The Discovery Revisited - Batch 3 - Episode 10

[00:00:06] I know, I know we just finished with this episode last batch, but it's important to remind ourselves exactly where we left off.

[00:00:14] Also, it's nice to hear Alan's voice again.

[00:00:17] Not to spoil anything, as this should not be your first episode, but Noah and Sarah haven't been together since the end of Batch 2.

[00:00:25] Noah's fate is looking bleak and the real Sarah's location is still unknown.

[00:00:29] All I know is that I've received messages from both phones. However much hope we can glean from that.

[00:00:35] So, here it is. Our last revisit. Episode 10 from Batch 3. The Discovery.

[00:00:45] Is this thing recording? How do I... Oh, sweet. A timer. Okay.

[00:00:53] Uh... Uh... Stranger?

[00:00:57] It feels weird to be addressing you when I don't fully believe you exist. Like you're God or something.

[00:01:04] Actually, that's what Noah uses you like. Like it's a prayer he sends out into the ether and you're his guardian angel.

[00:01:10] Ready to call the troops together to save him. It's cute.

[00:01:15] The fact that you're not here banging down the door doesn't help you in the case of your existence.

[00:01:19] Not that I think there's much you could do even if you were real.

[00:01:22] I'm Alan. I realize I should have started with that. So... Yeah. Hi.

[00:01:34] This is awkward.

[00:01:36] He always seems happier after recording a message. Like it gives him purpose.

[00:01:40] I see it as therapy. Him just getting it all off his chest and bypassing on the info feeling like he's being productive.

[00:01:47] I need that too.

[00:01:50] I had an ex who was so desperate to get me into therapy.

[00:01:53] He'd say,

[00:01:53] It doesn't have to be me.

[00:01:55] But you need to talk to someone.

[00:01:58] Say it out loud and have it be heard.

[00:02:01] So I guess that's what you've become, stranger.

[00:02:05] Therapist to the dregs of the Denver Deep.

[00:02:08] And I guess now that includes me.

[00:02:13] I'm not a bad guy.

[00:02:15] I'm just like a...

[00:02:17] Guy... guy.

[00:02:18] Not a man's man. Just like...

[00:02:21] What am I trying to say?

[00:02:25] I'm flawed. Yes.

[00:02:28] And I'm not a villain.

[00:02:30] I spent enough time serving my country for causes I wasn't allowed to question,

[00:02:34] so I figured I should spend some time serving my wallet for yet another cause I wasn't allowed to question.

[00:02:39] You follow?

[00:02:40] The United States provided me with an incredible array of martial skills

[00:02:44] that are very difficult to monetize in the real world beyond being a mercenary.

[00:02:48] And as far as mercenary gigs go, I figured this was a chill one.

[00:02:52] Private security in an undisclosed facility.

[00:02:55] Six month contract.

[00:02:56] Enough money to buy a plot of land.

[00:02:58] Felt like a no brainer.

[00:03:00] I wasn't expecting words like kill squads or secret cults.

[00:03:04] I promise.

[00:03:06] I thought I was going to play police for a bunch of science nerds.

[00:03:09] And that's what it was to start.

[00:03:10] The police for nerds thing.

[00:03:12] An easy first three months checking into unauthorized access to restricted areas, patrolling the corridors, carrying a big gun.

[00:03:19] I was just a mascot for intimidation.

[00:03:21] But then all of a sudden I have to dive headlong into nightmare caverns chasing captives.

[00:03:28] Mind blown.

[00:03:32] creatures and reality checks and lab built soldiers.

[00:03:38] All I wanted to do is go home.

[00:03:41] This wasn't what I signed up for.

[00:03:44] I was okay with being a guard at the monster factory,

[00:03:47] so long as I didn't have to be a monster.

[00:03:55] I'm not a bad guy.

[00:03:59] And, well,

[00:04:00] As far as I'm aware,

[00:04:05] Alan is dead.

[00:04:07] This message was just mixed up in the batch

[00:04:09] as they always are,

[00:04:10] and while I had a vague idea

[00:04:11] of where it would fit in chronologically,

[00:04:13] it just, you know, wasn't relevant.

[00:04:16] Yet.

[00:04:19] Really cool information,

[00:04:20] but just not really part of Noah's journey,

[00:04:22] which is currently the only thing

[00:04:24] I'm trying to untangle.

[00:04:25] The only reason I brought it back

[00:04:27] was because I wanted to highlight

[00:04:28] something Alan said.

