47] Because it's hard.

[01:14:48] It's hard to keep people's attention.

[01:14:51] I don't know about that.

[01:14:52] Two minutes in 50 seconds.

[01:14:53] They should be like 20 minutes long, Niggas.

[01:14:55] I don't know what's going on.

[01:14:56] But your dance is really smart.

[01:14:58] Six years.

[01:14:59] Inch and on.

[01:15:00] It's because they they tell a story with the dance that goes on.

[01:15:04] They have to time they just rescrimin in the guy with 60 pounds of ass grinding

[01:15:09] when you throw it.

[01:15:10] That's why it's so easy to forget the song has been on for that one.

[01:15:16] Wow.

[01:15:17] You're not really even paying attention to this song.

[01:15:18] I mean, that's make sure forget.

[01:15:20] That's not really it.

[01:15:21] It's just not an asnesia.

[01:15:22] Annesia?

[01:15:23] Asnesia.

[01:15:24] Asnesia.

[01:15:25] Asnesia.

[01:15:26] Conflas is not an asnesia.

[01:15:28] As to growing type of music but okay.

[01:15:31] It's more of a song.

[01:15:33] I know how it's hard.

[01:15:34] We're going to going.

[01:15:35] We fucking beat this horse.

[01:15:37] Hey, or not growing to growing.

[01:15:38] I don't beat animal.

[01:15:39] We got to buy.

[01:15:40] We got glue now.

[01:15:42] Solcer.

[01:15:43] Okay, Elmer.

[01:15:45] Morangay style.

[01:15:46] No, no.

[01:15:48] No.

[01:15:49] No.

[01:15:50] That's my question.

[01:15:51] Yes, I do.

[01:15:52] I do it.

[01:15:53] I go ahead.

[01:15:54] So I know you were saying it's just words which I agree but is there a point where

[01:16:00] you can go too far or say some that crosses boundaries and where is that boundary?

[01:16:07] Or is it different for every rapper which yeah probably is.

[01:16:11] He tells us different.

[01:16:12] He tells us different.

[01:16:13] Where's the boundary where it's more than just a competitive hip hop battle.

[01:16:18] So where it's really on some.

[01:16:20] All right, nigga.

[01:16:21] I have to hit your fucking mouth.

[01:16:23] We're ever there uncomfortable.

[01:16:24] What I mean is the digital age.

[01:16:26] You know exactly what he says.

[01:16:29] Hold on.

[01:16:30] Where in the digital age?

[01:16:31] So nowadays we'll know exactly when somebody gets rubbed the wrong fucking way

[01:16:35] on a track because they're going to say something about it right away not on a track.

[01:16:40] Okay.

[01:16:41] So that's when you know it's different nowadays.

[01:16:45] Andrew did in say shit publicly tweet nothing like that.

[01:16:49] He responded through fucking his track.

[01:16:54] Cole came back with his fucking track and then ensemble of a fucking album.

[01:16:58] He already had that album.

[01:16:59] Well regardless, you know what I'm saying?

[01:17:01] He made it.

[01:17:02] He made it.

[01:17:03] Yeah he made it.

[01:17:04] He made it.

[01:17:05] He made it.

[01:17:06] He made it.

[01:17:07] He made it.

[01:17:08] He made it.

[01:17:09] He made it.

[01:17:10] He made it.

[01:17:11] He made it.

[01:17:12] He made it.

[01:17:13] He made it.

[01:17:16] He even tried to use the moment to put out something controversy.

[01:17:21] So is it response?

[01:17:23] No, nigga.

[01:17:24] Kendrick did one fucking track.

[01:17:26] You could have went back and forth from just did freestyle.

[01:17:29] Like you've been doing in between fucking albums and shit like that.

[01:17:33] You little snippets here and there.

[01:17:35] Why do you have to bring out the whole EP too?

[01:17:37] That's even not like you as well.

[01:17:39] Could he have been apologizing really about that?

[01:17:43] No just that one.

[01:17:44] That he used the spotlight in the beef as a fucking platform to drop some shit.