[00:04:29] He said both lab-built soldiers

[00:04:32] and monster factory.

[00:04:34] Both statements that I think have new relevance

[00:04:36] now that we suspect that this

[00:04:37] might not be the real Sarah.

[00:04:39] It doesn't help us nail down

[00:04:41] whether she's a clone or a robot

[00:04:42] or something else,

[00:04:44] but it does finally give us

[00:04:46] a bit of validation for our theory.

[00:04:50] I think we've gone far enough.

[00:04:52] We've gone as far as I can.

[00:04:54] I need to get the gauze out of the wound

[00:04:55] or I'll heal around it.

[00:04:56] You mind giving me a hand?

[00:04:59] Uh.

[00:05:00] Uh?

[00:05:02] What does it look like back there?

[00:05:03] Uh, just a hole through your shoulder.

[00:05:07] But not gross or anything?

[00:05:09] No, it's really gross.

[00:05:12] Ah.

[00:05:14] Sorry.

[00:05:15] Yeah, you're helping me.

[00:05:16] Nothing to apologize for.

[00:05:20] Oh, oh, you're still bleeding.

[00:05:22] Yeah, it hasn't been long enough to heal yet.

[00:05:24] I don't even think my collarbone has fixed the break.

[00:05:26] Your collarbone is broken?

[00:05:28] Yeah, and then some.

[00:05:30] The puncher's leg was as wide as my wrist.

[00:05:34] I'm surprised it didn't rip my arm off.

[00:05:37] Can you pass me a clean shirt and your belt?

[00:05:40] Why my belt?

[00:05:41] Because my jumpsuit doesn't have one.

[00:05:45] What now?

[00:05:46] I'm gonna wrap it up

[00:05:47] and use the belt to keep pressure.

[00:05:49] Will that work?

[00:05:51] I don't know.

[00:05:53] You have another idea?

[00:05:56] Then let's just wrap it up.

[00:05:58] Ugh.

[00:06:01] This must hurt so much.

[00:06:03] Yeah, the wound less so.

[00:06:05] It's the burning that gets to me.

[00:06:07] Tells me everywhere in my body that I've been injured.

[00:06:10] Even if it's gone numb, the burn stays.

[00:06:13] Could be worse, though.

[00:06:15] I mean, imagine the state of me

[00:06:17] if I didn't have the ability to heal.

[00:06:21] Yeah, but still, I mean...

[00:06:23] It's hard to believe you've lived through what you have,

[00:06:26] given the right of your healing.

[00:06:28] Yeah.

[00:06:31] But, you know, we of course had help.

[00:06:33] Makes it easier to spend time healing

[00:06:35] while on the run that way.

[00:06:37] Ooh, yep.

[00:06:37] A little too tight.

[00:06:38] Oh, sorry.

[00:06:40] That work?

[00:06:41] Ugh.

[00:06:42] Hey.

[00:06:44] I'm a new man.

[00:06:45] Well, given some time, I guess that'll be true.

[00:06:49] So, what next?

[00:06:50] I think I need rest.

[00:06:52] Uh, here?

[00:06:53] It's as good a place as any.

[00:06:56] We have this lovely little nook

[00:06:59] behind those larger pipes, see?

[00:07:01] Are you gonna be okay to crawl back there, though?

[00:07:04] Yeah, I've crawled further in worse condition.

[00:07:07] Plus, looks like we can get deep enough back there

[00:07:10] that we'd be out of sight.

[00:07:12] Okay, fine.

[00:07:13] As long as you don't snore.

[00:07:14] Nobody should hear us.

[00:07:16] Yeah, I don't snore.

[00:07:18] Good.

[00:07:18] Okay, you work on getting yourself tucked away.

[00:07:21] I'm gonna poke around the hallways

[00:07:22] to make sure we're not making camp in a stupid spot.

[00:07:25] Like a game trail?

[00:07:27] Yes.

[00:07:29] I'll be back.

[00:07:37] Right.

[00:07:39] Just making sure I'm still recording.

[00:07:43] This spot isn't so bad once you get under the pipe.

[00:07:45] It's about four feet high and about ten feet deep,

[00:07:49] so there's plenty of space.

[00:07:52] And the entrance is less than 18 inches,

[00:07:54] so nobody will find us unless they get down low.

[00:07:58] Or hear me snoring.

[00:07:59] Yeah, I know I snore.

[00:08:02] Anyone who says they don't know that they snore is a liar.

[00:08:06] Also, Sarah knows about my snoring,

[00:08:08] so another tick in the fraud column.

[00:08:15] She looks like Sarah, sounds like her,

[00:08:17] and mostly acts like her, but...

[00:08:20] I don't know, not the same.

[00:08:23] You know how there was that set of twins in your high school?

[00:08:27] Identical.

[00:08:28] Identical.

[00:08:28] And for whatever reason,

[00:08:29] one of them was the attractive one.

[00:08:31] It's like they had this invisible quality

[00:08:34] that the other didn't have

[00:08:35] that tipped the scales in their balance.

[00:08:37] That's what this Sarah has.

[00:08:39] But that invisible quality

[00:08:41] feels dangerous.

[00:08:43] It gives me that bad feeling in my stomach,

[00:08:45] like when you look off a high edge

[00:08:47] or you're up next to speak in an event.

[00:08:50] Like this nervous fear.

[00:08:57] I'm exhausted.

[00:09:00] My leg hasn't even finished healing,

[00:09:01] and the hole in my shoulder

[00:09:02] just got made a hell of a lot bigger

[00:09:04] by the leg of an intelligent spider robot.

[00:09:08] I don't have the energy to play games like this.

[00:09:12] My body is on fire,

[00:09:13] and I desperately want to find that stupid song

[00:09:16] so I can just heal my way through this faster,

[00:09:17] but no, I have to keep my mouth shut.

[00:09:20] Shit.

[00:09:28] Come on in.

[00:09:29] I dragged in the bags.

[00:09:34] How are we looking out there?

[00:09:36] Looks like service tunnels in every direction.

[00:09:39] There's a doorway not far from here,

[00:09:41] but it's locked or jammed or both.

[00:09:43] Couldn't get it open.

[00:09:45] Any signs to the collective?

[00:09:46] Yeah, all around us.

[00:09:48] But did I see anyone?

[00:09:49] No.

[00:09:51] These tunnels are pretty dead.

[00:09:53] I can't hear water running through most of these pipes,

[00:09:56] and I'm surprised there was a construction site

[00:09:59] down here given that it feels cut off

[00:10:01] from the rest of the facility.

[00:10:03] Good a place as any to hide something.

[00:10:07] You'd think they'd have complete control

[00:10:09] of even the dead levels.

[00:10:11] What purpose could they have for turning a blind eye?

[00:10:15] No idea.

[00:10:17] Maybe because they control the ways in and out,

[00:10:19] it doesn't matter to them what happens inside.

[00:10:21] Well, it's working in our favor.

[00:10:24] And I'm sure these lower levels allow all kinds of security breaches.

[00:10:29] Yeah.

[00:10:30] And hopefully we find more like it.

[00:10:32] We need to get to a shaft.

[00:10:34] Most don't have ladders, though.

[00:10:36] That hurt.

[00:10:38] Yeah, but if we're lucky, we can get a bar

[00:10:40] and we can get some more messages out.

[00:10:42] Oh, right, yes.

[00:10:44] Sorry, it took me a minute.

[00:10:45] Just since I've lost my phone,

[00:10:46] I haven't really thought about the messages.

[00:10:49] Have you been able to receive a message?

[00:10:52] Not as yet, no.

[00:10:54] Shame.

[00:10:58] So what's this stupid song we need to find?

[00:11:02] Every day in the nice little Canadian town

[00:11:04] of Beavermount, Ontario is pretty much the same.

[00:11:08] Folks are polite.

[00:11:10] There's a hockey game that evening.

[00:11:11] And someone gets brutally murdered.

[00:11:17] Sorry About the Murder,

[00:11:19] a very Canadian murder mystery podcast.

[00:11:22] Listen to all of Season 1 now by typing

[00:11:25] Sorry About the Murder

[00:11:26] into your favourite podcast app.

[00:11:29] Ah, but hello!

[00:11:32] Uh...

[00:11:33] She knows!

[00:11:35] Run, Noah!

[00:11:36] Fake Sarah is a clone or a robot or something,

[00:11:39] like Andreas, which means

[00:11:40] the collective has the ability

[00:11:41] to alter their personalities from the originals.

[00:11:44] And if my thinking is right

[00:11:46] and they can custom build the models,

[00:11:48] then Fake Sarah could be incredibly dangerous.

[00:11:51] Noah is far too injured and needs to heal.