[01:17:50] So his whole album gets more of a pop this time.

[01:17:55] It took a good business.

[01:17:56] It's hard.

[01:17:57] He could be, I mean I would take the apology or whatever the fuck he said publicly

[01:18:02] as that.

[01:18:03] He trying to get a dollar and a dream.

[01:18:06] Guarantee, both are albums of blow, the fuck up.

[01:18:09] Absolutely.

[01:18:10] Guarantee.

[01:18:11] Because it's making it a bit more tension.

[01:18:14] We're talking about this.

[01:18:15] You heard it here first, folks.

[01:18:17] You punk ass drinks out of the way.

[01:18:19] Like even when 50 cents said, yo I bet you I sell more albums in Kanye West.

[01:18:25] Niggas fucking bought people that weren't going to buy the album, nor do they fucking

[01:18:31] bought one or the other anyway.

[01:18:34] It's good for the fucking culture, bro.

[01:18:36] It's good for the culture.

[01:18:37] I'm not sure.

[01:18:38] I can argue that.

[01:18:39] Contravers.

[01:18:40] You're absolutely right.

[01:18:41] But I was saying when does it go too far?

[01:18:43] Give me like a personal relationship.

[01:18:45] You'll know when you know I feel like you're not.

[01:18:48] I feel like you'll know.

[01:18:49] You might say, because there's one line in there that, let me put this on you.

[01:18:56] You personally, let me put this on you.

[01:18:58] One line.

[01:18:59] You are a famous rapper that everybody's tuning into.

[01:19:04] Everybody knows you.

[01:19:07] You give me a battle, not even some real life of beef yet, but you just get into

[01:19:12] a new book, battle with another MC that's held a dope.

[01:19:16] It's getting hella ratings everybody's tuning in.

[01:19:21] What does he have to say to you before you're like an off-road fucking you?

[01:19:27] What needs to be said personally to you, what would get you?

[01:19:34] Because there's got to be a boundary as something like that.

[01:19:37] No, no, no, no.

[01:19:38] I absolutely got a tipping point to where it's like, not that fuck you.

[01:19:42] Now this is more than rap or this is more to hip-hop.

[01:19:45] What is the rapper have to say to you?

[01:19:47] I mean, something that you're just like, I think it's something that's like completely

[01:19:51] public.

[01:19:52] Like friends.

[01:19:53] So I know like, you know what I'm saying?

[01:19:54] Like it's got to be like something like a past personal thing.

[01:19:58] You know what I'm saying or event or that's okay because that more than seven digits

[01:20:04] from your bit.

[01:20:05] I mean, I can give a fuck about a big old school back in the day, big.

[01:20:09] It would have to be like something like about my family members.

[01:20:13] You know what I'm saying?

[01:20:14] Okay, so if there's a bar but it had to be like an old sense that you know, me really

[01:20:19] sensitive thing that my fuck is with no like yo, that nigga had that nigga went

[01:20:24] wow, with their shit back in the day.

[01:20:26] You know what I mean?

[01:20:27] What if it's not even something you know or he knows what if it's just him saying some

[01:20:33] wild shit and he's saying what if he says something anything about like Harmon, your

[01:20:38] family or someone you love.

[01:20:40] But it's just a bar.

[01:20:41] Because on the block talks shit about killing your mom's rope him up in the basement

[01:20:46] so the rapper says that.

[01:20:47] So if rappers says that to you personally, it's at you a diss track you you call it it.

[01:20:53] I'm not taking it literally.

[01:20:56] Right.

[01:20:57] I'm not taking it literally fair.

[01:20:59] I'm gonna be upset as in.

[01:21:01] So like you say anything.

[01:21:04] Anything.

[01:21:05] I can't wait no take my thing.

[01:21:06] Take my thing.

[01:21:07] I'm just gonna go down and buy him in terms of in terms of.

[01:21:12] And just respectful that can get.

[01:21:14] But my nigga if you're trying to show somebody,

[01:21:20] literally that you're better than in some than them sometimes you're going to get

[01:21:25] disrespectful.