[00:11:54] It is not his time to play with fire.

[00:11:59] Uh...

[00:11:59] Song?

[00:12:01] Yeah, to help you heal faster.

[00:12:04] Oh.

[00:12:05] Oh, yeah, yeah, yeah.

[00:12:06] That song.

[00:12:08] You heard that?

[00:12:10] Yeah.

[00:12:10] Was I not supposed to?

[00:12:13] Oh, no, no, no, totally.

[00:12:14] Yeah, you can...

[00:12:15] Right.

[00:12:15] No.

[00:12:16] Uh...

[00:12:16] I have this, like,

[00:12:18] song I play in my head.

[00:12:20] It helps me...

[00:12:21] center.

[00:12:22] You know,

[00:12:23] get in my zone.

[00:12:25] Figured that would help me to...

[00:12:26] you know,

[00:12:27] heal faster or whatever.

[00:12:30] Oh, like,

[00:12:31] a song will do that?

[00:12:32] I mean,

[00:12:33] maybe.

[00:12:34] Couldn't hurt,

[00:12:35] but...

[00:12:36] of course,

[00:12:36] we've been down here so long

[00:12:38] I can't remember the tune.

[00:12:40] But what's the song?

[00:12:42] Uh...

[00:12:43] Get That Money.

[00:12:45] What?

[00:12:46] Get That Money.

[00:12:46] It's a song by Owen...

[00:12:49] Chime...

[00:12:49] Chime?

[00:12:51] Chime?

[00:12:51] I don't know how to pronounce it.

[00:12:53] Never heard of it.

[00:12:54] Damn.

[00:12:56] Uh...

[00:12:57] Don't worry.

[00:12:58] I'm sure I'll remember it.

[00:12:59] Okay, well,

[00:13:00] we should get some rest.

[00:13:01] Smart.

[00:13:02] And we can eat something

[00:13:03] after we wake up

[00:13:04] and come up with a new plan.

[00:13:06] Love that.

[00:13:06] And Noah?

[00:13:08] Yeah?

[00:13:09] You should probably stop recording

[00:13:10] to save your battery.

[00:13:13] Hear that?

[00:13:15] Wind!

[00:13:16] It means we're near another shaft

[00:13:17] or have found a mysterious exit.

[00:13:19] Either way,

[00:13:20] that's a beautiful sound.

[00:13:21] Well,

[00:13:22] it's a good thing

[00:13:23] these tunnels are abandoned

[00:13:24] if you're gonna run around

[00:13:25] giving away our position.

[00:13:27] Giving away our position?

[00:13:29] Okay.

[00:13:30] Don't forget to check your six.

[00:13:31] Charlie could be anywhere.

[00:13:33] I'm not kidding.

[00:13:33] We're far from safe.

[00:13:35] But...

[00:13:36] Wind.

[00:13:37] Yeah,

[00:13:38] but I'm all out of kites.

[00:13:39] Silver lining, Sarah.

[00:13:41] I'm well aware

[00:13:42] that every element

[00:13:43] of our current situation

[00:13:44] is, well,

[00:13:46] far from ideal,

[00:13:47] but

[00:13:47] if we wallow in it,

[00:13:48] it'll eat away at us.

[00:13:50] Like mental trench foot.

[00:13:54] Great visual.

[00:13:55] I'm serious.

[00:13:56] Let's stay as positive

[00:13:57] as we can.

[00:13:59] Sure,

[00:14:00] I'm still a bit of a mess,

[00:14:01] but I'm heaps better

[00:14:02] than when we made camp yesterday,

[00:14:03] and I'll be even better tomorrow.

[00:14:05] Things aren't as bad

[00:14:06] as they could be.

[00:14:07] Let's just move.

[00:14:11] Weird that we haven't seen

[00:14:12] anything in a while.

[00:14:13] Well,

[00:14:14] this is a dead level

[00:14:15] of the facility.

[00:14:16] So was the floor

[00:14:17] with the stonehenge,

[00:14:18] yet there it was,

[00:14:19] full of life.

[00:14:20] I agree.

[00:14:21] That was unexpected.

[00:14:23] Yeah,

[00:14:24] there's a lot of that

[00:14:24] going around down here.

[00:14:31] Any luck remembering the song?

[00:14:33] Get that money?

[00:14:34] Hmm.

[00:14:35] No,

[00:14:35] I've given up on that.

[00:14:38] Good night's rest

[00:14:39] did wonders.

[00:14:40] Bleeding has stopped,

[00:14:41] and

[00:14:42] all the scrapes

[00:14:43] and bruises are gone.

[00:14:44] I don't think

[00:14:44] I even need the song.

[00:14:46] With the food and gear

[00:14:47] you got us,

[00:14:48] I'll be back to tip-top

[00:14:49] in no time,

[00:14:50] so thank you.

[00:14:51] It was no problem.

[00:14:53] How did you end up

[00:14:54] getting all this gear?

[00:14:56] Just raided a storage room.

[00:14:58] It's awesome

[00:14:59] that they had all this gear

[00:15:00] in one spot.

[00:15:00] Yeah.

[00:15:01] I guess they had it ready

[00:15:03] for an away team.

[00:15:04] Lucky us.

[00:15:06] Speaking of luck,

[00:15:11] that was great

[00:15:12] you had that secret weapon.

[00:15:13] Yeah.

[00:15:14] Definitely came in handy.

[00:15:15] And I can't remember

[00:15:16] how you got those,

[00:15:17] what,

[00:15:18] three magnets?

[00:15:19] Only two,

[00:15:20] actually.

[00:15:21] And I wasted the first one

[00:15:22] on shutting that fan

[00:15:23] in the vents.

[00:15:24] That's how I got away

[00:15:25] from Pontchia the first time.

[00:15:26] Right.

[00:15:27] And you found them?

[00:15:29] Yeah.

[00:15:29] Just

[00:15:30] laying around a lab.

[00:15:32] Lucky.

[00:15:34] Very.

[00:15:36] I was...

[00:15:37] So, um,

[00:15:37] sorry, if...

[00:15:38] No, no, you go.

[00:15:39] Are you...

[00:15:39] Yeah.

[00:15:40] No, you go.

[00:15:41] So, what?

[00:15:43] So,

[00:15:44] after we

[00:15:45] get to the shaft

[00:15:46] and get a few messages out,

[00:15:47] we should probably

[00:15:48] start thinking of a plan.

[00:15:49] I thought

[00:15:50] Up was the plan.

[00:15:52] It is.

[00:15:52] Obviously, it is.

[00:15:53] But just

[00:15:54] a question as to how.

[00:15:56] I guess the same way

[00:15:57] we always do it.

[00:15:59] Which is?

[00:16:00] We follow our gut.

[00:16:01] Our gut.

[00:16:02] Well, it always knows the truth.

[00:16:04] Yeah, so long as

[00:16:05] your truth is hunger.

[00:16:06] Nope, I'll follow my brain

[00:16:08] and my brain says

[00:16:09] we need a plan.

[00:16:10] Well,

[00:16:11] then we send the messages out

[00:16:12] and head to that

[00:16:13] secret elevator

[00:16:14] that Norman told us about.

[00:16:16] Right.

[00:16:17] Almost forgot about that.

[00:16:19] We've been through a lot

[00:16:20] since he told us

[00:16:20] and I didn't believe it

[00:16:22] myself at first.

[00:16:23] But

[00:16:24] everything else

[00:16:24] Norman told us

[00:16:25] has come true,

[00:16:26] so why not the elevator?

[00:16:28] Huh.

[00:16:29] We're here.

[00:16:35] You're right.

[00:16:36] That we're here?

[00:16:38] No,

[00:16:38] that we've been through a lot.

[00:16:40] I mean,

[00:16:40] I can't even remember

[00:16:41] where we met Norman.

[00:16:43] Yeah,

[00:16:43] makes sense.

[00:16:44] Trauma tends to warp memory.

[00:16:45] Exactly.

[00:16:47] I wouldn't sweat it.

[00:16:49] It's gonna take a minute

[00:16:50] for these files to send

[00:16:51] and that's if I can even

[00:16:52] get a bar.

[00:16:53] Yeah,

[00:16:53] but shouldn't I know?

[00:16:54] Like,

[00:16:54] wouldn't that help

[00:16:54] trigger the memory?

[00:16:56] Does fellatia mean

[00:16:57] anything to you?

[00:16:58] Fellatia?

[00:16:59] Fellatia.

[00:17:01] Fellatia?

[00:17:03] No.

[00:17:04] Damn.

[00:17:07] Maybe sit on it a bit

[00:17:08] while I try to get a signal.

[00:17:09] I guess.

[00:17:11] I can always...

[00:17:14] Update.

[00:17:15] Got a bar.