[01:21:26] Is there a line to that?

[01:21:29] I just said it if you bring up some old true.

[01:21:32] She only if it's personal.

[01:21:34] Some sensitive personal shit.

[01:21:36] You know what I'm saying?

[01:21:37] Disembow moms, I don't care.

[01:21:40] Disembow grandmoms, I don't care.

[01:21:42] Disembow kids, I don't care.

[01:21:44] Do it.

[01:21:45] Say you want to spend time actually having that.

[01:21:47] I don't care because it's exactly.

[01:21:49] Okay.

[01:21:50] We're getting back to a factual.

[01:21:51] Okay.

[01:21:52] We're getting back to a factual.

[01:21:53] To a light where it's now public and you're exploiting it type shit.

[01:22:00] That's where it's like all right, nigga.

[01:22:02] That's what happened.

[01:22:03] Which I can't get.

[01:22:04] I don't think so.

[01:22:05] How?

[01:22:06] I don't know.

[01:22:07] You tell me exactly.

[01:22:08] Get out of here.

[01:22:09] I don't think so.

[01:22:10] I don't think that's exactly why you.

[01:22:13] That's the only reason why you're getting.

[01:22:14] Because he's a fucking, he's a.

[01:22:18] I just don't think so.

[01:22:19] I think because of how he came with his response in the beginning,

[01:22:28] I don't think he would take J. Cole's response in any way as a literal fact or

[01:22:33] as a literal type deal.

[01:22:36] What you get?

[01:22:37] It's all metaphorical.

[01:22:38] Right.

[01:22:39] You know what I'm saying?

[01:22:40] It's all.

[01:22:41] That's it should be.

[01:22:43] It's not.

[01:22:44] You know what I'm saying?

[01:22:46] That's for exposure.

[01:22:47] You know what I mean?

[01:22:49] It's not.

[01:22:50] Here's our albums now.

[01:22:51] It's for the shock value.

[01:22:53] It's for the, ooh.

[01:22:54] They want this.

[01:22:55] Damn.

[01:22:56] Ooh.

[01:22:57] That's a bar damn.

[01:23:00] I mean he's killing them.

[01:23:02] Yeah, why you why.

[01:23:04] Yeah.

[01:23:05] But you said it.

[01:23:07] That's why.

[01:23:09] They're standing on it.

[01:23:10] It's hip hop, my nigga.

[01:23:12] Why are you, why are you afraid of hip hop being hip hop?

[01:23:16] Why are you afraid of showing that?

[01:23:19] That's definitely against the norm.

[01:23:21] You know what I'm saying?

[01:23:22] Why are you afraid of that?

[01:23:23] The only thing that I can think of is that.

[01:23:25] Is that he, there was a, like you said, a personal cut.

[01:23:30] There was something maybe really just a little bit too personal for Kendrick and he

[01:23:36] texted him was like, yo what the fuck?

[01:23:37] Maybe then keep a personal bro.

[01:23:39] Then keep a personal.

[01:23:40] Let's get.

[01:23:41] But that because we're like, you don't know what it is.

[01:23:44] We still don't know what it is.

[01:23:45] He felt like that would make it up.

[01:23:46] Keep a personal.

[01:23:47] Why are you making it?

[01:23:48] He's not like he's had to make a public.

[01:23:50] But you make his own public.

[01:23:52] He has to apologize public.

[01:23:54] He's making his own public.

[01:23:55] He's a human being.

[01:23:56] He's a human being.

[01:23:57] He has to apologize public.

[01:23:58] So he has to apologize public.

[01:23:59] I'm going to say that.

[01:24:01] It's possibly.

[01:24:02] Let me know.

[01:24:03] I was saying, let me know.

[01:24:04] I was saying, we're just saying.

[01:24:05] I understand what you're saying.

[01:24:06] I understand what you're saying.

[01:24:07] But it's been 12, 120.

[01:24:08] And they know each other like that.

[01:24:13] You know how many times rappers be like?

[01:24:15] We would love to interact with you.

[01:24:16] This nigga just pick up the phone and hit me up if it was beef like that.