[00:17:16] All the messages

[00:17:17] look to be sending

[00:17:18] or in the process of,

[00:17:19] so thanks once again.

[00:17:22] We're,

[00:17:22] I guess,

[00:17:24] deeper than we ever have

[00:17:25] been in one of these shafts.

[00:17:26] It's either nighttime outside

[00:17:28] or we're so deep

[00:17:28] we can't see the top.

[00:17:29] Or both.

[00:17:30] Or both.

[00:17:31] It's really hard to gauge

[00:17:32] the time of day

[00:17:33] when your phone's time is wrong

[00:17:34] and you can't even agree

[00:17:35] on what year it is.

[00:17:37] Why wouldn't we agree

[00:17:38] on the year?

[00:17:39] Oh,

[00:17:40] this is news to you too?

[00:17:43] I'm confused.

[00:17:43] What year do you think it is?

[00:17:46] It's starting to dawn

[00:17:47] on you now,

[00:17:47] isn't it?

[00:17:48] Like it's hard to place

[00:17:50] what life was like

[00:17:51] before heading underground.

[00:17:53] I don't know what you...

[00:17:54] I just figured you'd have

[00:17:55] been in the loop,

[00:17:55] but by the look on your face,

[00:17:57] I'm guessing not.

[00:17:59] Which makes sense.

[00:18:00] Only the original Sarah

[00:18:01] would truly know the year.

[00:18:03] Why would...

[00:18:05] What are you saying, Noah?

[00:18:08] I'm saying we cut the crap, Sarah,

[00:18:10] and talk about

[00:18:10] who you actually are.

[00:18:12] What are you talking about?

[00:18:14] Really?

[00:18:15] I assure you,

[00:18:16] the other Sarah

[00:18:17] was a better actress.

[00:18:19] Who are you?

[00:18:22] Noah,

[00:18:22] this isn't funny.

[00:18:23] Couldn't agree more.

[00:18:25] Now, who are you?

[00:18:26] Put the gun down

[00:18:27] and we can talk.

[00:18:28] Who

[00:18:29] are

[00:18:30] you?

[00:18:31] I'm Sarah.

[00:18:33] You sticking with that answer?

[00:18:36] How long have you known?

[00:18:39] Since he couldn't mend my shoulder.

[00:18:46] Explain myself.

[00:18:47] Who are you?

[00:18:49] You real?

[00:18:50] A robot?

[00:18:51] What?

[00:18:52] I'm real.

[00:18:52] Flesh and blood

[00:18:53] and not a robot,

[00:18:54] as far as I'm aware.

[00:18:55] And I'm Harper.

[00:18:57] Sarah is my middle name.

[00:19:00] Well,

[00:19:02] Harper.

[00:19:03] I can't help but wonder

[00:19:04] what the fuck you're doing here.

[00:19:06] You first.

[00:19:08] Why wouldn't we agree on the year?

[00:19:09] I have the gun.

[00:19:11] Who are you?

[00:19:12] It's 2021, isn't it?

[00:19:14] Cute, you think so.

[00:19:16] You're as lost as me.

[00:19:17] Now again,

[00:19:18] for the last time,

[00:19:19] who

[00:19:20] are

[00:19:21] you?

[00:19:22] Okay, okay,

[00:19:23] I'm the real Sarah

[00:19:24] and your friend is my clone,

[00:19:26] for lack of a better word.

[00:19:28] But Sarah and I

[00:19:29] are very different.

[00:19:30] Oh, yeah, yeah,

[00:19:31] I got that.

[00:19:32] I'm my own unique person

[00:19:34] with my own thoughts,

[00:19:35] feelings, memories.

[00:19:36] She is the replica.

[00:19:37] Why are you telling me this?

[00:19:39] So you realize

[00:19:40] you're aiming your gun

[00:19:41] at a person.

[00:19:42] Just a person

[00:19:43] stuck in this mess like you.

[00:19:45] I don't want this.

[00:19:46] I didn't enjoy being told

[00:19:48] that I have to hunt down

[00:19:49] a version of myself.

[00:19:51] So when I found you

[00:19:52] without her,

[00:19:53] I thought I had my way out.

[00:19:54] How can I possibly

[00:19:55] believe you?

[00:19:57] I've had ample opportunity

[00:19:59] to kill you, right?

[00:20:00] I clearly don't want to.

[00:20:02] I may have been sent here too,

[00:20:04] but that's not what I want.

[00:20:06] I want out.

[00:20:07] Like you.

[00:20:08] You'll forgive me

[00:20:08] if I think you're full of shit.

[00:20:11] Wouldn't Sarah have known

[00:20:12] if she was a clone?

[00:20:13] Not if it's done right.

[00:20:15] So how do you know

[00:20:15] you're not one?

[00:20:17] How do you know

[00:20:18] you're not?

[00:20:19] Because nobody would make me

[00:20:20] on purpose.

[00:20:21] There are better molds

[00:20:22] from which to make soldiers.

[00:20:24] And what about lab rats?

[00:20:26] Fair.

[00:20:28] I definitely have a victim vibe,

[00:20:29] but I'm still the one

[00:20:30] with the gun.

[00:20:32] You're not going to kill me, Noah.

[00:20:34] You're reasonable.

[00:20:35] Just put the gun down

[00:20:36] and we can chat.

[00:20:37] We seem to be

[00:20:38] all right with guns so far,

[00:20:39] so why don't we

[00:20:40] just stay coarse?

[00:20:41] Because at a certain point

[00:20:42] it starts to get embarrassing.

[00:20:44] Yeah, well I'm not so concerned

[00:20:45] with your feelings right now.

[00:20:46] I'm talking about

[00:20:47] embarrassing for you.

[00:20:49] I mean,

[00:20:50] what are you going to do

[00:20:51] with an empty gun?

[00:20:54] You're bluffing.

[00:20:56] Check for yourself.

[00:20:57] You think a double agent

[00:20:58] is dumb enough

[00:20:59] to leave a loaded gun

[00:21:00] with her target?

[00:21:01] Click the button

[00:21:02] on the side.

[00:21:05] So you were bluffing.

[00:21:06] No, I was lying.

[00:21:08] Now it's just you and me.

[00:21:10] You won't risk

[00:21:11] knocking me down the shaft.

[00:21:13] No, I'm going to

[00:21:14] throw you down.

[00:21:15] You asked too many questions.

[00:21:17] Like you said,

[00:21:18] had ample opportunity

[00:21:19] to kill me.

[00:21:19] You need something from me.

[00:21:21] Something I know.

[00:21:22] And whoever is holding

[00:21:23] your leash

[00:21:25] wants me alive.

[00:21:28] You're clever, Noah.

[00:21:30] You're right.

[00:21:31] I do need you alive.

[00:21:33] For now.

[00:21:34] Yeah, well I don't plan

[00:21:35] on coming willingly.

[00:21:36] I was hoping you'd say that.

[00:21:37] And you're going to do what?

[00:21:39] Kick my ass?

[00:21:41] You don't have

[00:21:42] Sarah's strength.

[00:21:43] Or her empathy.

[00:21:49] Where are you?

[00:21:56] Uh-uh.

[00:22:00] That's the last message.

[00:22:02] And, uh,

[00:22:03] I'm not so optimistic

[00:22:04] there will be more.

[00:22:06] I mean,

[00:22:07] how could there be?

[00:22:08] I had hoped that

[00:22:09] the real Sarah

[00:22:10] are Sarah.

[00:22:12] I had hoped that

[00:22:13] she could still be alive.

[00:22:14] But now?

[00:22:16] I mean,

[00:22:17] would the Collective

[00:22:18] send down Harper

[00:22:18] if they thought Sarah

[00:22:19] was still poking around?

[00:22:21] Or would they only send her

[00:22:22] if they knew she was dead?

[00:22:24] We haven't heard from her

[00:22:25] since the onboarding

[00:22:26] and anything

[00:22:27] could have happened to her.

[00:22:29] So what now?

[00:22:31] Does their journey

[00:22:32] end here in defeat?

[00:22:33] Sarah lost?

[00:22:34] Noah taken?

[00:22:41] Not like this.

[00:22:43] The Collective

[00:22:43] doesn't just get to

[00:22:44] sweep this under the rug

[00:22:45] because we don't have

[00:22:46] the resources

[00:22:46] to kick open

[00:22:47] the doors of the facility.

[00:22:48] I get it.

[00:22:50] I'm not Rambo

[00:22:51] or Sarah Connor.

[00:22:52] Not tough.

[00:22:53] But like Noah,

[00:22:54] I can be clever.

[00:22:55] Creative.

[00:22:56] Resourceful.

[00:22:58] I think I just need help.