[01:24:20] They could say what they want to say on the wax.

[01:24:22] But nigga, if it's beef like that, you know my number.

[01:24:26] You hit me up how many times do you hear that?

[01:24:28] You know what might be worse than that though and correct me if I'm wrong.

[01:24:32] Because I know there's a lot of music out there.

[01:24:35] But I feel like J.D.C. and the locks in general went 8 shit on 50 cent.

[01:24:43] And I didn't hear any response.

[01:24:45] 50 and less I just was missing shit.

[01:24:48] Kill your mom.

[01:24:49] But they were your cops.

[01:24:50] They were your girl.

[01:24:51] Oh shit.

[01:24:52] Principal Nigga.

[01:24:53] What?

[01:24:54] What was 50 saying?

[01:24:55] Oh my god.

[01:24:56] Nigger.

[01:24:57] Did he go off like that?

[01:24:58] They had mixed tapes going back and forth at each other.

[01:25:02] Oh, bro.

[01:25:03] Did.

[01:25:04] So you know any specific songs were 50 was talking about them specifically.

[01:25:10] Like going at.

[01:25:11] Yeah, no.

[01:25:12] There was of quite a few tracks where they went specifically at these niggas bro.

[01:25:15] Okay, I need to do.

[01:25:16] Yeah, no.

[01:25:17] They took one bar for bar with the locks alone.

[01:25:20] Not bar for bar for like in slot.

[01:25:22] In whatever freestyle or underground track that they had, they definitely mentioned

[01:25:29] a few bars about the locks and saying J to kiss.

[01:25:35] Styles and then sheek.

[01:25:38] And then they moved on with the freestyle.

[01:25:40] What is it as dope is J to and style shit?

[01:25:44] Bro, have we heard checkmate?

[01:25:47] No, but see this is a thing.

[01:25:48] You're not.

[01:25:49] But listen, listen.

[01:25:50] Have you heard checkmate?

[01:25:51] Yes, I have.

[01:25:52] But this is the thing though with 50 cent in G unit it was more on that funny funny hip

[01:25:58] pop shit.

[01:25:59] They were on that fucking joky joke shit.

[01:26:01] The locks was a different breed.

[01:26:03] They were more gully with they fucking with they jabs.

[01:26:07] You know what I'm saying?

[01:26:08] I was just saying it kill your moms kill your pops kill your girl.

[01:26:12] That's discipline.

[01:26:13] They were doing shit like that.

[01:26:15] They were doing comical jabs throughout their fucking freestyles and then keeping it

[01:26:21] going but made like a whole mix tape around.

[01:26:27] You know, within them jabbing and doing all this other funny shit and fucking skits

[01:26:33] and all that other bullshit.

[01:26:34] You know what I'm saying?

[01:26:35] They fucking how G unit battled the locks was in sales.

[01:26:41] That's how they viewed they won.

[01:26:44] The locks battled G unit in rhymes and that gully shit.

[01:26:49] That's how they viewed they won.

[01:26:51] You're saying not so wish a second album.

[01:26:54] Exactly.

[01:26:55] You don't say it.

[01:26:56] It was more like straight atom bar for bar like when fucking beanie seagull when I

[01:27:00] fucking the locks for fucking for jz.

[01:27:07] That was fucking bar for bar track for track going head to head.

[01:27:13] You know what I'm saying?

[01:27:14] And then the shit squashed and overwip.

[01:27:17] He was talking about killing.

[01:27:20] But no, but he was talking about killing back and forth murder mayhem.

[01:27:26] You're cruel.

[01:27:27] You're not the person who that's right.

[01:27:30] That's right.

[01:27:31] Nick is in the crude oil because that was right up there alley at the time though.

[01:27:36] Because you know, there was already a gully.

[01:27:38] You got niggas on little niggas on the crude.

[01:27:41] That's wild enough trying to step up and not doing shit that damn niggas is fucking

[01:27:46] telling them to do.

[01:27:47] You know what I'm saying?

[01:27:48] That's the end of the day.