[00:23:00] There has to be

[00:23:01] other ways

[00:23:02] into the facility

[00:23:02] and someone out there

[00:23:04] knows exactly

[00:23:04] where and how.

[00:23:06] Please,

[00:23:07] shoot me an email

[00:23:08] to escapingdenverpod

[00:23:09] at gmail.com

[00:23:10] and maybe in this window

[00:23:12] of radio silence

[00:23:13] we can be productive.

[00:23:14] We can't...

[00:23:17] We can't...

[00:23:18] Sorry.

[00:23:19] Just...

[00:23:20] I got a...

[00:23:21] I got a message.

[00:23:23] I got a Noah message.

[00:23:24] I knew it!

[00:23:25] Never count Noah out!

[00:23:27] He heals,

[00:23:27] he feels,

[00:23:28] and he reels.

[00:23:29] This might be the end

[00:23:30] of this batch of messages

[00:23:31] but at least we can

[00:23:32] listen to this one together.

[00:23:43] Okay.

[00:23:45] Now, stranger,

[00:23:46] as I'm sure you've been

[00:23:47] on the edge of your seat,

[00:23:48] I wanted to let you

[00:23:49] continue on with this story.

[00:23:51] Say hello now.

[00:23:52] Noah.

[00:23:53] Ugh.

[00:23:54] Yeah, he's in one

[00:23:55] of his moods.

[00:23:56] I can't see the voice

[00:23:58] messages he's already

[00:23:59] sent me,

[00:24:00] so I can't know

[00:24:01] for certain what

[00:24:02] either of you know,

[00:24:03] but I'll find out.

[00:24:05] That's my purpose.

[00:24:06] This information

[00:24:07] that Noah seems

[00:24:08] to be willing

[00:24:09] to take to the grave.

[00:24:11] Who's been helping you?

[00:24:14] Where did you

[00:24:14] get the magnets?

[00:24:16] Hmm?

[00:24:17] How did you cause

[00:24:18] the explosions

[00:24:18] in the lab

[00:24:19] and the cloning facility?

[00:24:29] Gag him again.

[00:24:31] Gag him again.

[00:24:34] Now,

[00:24:34] I won't let Noah

[00:24:36] take his secrets

[00:24:36] to the grave.

[00:24:38] Can't.

[00:24:40] But,

[00:24:40] how am I gonna

[00:24:42] do this?

[00:24:44] Easy.

[00:24:45] I'm gonna keep him

[00:24:46] from the grave.

[00:24:55] What's the matter, Noah?

[00:24:57] The song helping

[00:24:58] to center you

[00:24:59] so he can heal faster?

[00:25:02] Oh,

[00:25:03] you do heal fast

[00:25:04] with this song.

[00:25:06] Too fast, though.

[00:25:07] We can't have that.

[00:25:10] And stranger,

[00:25:12] or should I say,

[00:25:14] Spencer?

[00:25:16] That's right.

[00:25:18] I know you.

[00:25:20] In the time

[00:25:21] we've had Noah,

[00:25:22] we've also squeezed

[00:25:24] in a little research,

[00:25:25] and you've been poking

[00:25:26] the wrong bear,

[00:25:28] podcaster.

[00:25:29] But tell you what,

[00:25:30] to keep things fair,

[00:25:32] we'll give you

[00:25:34] a head start.

[00:25:36] 10,

[00:25:38] 9,

[00:25:39] 8,

[00:25:41] 7,

[00:25:42] 6,

[00:25:44] 5,

[00:25:45] 4,

[00:25:47] 3,

[00:25:49] 2.

[00:25:50] This fall,

[00:25:51] TV's most buzzworthy

[00:25:52] drama returns.

[00:25:54] 911,

[00:25:54] what's your emergency?

[00:25:55] The crew from 911

[00:25:56] is back on the scene,

[00:25:58] kicking off

[00:25:59] with an epic

[00:25:59] three-part season premiere.

[00:26:01] The chaos begins

[00:26:03] when a truck spills

[00:26:04] its deadly cargo

[00:26:05] on the highway.

[00:26:06] That truck was hauling

[00:26:07] 22 million killer bees.

[00:26:08] Now,

[00:26:09] a catastrophe

[00:26:10] of biblical proportions

[00:26:12] swarms the city.

[00:26:14] It's a B-NATO.

[00:26:15] 911,

[00:26:16] all new

[00:26:17] Thursdays on Global.

[00:26:18] Stream on Stack TV.