[01:27:49] I'm not I'm not they not liable for these niggas.

[01:27:54] They're not on my insurance plans.

[01:27:56] You still were.

[01:27:58] You know, I just feel like for hip hop as a cop out.

[01:28:03] I think if he's going to take it back or retract what he say, say to that niggas.

[01:28:09] You know, I never thought I would find something that I don't like about hip hop, but

[01:28:12] I think the battle was the best.

[01:28:16] I think the battle was the competition at it.

[01:28:20] There's there's more than that.

[01:28:21] There's the artistry behind it.

[01:28:23] There's money.

[01:28:24] Don't we believe we better do everybody else?

[01:28:26] Yeah, you should believe that.

[01:28:27] You know what I'm saying?

[01:28:28] I think I think that I have a different sounds.

[01:28:33] But that's also like my but my sounds better.

[01:28:35] You also are the best in here.

[01:28:37] I'm saying like, don't don't I mean, I don't even feel like everybody else.

[01:28:42] Even for me to be even me at my very modest.

[01:28:45] All right.

[01:28:46] You do want to feel like that.

[01:28:47] I'm very modest to a fucking point.

[01:28:49] But at the same time it's more like self confidence as well.

[01:28:53] You want to fucking say that you believe and yourself proudly being just a person.

[01:28:57] It's not when you when you wrap like that.

[01:28:59] You don't say anything.

[01:29:01] Exactly.

[01:29:01] For sure.

[01:29:02] You know, I mean, so then why do you win here for a mediocre fucking career in a

[01:29:07] I'm not sure.

[01:29:08] You know, I mean, that's Timmy.

[01:29:09] I do it for the past.

[01:29:10] Yeah, I don't care about what people think about what I do.

[01:29:13] I do.

[01:29:14] But your passion.

[01:29:15] I do for the past.

[01:29:16] Right.

[01:29:17] But your passion, you know, I'm saying you believe nothing's going to tell you that what

[01:29:22] you put down is sorry if somebody tells me they don't like it.

[01:29:25] I'll be like, exactly.

[01:29:27] Don't fucking matter because you think they should have lost time.

[01:29:30] I ask somebody listen to you.

[01:29:31] Yeah, everyone has a different preference because I like to know that gives me an idea.

[01:29:36] You know, not always, you know, everybody's cup of tea might be Ayahuasca and Assels.

[01:29:42] Of course you can.

[01:30:11] You told you one.

[01:30:20] Put that shit on there.

[01:30:21] Don't do it on your personal page.

[01:30:22] Don't you?

[01:30:23] Got you.

[01:30:24] Yeah.

[01:30:25] Yeah.

[01:30:26] Because I actually blew up.

[01:30:27] Yeah, that was pretty amazing.

[01:30:29] I looked at it.

[01:30:30] I didn't even expect the 55.

[01:30:32] Yeah.

[01:30:33] I was like, whoa.

[01:30:34] I didn't even expect the, so like that.

[01:30:37] That shit would look good on a polypic.

[01:30:39] It's great.

[01:30:40] So yeah, noted.

[01:30:41] Make sure you make sure you get it on the next one.

[01:30:45] Ah, she was about to get sold into a marriage if you wanted to.

[01:31:08] She didn't want to be a ferocious.

[01:31:11] She didn't want to be a ferocious.

[01:31:13] She didn't want to be a ferocious.

[01:31:14] She didn't want to be a ferocious.

[01:31:15] She didn't want to be a ferocious.

[01:31:16] She didn't want to be a ferocious.

[01:31:17] Oh, they're all the same.

[01:31:18] They're all the same.

[01:31:19] You're going to die with their store and the plan.

[01:31:21] So she made the boat hit the iceberg on purpose.

[01:31:25] No, she just did it.

[01:31:26] Move over on purpose or self-resamance.

[01:31:28] Yeah, they don't want to get the take.

[01:31:30] I don't know.

[01:31:31] I'm on the next one.

[01:31:32] Yeah, I'm on the next one.

[01:31:43] I'll be a little personal about it.

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